Wiene robert (7 Ergebnisse)

Soft cover. Zustand: Very Good. pb, 100pp, plates.

Soft cover. Zustand: Very Good Plus. Revised Edition. 1984. 100pp. Complete screenplay of the film plus 20 pages of b&w photos from the film. Book in excellent condition. Light wear to edges but generally in excellent condition with no inscriptions. "The Cabinet of Dr. Caligari is one of the great classics of the German Expressionist cinema and one of the most influential films ever made. Its crazily painted sets and obsession with mental cruelty and madness set the tone of the German cinema for many years to come. Its themes of human exploitation and brutal murder prefigured the spiritual and moral climate of Nazi Germany. . The original screenplay for the film, by Hans Janowitz and Carl Mayer, was revolutionary in this examination of arbitrary authority. The deranged director of a psychiatric institution adopts the identity of an eighteenth-century Italian showman called Caligari, who had hypnotised a somnambulist called Cesare and obliged him to commit a number of murders while in a hypnotic state. This latter-day Caligari also obliges a somnambulist called Cesare to commit a number of murders, bringing terror to a fictitious German town. When the film was finally shot, the director Robert Wiene introduced a framing story, whereby the whole series of events concerning the modern Caligari are shown to exist only in the feverish imagination of a patient in the director's own institution. . This edition of The Cabinet of Dr. Caligari has been prepared from a shot-by-shot viewing of the film. The introductory material includes Siegfried Kracauer's famous essay on Caligari, an account of how the screenplay became the film by Erich Pom-mer and an appreciation by Paul Rotha. The text is illustrated with almost fifty stills.".…

Karton. Zustand: Gut. 1040 S., 21cm Zustand: gering bestoßen --- Inhalt: englischer Text. A film by Robert Wiene, Cal Mayer and Hans Janowitz. English translation and description of action by R.V. Adkinson. Texts by Siegfried Kracauer, Erich Pommer and Paul Rotha. schwarzweiß illustriert ORA2-3 ISBN: 9780856470844 Sprache: Englisch Gewicht in Gramm: 200.…

Zustand: leido. RUSTICA, ILUSTRADO 141.

Gut. ORIGINAL-FILMPLAKAT / Poster aus dem Atlas-Filmverleih. Entwurf Fischer Nosbich. Mehrfarbig, gerollt, unverletzt. Pharao (poln. Faraon, Die dunkle Macht der Sphinx) ist ein polnischer Monumentalfilm aus dem Jahr 1966. Gedreht wurde er vom Regisseur Jerzy Kawalerowicz nach dem gleichnamigen Roman von Boleslaw Prus. Pharao bekam 1966 eine Nominierung für die Goldene Palme beim Internationalen Filmfestival in Cannes und 1967 eine Nominierung als Bester fremdsprachiger Film für einen Oscar (aus: Wikipedia). +++ An original movie / film poster, from the film "Pharaoh" of Jerzy Kawalerowicz (1965), good condition. +++ Une affiche originale du film "Le Pharaon" de Jerzy Kawalerowiczvers 1965, bon état. +++ Ca. 60 x 80 Cm. 0,1 Kg. NUR ALS PAKET! +++ Stichwörter: Kino Werbung Reklame Plakat Plakatkunst Cinema Gewicht in Gramm: 100.…

E.Brief (1 S. 8°) in Tinte mit Ort, Datum, Unterschrift signiert Berlin, 16.XII.26 - an den Journalist DR. KURT MÜHSAM (1882-1931, Redakteur der B.Z. am Mittag in Berlin) in Berlin, mit Dank für seine Notiz zu seinem neuen Film der National. DAZU : E,Briefumschlag dazu.

Vintage double weight matte finish reference photograph from the seminal 1920 silent film. Samuel Goldwyn discovered "Caligari" on a trip abroad, and released this film in the US in 1921, at which time 11 x 14 inch photos such as this one were printed on matte paper. Reference number "4" noted in manuscript pencil at the lower right corner of the recto and on the verso as well. The photograph depicts Werner Krauss as Dr. Caligari walking through the streets of the obtuse-appearing city, a prime example of the most basic elements of what would become known as German Expressionism. Producer Erich Pommer put the set design of the film in the hands of designer Hermann Warm and painters Walter Reimann and Walter Rohrig, whom he had met as soldiers while painting sets for a German military theater. When Pommer began to have second thoughts about how the film should be designed, the designers convinced him that it made sense to paint lights and shadows directly on set walls, floors, background canvases and to place flat sets behind the actors-a cost saving measure that was the essence of a groundbreaking stylistic innovation. 11 x 14 inches. Very Good to Near Fine, with a small chip at the lower right corner, slightly trimmed for publication (though none of the image is affected, only the margins), and one small closed tear mended at the verso.…