William a kittredge (8 Ergebnisse)

Softcover. Zustand: Très bon. Légères traces d'usure sur la couverture. Salissures sur la tranche. Edition 1993. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Stains on the edge. Edition 1993. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Softcover. Zustand: Very Good. Ruzica, Rudolph; Helen Gentry; D. B. Updike; William A. Kittredge. THOREAU'S "CAPE COD" A PROBLEM IN BOOK DESIGN AS SOLVED BY. American Institute of Graphic Arts (1940). Tan wrappers with black printing. A very small stain to the front wrapper, otherwise bright and complete. Very Good condition.…

softcover. Zustand: nf.

Zustand: New. Presents the atmospheric setting The dusty town of Moon Dance, smacked down between barren mountains and a badland named the Freezeout.&Uumlber den AutorIntroducing Murders at Moon Dance is the celebrated Montana writer William Ki.

Zustand: New. Montana is a ruggedly diverse and strikingly beautiful state, a land that takes hold and won t let go. This title describes the idiosyncratic personalities, restless landscape, unforgettable peoples, and history of the Treasure State.&Uumlber den A.

Zustand: Very good. Chicago, December 16, 1932., 1932. Very good. - Over 70 words typed on 10-7/8 inches high by 8-3/8 inches wide "The Lakeside Press : R.R. Donnelley & Sons Company" stationery. William Kittredge replies to E.H. Hugo's inquiry as to having Chinese typographic characters set in China "I would suggest that if you get in touch the Yamanaka Company . that they would probably tell you how you could have Chinese characters set in China and imported to this country or imported from over there.'" Signed "Wm. A. Kittredge". The top left corner is creased and the letter is folded for mailing with a couple of letters in Kittredge's signature slightly smudged. E.H. Hugo has used the verso as the carbon copy for his reply dated December 19th. Very good. The Chicago designer and author of works on design William A. Kittredge (1891-1945) was the son of the printer Albion Kittredge. He apprenticed to Thomas Parkhurst and went on to work at the Riverside Press in Cambridge and subsequently as art director to various printing houses. He was Director of Design and Typography for The Lakeside Press, producing works for the Caxton Club and The Limited Editions Club.…

Zustand: Fine. Group of typographical ephemera from or attrbuted on stylistic grounds to William A. Kittredge and the Lakeside Press. Lot consists of the following: 1) Cover and spine labels for Theodore Wesley Koch's translation of The Mirror of the Parisian Bibliophile: A Satirical Tale (Lakeside Press.1931); 2) Bookplate for The Gõsta Oldenburg Collection of American Books at Uppsala University [Sweden] / Presented by Vilas Johnson / Chicago; 3) Bookplate for A Memorial to F. C. Senour [Frank C. Senour, Professor of English, died 1928] to the Men's Faculty Club of Indiana University / Presented by His Wife; 4) The Legend of Saint Anastasius, uncredited translation from the German by Theodore Wesley Koch, small handbill, 2 X 7 inches, printed on both sides. A 1938 printing of the last item for the Charles Deering Library at Northwestern University is recorded in WorldCat. Theodore Wesley Koch (1871-1941) was the Librarian of Northwestern. Our current list includes typographical ephemera relating to Rockwell Kent and his contemporaries.…

Zustand: Fine. Group of ephemera with typography by and/or designed by William A. Kittredge, longtime director of design for the Lakeside Press. The lot contains the following: Two identical business cards with his name written calligraphically within a calligraphic surround, card bears the name and address of the Lakeside Press, R. R. Donnelley & Sons Company, but not his position in the company; card with text Specimens of Printing Designed by William Kittredge and Executed under His Direction, set in type in a classical frame; Christmas card, folding card printed in red with quotation from William Blake inside the fold, face reads Merry Christmas from Gladys & William Kittredge / Evanston, Illinois / 1940 /; and two proofs for his personal bookplate, designed by Bruce Rogers, one printed in black, the other in red, with abstract plants, a running deer, an arrow flying, and a bird in the sky. Our current list includes typographical ephemera relating to Rockwell Kent and his contemporaries.…