whitebait william (16 Ergebnisse)

Zustand: Good. Good condition. Good dust jacket. No. 2. (Film, Motion Pictures) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+ dj. 2nd Annual. [nice copy, light wear only to book, slight bumping to lower corners; the jacket shows just a bit of wear at edges and extremities, with one itty-bitty chip and a horizontal crease at the top of the rear panel]. (B&W/color photographs) An annual publication (that only lasted for one more edition after ths one) that attempted to present "coverage of new films on a world scale: from U.S.A. where Arthur Knight takes in the general scene, through Poland, Germany, France, England and Australia and rounding off with a special article by David Robinson on Japanese film." There are 18 articles and essays in all, the highlights being: "Problems of a Bengal Film Maker," by Satyajit Ray; "The Novelist and the Cinema--A Personal Experience," by Graham Greene; "Devil of a New World," by Jean Renoir; "What Film Shall We Make Next?" by Carl Foreman; "Experiment at Brussels," by Karel Reisz; and "Ribbon of Dreams," by Orson Welles. (This was the American (Doubleday) edition of a book that was essentially a British publication (John Calder being the UK publisher), but was actually printed in England.).

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. First edition. Very good in good dust jacket. Book has light rub of spine and conrers of cover, light yellowing of pages, dust jacket has 2" tear at front top panel, 2" tear top back panel, 1/4" tear across bottom spine, rub of edges of panels, fading of panels.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Very good with fair to good dust jacket. Dust jacket is worn at spine tips, corners and top and bottom front edges with a three inch tear at top front corner and four edge chips. 181 pages with black & white and color photographs.

hardcover. Numerous Illus., some in color. 4to. N.Y., (1958).

First Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall. Physical description; 181 pages : color, black and white photographs ; 25 x 19. Subjects; Film ; Annual. United Kingdom and Ireland. International film; studies. Film. Movies. Periodicals. 3 Kg.

Hardcover. Zustand: Good. First Edition with dust jacket - rare and collectable - will send out 1 st class post.

Zustand: Very Good. First Edition. First edition. Very good minus. Front free endpapers, text edges and inside panels slightly discolored, photos in clean text, cloth covers and spine faded slightly.

Hardcover. Zustand: Good. FIRST EDITION with dust jacket - rare and collectable - will send out 1 st class post.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First edition. Small quarto. 181pp. Illustrated with color or black and white plates. Slightly cocked spine and some page toning else near fine in a very good dust jacket with a chips and edgewear. Second year of publication.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Good. FIRST EDITION with dust jacket - rare and collectable - will send out 1 st class post within 12 hours of receipt of order.

Couverture rigide. Zustand: bon. RO60067390: 1959. In-8. Relié. Bon état, Couv. légèrement passée, Dos frotté, Intérieur acceptable. 165 pages. Photo en couleur en frontispice. Illustré de nombreuses photos en noir et blanc et en couleur, hors texte. Dos du 2e plat légèrement passé. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Hardcover. Zustand: Fair. pp. 181 / Omslag onfris / Cover not so good English.

Hardcover. 165 p. Includes illustrations. Some illustrations in color. Selected films of the year. Includes an article by Fellini! . A film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations. The process of filmmaking is both an art and an industry. Films were originally recorded onto plastic film through a photochemical process, and then shown through a movie projector onto a large screen. The adoption of CGI-based special effects led to the use of digital intermediates. Most contemporary films are now fully digital through the entire process of production, distribution, and exhibition from start to finish. Films recorded in a photochemical form traditionally included an analogous optical soundtrack, which is a graphic recording of the spoken words, music and other sounds that accompany the images. It runs along a portion of the film exclusively reserved for it and is not projected. Good in fair dust jacket. DJ has some wear and soiling, with small tears and chips. Some page discoloration. Pencil erasure residue on fep. Third year of publication. First edition/first printing thus.

Comprising c.90 pages, mostly pasted both sides with news cuttings. A small 4to. note-book, paper wrappers, label on front cover, in very good condition. *In the BFI title, Film Classics, v.i, Whitebait is quoted under his real name of GEORGE STONIER. However, under his pseudonym of Whitebait, he also edited the International Film Annual, and this is listed on COPAC as being edited by GEORGE CAMPBELL DIXON.