william arnold anthony (25 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New.

Zustand: New.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Vintage photograph of director Irving Cummings, cinematographer Leon Shamroy, and actresses Alice Faye and Helen Westley on the set of the 1940 film. Mimeo snipe on the verso. The life story of the 19th century American musical star. 10 x 8 inches. Near Fine.

Hardcover. Zustand: Gut. 123 In diesem Buch äußern sich 12 prominente Engländer zu den Themen Politik, Wirtschaft, Gesellschaft und Kultur in England. Es bietet Einblicke in die Sichtweisen und Analysen der Autoren über ihr Heimatland und seine Rolle in der Welt. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-541-2/8-00528860 Sprache: Deutsch Gewicht in Gramm: 368.

Cloth. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. Arnold and Lorraine Walter (illustrator). First edition. This uncommon limited first edition of an illustrated science fiction anthology compiled by William L. Crawford with the original unclipped dust wrapper. The first edition of the work, which according to the dust wrapper's flyleaf was originally published in a limited run of one thousand copies. Some stories included in this collection were first published in popular science fiction magazines such as Weird Tales andThrilling Wonder Stories.With several delightful monochrome plate illustrations by Arnold and Lorraine Walter accompanying the text.Uncommon.This is a peculiar and exciting collection of short science fiction compiled by William L. Crawford, pseudonymously known as 'Garret Ford'. Crawford was an important editor and publisher of science fiction, founding the Fantasy Publishing Company which was one of the central fan presses of the era and with which Science and Sorcery was published. This collection contains works by major science fiction authors such as 'The Naming of Names' by Ray Bradbury, 'The Little Man on the Subway' by Isaac Asimov and James MacCreigh, 'Scanners Live in Vain' by Paul Myron Anthony Linebarger, or Cordwainer Smith, and 'The Lost Cord' by Sam Moskowitz'. In the original publisher's full red cloth binding. Externally, very excellent with just a touch of bumping to the head and tail of the spine and to the extremities. Wrapper is generally smart with light age toning, minor handling marks, and edgewear, including some fractional closed tears and chips, with an archival tape repair to the top edge of its reverse. Internally, firmly bound with pages that are somewhat age toned, however clean. Near Fine. book.

Single Issue Magazine. Zustand: Fair. Tames, George; Baum, Allyn; Gossett, Carl; Flatley, Guy; Austin, Michael; Falk, Sam; Glueck-Selig, Leo; McBean, Angus; McDaniel, J.W.; Owen, Bernard; Zimbel, George; Gallagher, Barrett; Austin, Michael; Appelbe, Ron; Lane, Tony (illustrator). First Edition. 108 pages. Features: Many gorgeous color fashion ads; Average wear. Ten Years of Irreversible Revolution in the Patterns of Negro-white relations after the Supreme Court's decision on school segregation - article with many great civil rights photos; 'Mason-Dixon Line' in Queens - Junction Boulevard; Portrait of the Distant 'Candidate' - Henry Cabot Lodge; Are Long Presidential Campaigns necessary?; Why I Dislike Western Civilization - Arnold Toynbee explains why contemporary society annoys and frightens him; Salute to the Military; A Plea to Save the Liberal Arts; Wake-up War Between Patient and Nurse - why must hospital patients be awakened so early?; The Special Magic which draws so may to ocean voyages; Why Kids Run Away From Home; United States Lines ad features color photos of Hildegarde, Leon Cherksey of Ambler PA and Mrs. Reed Albee; Nice Sheaffer pen ad; Back cover color Benson & Hedges ad features badges of the International Sports Car Club, Long Island Sports Car Assoc., Chicago Region SCCA, Jaguar Clubs of North America and California Sports Car Club Region. Dance photo missing from page 83. Fashion photo on page 60 missing. Faint library stamp on front cover. A worthy vintage copy.

