wildman george (23 Ergebnisse)

Hardcover. Zustand: Fair. No Jacket. George Wildman (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. George Wildman (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. George Wildman (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. George Wildman (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. George Wildman (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. George Wildman (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Wildman, George (illustrator).

Hardcover. Zustand: Very Good - Cash. George Wildman (illustrator). Light reader wear and rubbing to the edges, corners, covers, and pages. The book is in great condition! Stock photos may not look exactly like the book.

Zustand: Very Good. Wildman, George (illustrator). Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Used - Good. George Wildman (illustrator). Cover edges show some minor wear from reading and storage. Pages are clean; there is no writing, highlighting or margin notes.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Soft cover. Zustand: Good. GEORGE WILDMAN (illustrator). The covers are lightly rubbed with creases and sticker pull to front, with some bumping to the edges and corners. The stapled binding is secure. The pages appear clean and crease free with colourful pictures. This book has unnumbered pages. All in all a nice example of this children's book.

Leinen. Zustand: Gut. 367 S. ; 8 Schutzumschlag fehlt, Buch: Kanten gering bestossen /// Standort Wimregal HOM-13095 Sprache: Deutsch Gewicht in Gramm: 486.

Wraps. Zustand: Good. Sanho Kim (illustrator). Unevenly paginated--advertising pages appear not to be numbered. (32 pages plus covers). Cover has some wear and soiling. This work was approved by the Comics Code Authority (CCA). Adventures with martial arts hero Sun Yang, a member of I-Ho-Ch'uan (The Society of Righteous and Harmonious Fists) in Northern China. This issue features a book length story "Part 1 - Hunters of the Sun" and "Part 2 ? The Plunderer" in which Sun Yang battles deadly assassins hired to kill him. Story by Joe Gill & art by Sanho Kim. House of Yang, started with a July, 1975 cover date. There, Gill and artist Sanho Kim (Cheyenne Kid, Dr. Graves) told the story of Yang's cousin, Sun Yang, inheriting Chung Yuan's estate. Also trying to claim it was Eva Ku, Yin Li's half-sister, whom he defeated, but who returned to try for it again and again. House of Yang ran for six issues. Joseph P. Gill (July 13, 1919 December 17, 2006] was an American magazine writer and highly prolific comic book scripter. Most of his work was for Charlton Comics, where he co-created the superheroes Captain Atom, Peacemaker, and Judomaster, among others. Comics historians consider Gill a top contender as the comic-book field's most prolific writer. Per historian and columnist Mark Evanier, Gill "wrote a staggering number of comics. There are a half-dozen guys in his category. If someone came back and said he was the most prolific ever, no one would be surprised." Gill met future hardboiled detective novelist Mickey Spillane, a lifelong friend, who also began writing for Funnies, Inc. Following military service in World War II as a U.S. Navy radio operator in which according to family lore Gill's ship was torpedoed by a Japanese submarine and Gill's signaling for help amid the sinking led to the rescue of many hands. Spillane and Ray Gill insisted Joe go into freelance writing with them. When superheroes fell out of favor in the post-war years, Gill began scripting teen-humor, Western and other genre comics for Timely. Following an industry downturn around 1948, he eventually found his way to the comic-book publisher Charlton Comics, based in Derby, Connecticut. There, beginning in the early 1950s, Gill became the company's primary staff writer for the next thirty years. He was known for his speed, often finishing a full-length comics script in a day and writing as much as an estimated 100 to 125 pages a week across a number of genres, from crime fiction to science fiction, romance to war stories. Superheroes were a minor part of Charlton; Gill created one of its first, Zaza the Mystic. He also did colorist work for the company. In 1960, as the industry was returning to superheroes for what would become known as the Silver Age of comic books, Gill and the soon-to-be-legendary co-creator of Marvel Comics' Spider-Man, Steve Ditko, created the astronaut-turned-atomic-hero Captain Atom in the sci-fi anthology title Space Adventures #33 (March 1960). The character would eventually become a stalwart of the DC stable, as would Blue Beetle, an old Fox Comics superhero revived by Gill and artists Bill Fraccio and Tony Tallarico as a campy, comedic character in Blue Beetle #1 (June 1964). In 1967, Charlton editor Dick Giordano introduced the company's "Action Hero" superhero line, with new characters that included Gill and artist Pat Boyette's The Peacemaker as well as Gill and company art director Frank McLaughlin's Judomaster. In other areas, he collaborated with Ditko on the giant-ape series Konga and on the movie-spinoff series Gorgo. Sanho Kim (born 1939 in Korea) is a South Korean comic book artist, considered the first artist working in a manhwa style to be published regularly in the United States. The bulk of Kim's American work was for Charlton Comics' horror comics, as well as the Kung fu title House of Yang. In South Korea, Kim is known for the bestselling title Lifi, as well as his more recent History of Great Korean Empire. Lifi encouraged the Korean people to rise from the destruction of the Korean War, and is still imprinted in the minds of many people as Korea's first science fiction comic. Though Kim has worked in many styles and genres, the common theme that runs through his work is the pride and spirit of the Korean people. Kim's most important and artistically successful effort was for House of Yang (19751976), a spinoff of the Charlton title Yang. House of Yang was set in Asia, which perfectly suited Kim's background and style. Presumed First Edition, First printing of this issue.

