Wilford paul (24 Ergebnisse)

Soft cover. Zustand: Very Good. Internally clean, unmarked copy with solid and crease-free spine, touch of creasing to lower front corners o/w near sharp corners. KRM/Ex-Cat/Delaware/.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

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Zustand: New. In English.

Hardcover. Zustand: Brand New. 328 pages. 9.00x6.00x1.00 inches. In Stock.

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Zustand: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. Through a reexamination of Immanuel Kant and his philosophical legacy, this volume explores the philosophic presuppositions of the possibility of progress and our belief in reason s capacity not only to improve the material well-being of humanity but also t.

Paperback. Zustand: Brand New. 296 pages. 9.25x6.00x1.00 inches. In Stock.

Buch. Zustand: Neu. Neuware - Immanuel Kant (1724-1804) transformed the philosophical, cultural, and religious landscape of modern Europe. Emphasizing the priority of practical reason and moral autonomy, Kant's radically original account of human subjectivity announced new ethical imperatives and engendered new political hopes. This collection of essays investigates the centrality of progress to Kant's philosophical project and the contested legacy of Kant's faith in reason's capacity to advance not only our scientific comprehension and technological prowess, but also our moral, political, and religious lives. Accordingly, the first half of the volume explores the many facets of Kant's thinking about progress, while the remaining essays each focus on one or two thinkers who play a crucial role in post-Kantian German philosophy: J. G. Herder (1744-1803), J. G. Fichte (1762-1814), G. W. F. Hegel (1770-1831), SØren Kierkegaard (1813-1855), Friedrich Nietzsche (1844-1900), Walter Benjamin (1892-1940), and Martin Heidegger (1889-1976). This two-part structure reflects the central thesis of the volume that Kant inaugurates a distinctive theoretical tradition in which human historicity is central to political philosophy. By exploring the origins and metamorphoses of this tremendously influential tradition, the volume offers a timely perspective on fundamental questions in an age increasingly suspicious of the Enlightenment's promise of universal rational progress. It aims to help us face three sets of questions: (1) Do we still believe in the possibility of progress If we do, on what grounds If we do not, why have we lost the hope for a better future that animated previous generations (2) Is the belief in progress necessary for the maintenance of today's liberal democratic order Does a cosmopolitan vision of politics ultimately depend on a faith in humanity's gradual, asymptotic realization of that lofty aim (3) And, if we no longer believe in progress, can we dispense with hope without succumbing to despair.…

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Hardcover. Zustand: Brand New. 324 pages. 9.50x6.50x1.00 inches. In Stock.

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Draft script for the 1982 film. Title page contains "#40" written in manuscript pencil on the upper right, likely a copy number, as well as several pages with annotations, again in manuscript pencil, commenting, circling and striking scenes, action and dialogue. From the estate of film producer Elliott Kastner, whose best known credits include "The Long Goodbye" (Robert Altman, 1973), "The Missouri Breaks" (Arthur Penn, 1976), and "Heat" (Michael Mann, 1996). A year before Peter Billingsley would become the familiar face of Ralphie Parker in Bob Clark's 1983 "A Christmas Story," he was Billy, a child coping with his parent's recent divorce, flying to California with his mom, Sally (Catherine Hicks), to meet her high school sweetheart, Mike (Paul Le Mat), for a vacation in Death Valley. It isn't long before Billy comes across a killer's crime scene, leading the killer to them, and it is up to little Billy to outsmart him. Set in Death Valley, California and New York, shot on location in California, Arizona and New York. Gray untitled wrappers. Title page present, dated October 28, 1980, with credits for screenwriter Richard Rothstein. 111 leaves, with last page of text numbered 110. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.…