william h burnham (20 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Good. 2nd printing. Bound in publisher's blue cloth with gilt spine lettering. Repair to tear in page in preface, otherwise Very Good. Lacking dust jacket.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 78 pages. 8.50x5.50x0.25 inches. In Stock.

Hardcover. Zustand: Very Good. Third printing. Octavo. Ownership stamp and signature of a noted American psychologist on the front fly, another name erased, probably an ex-library copy with pocket and spine label, good or better.

Zustand: New. In.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Illustrated (illustrator). First Edition. Illustrated Brown Cloth. First Edition. Interior Text Immaculate. 352 Pages. Slight Yellowing To Upper Section Of Title Page. Elaborate Engraved Bookplate Of Author William Henry Burnham, Dated 1900, Affixed To Fep. Signature In Ink On Ffep, Of Emil Petaja, Science Fiction Writer. Pictorial And Lettering On Front Cover Sharp; Background Cloth Front And Back With Some Rusty Damp.

Hardcover. Zustand: Very Good. First Edition. First Edition, First Printing. Published by D. Appleton and Co., 1932. Octavo. Hardcover. Book is very good with light toning to the page ends, light edgewear, and binding partially visible at the title page. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Zustand: Good. 8vo. [48 pp.]. Very Good. Soft Covers. Pages fine. B&W plates throughout.

Taschenbuch. Zustand: Neu. Neuware - 'The Normal Mind' is a foundational work in the fields of educational psychology and mental hygiene, exploring the essential conditions for maintaining a healthy and integrated personality. William H. Burnham presents a comprehensive analysis of how habits, attitudes, and the environment shape the human psyche, emphasizing the importance of purposeful activity and the 'task' in fostering mental stability.

Buch. Zustand: Neu. Neuware - 'The Normal Mind' is a foundational work in the fields of educational psychology and mental hygiene, exploring the essential conditions for maintaining a healthy and integrated personality. William H. Burnham presents a comprehensive analysis of how habits, attitudes, and the environment shape the human psyche, emphasizing the importance of purposeful activity and the 'task' in fostering mental stability.

Hardcover. Zustand: Near Fine. No Jacket. 1st Edition. ORIGINAL catalogue from Baldwin Locomotive Works published in 1885 by J. B. Lippincott & Co. This historic catalogue has a dark purplish silken cloth cover on this hardback. Measures 8 x 5.5 inches and contains 100 pages. Amazing illustrations throughout. Has the name of another company in old brown cursive ink and is dated 1888. Copyright of Burnham, Parry, Williams and Co (Philadelphia) 1884, but title page has the date of 1885. Cover has some slight shelf wear, but interior is immaculate. (BR) Shelf 331.

[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New.

Hardcover. Zustand: Very Good. First editions. Octavo. Ten pamphlets with original front wrappers bound into a single volume. Illustrated with black-and-white plates, and from photographs in three of the ten volumes. Three quarter leather with pebbled cloth boards, gilt ruling, handwritten spine label (looks contemporary). Modest stains on page edges, front board detached and present, rear joint cracked, two one-inch gauges in leather on front board, extremities worn, still a very good copy. Extremely Scarce. The ten pamphlets contained in this volume are: *The Ogdens of South Jersey. The Descendants of John Ogden of Fairfield, Conn., and New Fairfield, N.J., Born 1673, Died 1745* by Wm. Ogden Wheeler and Edmund D. Halsey, 35pp. *Inscriptions on the Tomb Stones and Monuments in the Grave Yards at Whippany and Hanover, Morris County, N.J. 1894* by Wm. Ogden Wheeler and Edmund D. Halsey, 93pp. *Church Members, Marriages & Baptisms, at Hanover, Morris Co., N.J. During the Pastorate of Rev. Jacob Green, and to the Settlement of Rev. Aaron Condit., 1746-1796* by Wm. Ogden Wheeler and Edmund D. Halsey, [illustrated], 32pp. *Descendants of Rebecca Ogden, 1729-1806, and Caleb Halsted, 1721-1784* by Wm. Ogden Wheeler and Edmund D. Halsey, 34pp. *Descendants of Robert Ogden, 2d, 1716-1787* by Edmund Drake Halsey, 82pp. *The Descendants of Stephen Pierson of Suffolk County, England, and New Haven and Derby, Conn., 1645-1739* by Frederick Lockwood Pierson, [illustrated], 33pp. *The Descendants of James Skiff of London, England, and Sandwich, Mass., Who Died After 1688* by Frederick Lockwood Pierson, 24pp. *Autobiography of Col. Aaron Ogden, of Elizabethtown* by Aaron Ogden, 33pp. *The Battle of Groton Heights: A Story of the Storming of Fort Griswold, and the Burning of New London, on the Sixth of September, 1781 Containing Also the Narrative of Rufus Avery, From the Original Manuscript* by Rev. N.H. Burnham, [illustrated], 23pp. *History and Dedication of the Soldiers' Monument, Sharon, Litchfield Co., Conn., Dedicated August 6th, 1885*, 28pp.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine including scratching and scuffing. 2.5 cm. and 3 cm. of soiling to recto. Yellow spitting to verso. Yellowing and dust soiling to inside of album cover. Light scratching of record. This is a copy of the original album jacket and original vinyl LP.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.