Zustand: Fine. Handsomely bound collection of "modern" essays, illustrated with portraits of each author "in permanent photography." A late Victorian production meant for a casual literary audience, anthologizing some of the most respected critics of the era: Ralph Waldo Emerson's "Compensation" (first his first book of ESSAYS), De Quincey's "Conversation," Washington Irving's "The Mutability of Literature," Thomas Carlyle's "On History," and more. What distinguishes it from many others of its kind in this era is the inclusion of photographic portraits of each contributor (including photographs of paintings or drawings for those whose photos were never taken). This particular copy further boasts a beautifully finished full morocco binding by Bickers & Son. A stunning representative of the era. 8.25'' x 5.25''. Contemporary full navy crushed morocco by Bickers & Son, triple-gilt rules and elaborate floral border, raised bands, gilt-stamped spine. Gilt edges, marbled endpapers, all edges gilt. Illustrated with 12 photographic portraits of contributors. With half title. [10], 395, [1] pages. Ink owner name dated 1897. Only a few traces of rubbing.

Soft cover. Zustand: Fine. 1st Edition. 1976-1983. First edition, first printing. 27 volumes sharing the following format: Soft cover. Saddle-stiched (staple bound); no dust jacket as issued. Volumes are contained in two silver printed paper-covered slipcases. Photographs and text by various artists (see below). Additional text by Jane Livingston. Includes a catalogue of each exhibition and brief biographies of the artists. 16-40 pp. each. 8 x 8 inches. Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland 2) Joe Cameron: The Extended Mall 3) Robert Cumming 4) Roy DeCarava 5) Lee Friedlander 6) John Gossage: Better Neighborhoods of Greater Washington 7) Jan Groover 8) Anthony Hernandez This set also contains the following exhibition catalogues: 9) Jerry Burchard 10) William Christenberry: Color Photographs 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views 12) Mark Cohen 13) Gregory Conniff 14) Linda Connor 15) Frank DiPerna: Color Photographs 16) Emmet Gowin: Photographs 1966-1983 17) Arnold Kramer: Interior Views 18) Helen Levitt 19) Jerome Liebling 20) Sally Mann: The Lewis Law Portfolio 21) John McIntosh 22) Mike Mitchell: Other Lights 23) Mark Power: Beauty and the Beast 24) Addison N. Scurlock 25) Rosalind Solomon 26) A Selection of Photographs from the Collection of Sam Wagstaff 27) Janica Yoder. Fine (slipcase with moderate scuffing; all catalogues Fine, except for the Gowin catalogue which has creasing to the rear cover). Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland (The Nation's Capital in Photographs,1976). 24 pp., with 14 black-and-white plates. Exhibition dates: June 19-September 12, 1976. 2) Joe Cameron: The Extended Mall (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976-February 20, 1977. 3) Robert Cumming: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14-May 9, 1976. 4) Roy DeCarava: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14-May 9, 1976. 5) Lee Friedlander: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976-February 20, 1977. 6) John R. Gossage: Better Neighborhoods of Greater Washington (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: September 24-November 21, 1976. 7) Jan Groover: The Nation's Capital in Photographs, 1976. 24 pp., including two 2-page gatefolds, with 7 black-and-white plates and 7 four-color plates. Exhibition dates: September 24-November 21, 1976. 8) Anthony Hernandez: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: June 19-September 12, 1976. Other exhibition catalogues: 9) Jerry Burchard, 1978. 16 pp., with 10 black-and-white plates. Exhibition dates: April 21-June 4, 1978. 10) William Christenberry: Color Photographs, 1978. 16 pp., with 5 tipped-in four-color plates. Exhibition dates: December 21, 1978-February 11, 1979. 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views. 1979. 16 pp., with 4 tipped-in four-color plates. Essay by Lloyd Fonvielle. Includes a checklist of the exhibition, biography, exhibition history and bibliography. Exhibition dates: Exhibition dates July 21-September 23, 1979. 12) Mark Cohen, 1981. 24 pp., with 12 black-and-white plates. Exhibition dates: October 10-December 13, 1981. 13) Gregory Conniff, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: December 19, 1979-February 3, 1980. 14) Linda Connor. Unpaginated, with 13 duotone plates, printed by Schneidereith and Sons, Baltimore, Maryland, from separations by Prolith International, Beltsville, Maryland. Exhibition dates: November 20, 1982-January 2, 1983. 15) Frank Di Perna: Color Photographs, 1977. 16 pp., with 8 four-color plates. Exhibition dates: June 4-July 17, 1977. 16) Emmet Gowin: Photographs 1966-1983. 40 pp., with 20 duotone plates. Exhibition dates: September 7-November 13, 1983. Includes a biography, exhibition history and bibliography. Text by Peter Bunnell. Limited to 2000 copies. CONDITION: Near Fine (creasing to the rear cover, else Fine). 17) Arnold Kramer: Interior Views, 1978. 16 pp., with 9 black-and-white plates. Exhibition dates: April 21-June 4, 1978. 18) Helen Levitt, 1980. 12 pp., with 6 four-color plates and 1 black-and-white plate. Exhibition dates: February 9-March 23, 1980. 19) Jerome Liebling, 1980. 16 pp., with 9 four-color plates and 1 black-and-white plate. Exhibition dates: December 5, 1980-January 24, 1981. 20) Sally Mann: The Lewis Law Portfolio, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24-November 13, 1977. 21) John McIntosh, 1979. 20 pp., with 6 tipped-in four-color plates. Exhibition dates April 21-June 18, 1979. 22) Mike Mitchell: Other Lights, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24-November 13, 1977. 23) Mark Power: Beauty and the Beast, 1979. 12 pp., with 5 four-color plates. Exhibition dates: October 4-December 9, 1979. 24) The Historic Photographs of Addison N. Scurlock. 24 pp., with 14 black-and-white plates. Exhibition dates: June 19-August 29, 1976. 25) Rosalind Solomon: Washington, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: May 15-June 29, 1980. 26) An Exhibition of Photographs from the Collection of Sam Wagstaff. Exhibition catalogue, featuring a list of works by 19th- and 20th-Century artists. 12 pp., with 21 black-and-white thumbnail illustrations and two black-and-white plates. Exhibition dates: February 3-March 26, 1978. 27) Janica Yoder, 1979. 16 pp., with 10 black-and-white plates. Exhibition dates: February 29-April 22, 1979.