Wraps. Zustand: Good. Warren Sattler (illustrator). Unevenly paginated--advertising pages appear not to be numbered. (32 pages plus covers). Cover has some wear and soiling. This work was approved by the Comics Code Authority (CCA). Like most of the Charlton catalog, Yang's backstory was simple, bare-bones even. His entire origin is presented in his first issue, written by Charlton vet Joe Gill, with art by Warren Sattler, and it fills readers in on how he made it from the Far East to (like Carradine's Kung Fu) the Old West. And the story wastes no time in hurling us bodily into the chop-kick action. Yang's father is assassinated within the first pages, the rest, as they say, is history. Warren Sattler (born September 7, 1934) is an American artist and cartoonist, who contributed work to many popular publications from the early 1960s through the 1990s. A lifelong Connecticut resident, Warren Sattler started cartooning at an early age and was first published in a newspaper at age 15. He got his education at the Wilcox Technical School in Meriden, Connecticut. He later taught at the Famous Artists School from 1957 to 1962. In the 1960s, he assisted on the comic strips Barnaby and The Jackson Twins. In the 1970s, Sattler produced art for comic books, in particular Charlton Comics. Some titles he worked on include Billy the Kid, Fightin' Army, Fightin' Marines, Ghost Manor, Ghostly Haunts, and Yang. Charlton Comics was an American comic book publishing company that existed from 1945 to 1986, having begun under a different name: T.W.O. Charles Company, in 1940. It was based in Derby, Connecticut. The comic-book line was a division of Charlton Publications, which published magazines (most notably song-lyric magazines), puzzle books and, briefly, books (under the Monarch and Gold Star imprints). It had its own distribution company (Capital Distribution). Charlton Comics published a wide variety of genres including; crime, science fiction, Western, horror, war and romance comics, as well as talking animal and superhero titles. The company was known for its low cost practices, often using unpublished material acquired from defunct companies and paying comics creators among the lowest rates in the industry. Charlton was also the last of the American comics publishers still operating to raise its cover prices from ten cents to 12 cents in 1962. It was unique among comic book companies in that it controlled all areas of publishing from editorial to printing to distribution rather than working with outside printers and distributors as did most other publishers. It did so under one roof at its Derby headquarters. The company was formed by John Santangelo Sr. and Ed Levy in 1940 as T.W.O. Charles Company, named after the co-founders' two sons, both named Charles, and became Charlton Publications in 1945. Joseph P. Gill (July 13, 1919 December 17, 2006] was an American magazine writer and highly prolific comic book scripter. Most of his work was for Charlton Comics, where he co-created the superheroes Captain Atom, Peacemaker, and Judomaster, among others. Comics historians consider Gill a top contender as the comic-book field's most prolific writer. Per historian and columnist Mark Evanier, Gill "wrote a staggering number of comics. There are a half-dozen guys in his category. If someone came back and said he was the most prolific ever, no one would be surprised." Gill met future hardboiled detective novelist Mickey Spillane, a lifelong friend, who also began writing for Funnies, Inc. Spillane and Ray Gill insisted Joe go into freelance writing with them. When superheroes fell out of favor in the post-war years, Gill began scripting teen-humor, Western and other genre comics for Timely. Following an industry downturn around 1948, he eventually found his way to the comic-book publisher Charlton Comics. There, beginning in the early 1950s, Gill became the company's primary staff writer for the next thirty years. He was known for his speed, often finishing a full-length comics script in a day and writing as much as an estimated 100 to 125 pages a week across a number of genres, from crime fiction to science fiction, romance to war stories. Superheroes were a minor part of Charlton; Gill created one of its first, Zaza the Mystic. In 1960, as the industry was returning to superheroes for what would become known as the Silver Age of comic books, Gill and the soon-to-be-legendary co-creator of Marvel Comics' Spider-Man, Steve Ditko, created the astronaut-turned-atomic-hero Captain Atom in the sci-fi anthology title Space Adventures #33 (March 1960). In 1967, Charlton editor Dick Giordano introduced the company's "Action Hero" superhero line, with new characters that included Gill and artist Pat Boyette's The Peacemaker as well as Gill and company art director Frank McLaughlin's Judomaster. Presumed First Edition, First printing of this issue.

