William eggleston (405 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. William Eggleston (illustrator).

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. William Eggleston (illustrator).

Paperback. Zustand: Very Good. William Eggleston (illustrator).

First Edition. First edition. Softcover. 79 pages. Winter 2001. Features images from: William Eggelston, Paolo Pellegrin, Eikoh Hosoe, Andre Kertesz, Annie Leibovitz, Sophie Calle, Matthew Rolston, Tony D'uson, Elaine Ling and others. A near fine copy in wrappers.

hardcover. Zustand: Very Good.

Zustand: New.

First Edition. First edition. Softcover. Fall 1984. 77 pages. Photographers in this issue include: William Eggleston, Lucas Samaras, Cindy Sherman, William Christenbery, Joel Sternfeld and others. A near fine and tight copy in wrappers. William Eggleston (illustrator).

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Eggleston, William (illustrator).

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Eggleston, William (illustrator).

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Eggleston, William (illustrator).

Paperback. Zustand: Fair. The Catholic tradition has in its collective memory many stories of the kindness and intervention of God throughout history, often through the actions of the angels and saints. Some of the most amazing of these stories have been collected in the present volume. You will be astonished and enlightened as to God's immense, loving care in ages of faith.Written at a time when rebellion was in the ascendancy, (which has subsequently poisoned most of society up to our present day) the author mined Catholic manuscripts and books for authentic treasures that demonstrate the great tenderness, beauty, and salvific power to be experienced by those with hearts open to the mysteries of Christ. Eggleston, William (illustrator).…

Zustand: New.

Zustand: New.

Zustand: New.

First Edition. First edition. Softcover. Winter 2005. 84 pages. Includes an article by Mary Ellen Mark and Martin Bell on the subject of Mark's book "Streetwise." Also includes images by Elena Dorfman, Alex Webb, William Eggleston, Lafredo Jaar, Esteban Pastorino Diaz. A clean near fine copy in wrappers.…

Zustand: New.

Soft cover. Zustand: Very Good. Paperback.

Hardback. Zustand: New. William Eggleston's Guide was the first one-man show of colour photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of colour photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with colour photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average person's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of colour as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the Guide contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually superrefined look at the surrounding world. Here are people, landscapes and odd little moments in and around Eggleston's home town of Memphis - an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up in flames, framed by a shiny silver tricycle; the curves of a gleaming black car fender, and someone's torso; a tiny, grey-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of William Eggleston's Guide, The Museum of Modern Art has made new colour separations from the original 35mm slides, producing a facsimile edition in which the colour will be freshly responsive to the photographer's intentions.…

Zustand: New.

Zustand: New.

First Edition. First edition. Softcover. 88 pages. Features articles like: Alessandra Mauro writing on William Klein's images of Rome, Neil Labute's words accompanied by images by Gerard Slota, Melissa Harris writing on William Eggleston's drawings, Phillip Lopate on Sally Gall, and a profile of Debbie Fleming Caffery by Mary-Charlotte Domandi. A near fine copy in wrappers.…

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New.

Hardback. Zustand: New. William Eggleston's Guide was the first one-man show of colour photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of colour photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with colour photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average person's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of colour as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the Guide contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually superrefined look at the surrounding world. Here are people, landscapes and odd little moments in and around Eggleston's home town of Memphis - an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up in flames, framed by a shiny silver tricycle; the curves of a gleaming black car fender, and someone's torso; a tiny, grey-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of William Eggleston's Guide, The Museum of Modern Art has made new colour separations from the original 35mm slides, producing a facsimile edition in which the colour will be freshly responsive to the photographer's intentions.…

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: DJ Near Fine. 1st Edition. Corner crease on rear flyleaf. A large, heavy book which will require extra shipping charges - cannot ship outside U.S.A. William Eggleston (photos) (illustrator).

Hardback. Zustand: New. This momentous publication catalogues the last major group of William Eggleston's photographs to ever be produced using the dye-transfer method, the format in which he originally presented his work. Eggleston's vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium's history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process-first developed by Kodak in the 1940s-allowed him to achieve the richness of tonal depth and color saturation that he had been searching for. In the early 1990s, Kodak stopped producing the dyes, paper, and film used in the process. With the necessary materials now discontinued, and the bulk of what remained being used for the major group of work presented at David Zwirner in Los Angeles, The Last Dyes marks the final presentation of new works completed in this medium. The publication includes a new essay by Jeffrey Kastner, offering critical insights into Eggleston's enduring influence at this turning point in the history of photography.…