Hardcover. Zustand: Good. Magazine. 105 bound volumes and 98 individual issues in wrappers. Octavos. A long run from 18601933 of this famous Victorian literary magazine known for debuting the works of many important English writers. The set includes volumes 1-29 (January 1860-June 1874), 34-114 (July 1876-December 1916), and volumes 125-129 (January 1922-June 1924) bound in contemporary publisher's cloth or full linen boards. Also included are 98 monthly issues (numbers 337-450) in the original printed wrappers (July 1924-December 1933, lacking July 1930, and May, November, and December 1931). Among the many complete works included in this long run are the first appearances of *Framley Parsonage*, *The Claverings*, and two other novels by Trollope, as well as Thackeray's *The Adventures of Philip* and his complete column: "Roundabout Papers." Other works from the 1860s include *Romola* by George Eliot, *Wives and Daughters* by Elizabeth Gaskell, *Armadale* by Wilkie Collins, *Unto This Last* by John Ruskin, *Culture and Anarchy* by Matthew Arnold, and Tennyson's "Tithonus." Works from the 1870s and 1880s include *The Adventures of Harry Richmond* by George Meredith, *Daisy Miller* and *Washington Square* by Henry James, *The Pavilion on the Links* and *The Merry Men* by Robert Louis Stevenson, and the first 29 chapters of *Far from the Madding Crowd* by Thomas Hardy. *J. Habakuk Jephson's Statement* was first published anonymously by Arthur Conan Doyle in 1884, and *The White Company* first appeared under his name in 1891-92. *The Lagoon* by Joseph Conrad appeared in 1897. *Cornhill* maintained its high reputation up through the 1930s. Works from the early 20th Century include poems and prose pieces by Robert Bridges, Thomas Hardy, W.B. Yeats, Ford Madox Ford, and Katherine Tynan. The magazine also featured illustrations by George du Maurier, Frederic Leighton, Edwin Landseer, John Everett Millais, and other leading artists. Most were engraved on wood by the Brothers Dalziel, and include numerous full-page and folding plates. Most volumes from 1860 to 1901 are bound in contemporary publisher's cloth (with some rebound in full cloth), volumes from 1902 to 1924 are rebound in full cloth (most with the original wrappers included), and single monthly issues from the 1920s and early 1930s are in the original printed wrappers. Ex-library set with bookplates, most 19th Century volumes with a small embossed stamp on the title pages and a perforated stamp on the plates. The earliest volumes are chipped at the spines and edges, a few with split spines and detached boards, else overall a good set of bound volumes; the single issues in wraps are unmarked and very good or better. A very nice assemblage of notable 19th Century literature and illustrations.