0 Includes illustrations. Fine. in brodart sleeve, flawless.

Softcover. Zustand: Near Fine. Magazine. Cover illustration by Karen Stern. Octavo. 109pp. Perfectbound. Black and white illustrations. Age-toning on the spine with little spotting on the rear wrapper, near fine. First published in 1946, *Chicago Review* has published literary criticism, contemporary poetry, and fiction for 70 years. Notable authors include Nancy Willard, Kenji Miyazawa, Henri Michaux, Peter Wild, James Tate, Bill Knott, Robert Hershon, and Eugene Wildman. Additional contributors include Alain Arias-Mission, Florence Elon, Robert S. Hahn, William Whitman, George Hitchcock, Bill Knott, Robert Sayre, and Alan Sussman.

Couverture rigide. Zustand: bon. RO20276764: 1991. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 64 PAGES de BD couleur. . . . Classification Dewey : 843.0692-Livres d'enfants.

Couverture rigide. Zustand: bon. RO20251450: 1992. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 48 pages illustrées de BD en couleur. . . . Classification Dewey : 843.0692-Livres d'enfants.

Softcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Some price markings scribbled out on front cover. Bookstore's rubber stamp on page 3. 25mm blank corner missing to a few leaves. Ink scribble to blank margin of page 35. ; Australian publication. 68 pages including covers. Colour illustration on front cover. Internally black-and-white. Page dimensions: 274 x 205mm. Science fiction comic. Stories reprinted from Charlton Comics 1971-1975. Cover art by Phil Belbin? "Rated A for Adult Readers" - from front cover. Cover price 50c. [Reference: Grand Comics Database at Comics Org, 1247870, accessed online December 2024].

Zustand: Hervorragend. Wildman, George (illustrator). Zustand: Hervorragend | Seiten: 64 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

23,5 x 17 cm. 7 unnum. Blatt mit farbigen Illustrationen und Ziehmechanismen. OPp. Unterhaltsames Ziehbilderbuch über die Abenteuer von Popeye und Olivia. - Einband etwas fleckig, ein Ziehmechanismus ist evtl. defekt, der Rest ist funktionsfähig.

Staple Bound. Zustand: Fair - Cash. Cover has an illustration of raccoon Mario with a cloudy, blue sky background and red text above him. There's creasing to the front and back covers. The corners are beginning to curl. There are tears at the top and bottoms of the spines. The first page has been torn out, the last page is lose because of it. Pages show reader wear. Aside from the first and last pages, the rest of the pages are secure. Stock photos may not look exactly like the book.