wheatley r a (17 Ergebnisse)

Zustand: Good. 1948. First Edition. 80 pages. Pictorial dust jacket over green cloth. Black and white photographic plates. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Unclipped jacket has light edge-wear with minor tears and chipping. Mild rubbing and marking.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. R. F. NEALE (illustrator). The dustwrapper has some wear to the edges and corners, with some small rips to the edges, wear to spine edges, the spine is discoloured. The black boards are clean with minimal bumping to the edges, with bright lettering to the spine. The binding is firm. The pages appear clean and crease free. This book has 192 pages. All in all a nice example of this book.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A good condition first edition book. No dust jacket. A typical amount of handling and age but generally a sturdy and sound copy.

Zustand: Very Good. First edition hard back binding in publisher's original apple green cloth covers, dark green title and author lettering to the spine and to the upper panel. 8vo. 9'' x 6''. Contains 80 printed pages of text with 77 monochrome photographs throughout. Very Good condition book in Very Good condition dust wrapper with the word 'Cricket' blacked out to the front cover, shallow rubs to the tips and corners, not price clipped 6s. Dust wrapper supplied in archive acetate film protection, this preserves and prolongs the life of the paper, it is not adhered to the book or to the dust wrapper. Member of the P.B.F.A. SPORT [Cricket].

Zustand: Very Good. First edition hard back binding in publisher's original apple green cloth covers, dark green title and author lettering to the spine and to the upper panel. 8vo. 9'' x 6''. Contains 80 printed pages of text with 77 monochrome photographs throughout. Very Good condition book in Good condition dust wrapper with repaired tears and chips to the top and bottom edges of the front cover, not price clipped 6s. Dust wrapper supplied in archive acetate film protection, this preserves and prolongs the life of the paper, it is not adhered to the book or to the dust wrapper. Member of the P.B.F.A. SPORT [Cricket].

hardcover. Zustand: very good(-). With an Introduction by Stanford Rayner. Illustrated with 15 black and white and color plates, protected with tissue (tissue a bit wrinkled). 16, [14] pages. Folio, grey cloth-backed boards (worn & torn at spine ends; bookplate on front end paper). London: Art Publishing Co., (no date, circa 1929). A very good(-) copy. Contents: The Thirteen Cries in Colours, Portrait of Francis Wheatley, Portrait of Mrs. Wheatley (Winter)And Variant Plate: Hot Spice Gingerbread.

Zustand: Good. Volume 9. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0123806097.

Gebunden. Zustand: New. This series presents critical reviews of the present position and future trends in modern chemical researchShort and concise reports on chemistry, each written by the world s renowned expertsStill valid and useful after 5 or 10 yearsMore informa.

Paperback. Zustand: Brand New. 218 pages. 9.00x6.00x0.50 inches. In Stock.

pp. (viii), 110, (ii). Frontispiece and 23 lithographic plates; (viii), 110, (ii). Frontispiece and 23 lithographic plates. Vellum-backed boards decorated with architectural designs, uncut, small tear to the head of the spine of Later Reliques, fine, partly coloured book-plate for EDWARD LEWTON PENNY S.T.P. in each volume, both signed by T. R. WAY, very good copies. *The book-plates have Latin and Greek inscriptions. The Latin reads: "Unhappily submerged and badly treated in the Bermuda Islands"; the Greek warns that anyone who does not return a book is committing a sin. SEE - JOSEPH FOSTER Alumni Oxonienses: the Members of the University of Oxford, 1715-1886 : PENNY, Edward Lewton [1836-1899], 1s. Charles, of Sutton Courtney, Berks, doctor. Pembroke Coll., matric. 23 Nov., 1854, aged 18; B.A. 1859, M.A. 1861, D.D. 1882, held various curacies 1859-67, chaplain Royal Navy 1867.

Single Issue Magazine. Zustand: Good. Illustrated by Lowthian, Louis R.; Garland, C. George; Smith, Ralph C.;Mastri, Fiore; Clymer, John F.; Diamond, Hal (illustrator). First Edition. 40 pages. Features: Ad for yellow 1941 Pontiac Fleetleader inside front cover; News digest discusses the illusions of a year ago; Poem "Land of Wish-It-Were", by James Byrne; Interesting photo-illustrated article on the people of the far reaches of the Commonwealth who are contributing to the British war effort; Never Goodby (short story); Mr. Barbury's Hands (short story); Victim of Circumstance (short story); Doves of War - wonderful photo-illustrated article on how homing pigeons are used as emergency messengers at home and abroad; Sixty Days to Live (short story, part 3 of 6); Movie news and photos; Half-page Department of Trade and Commerce ad says "There is no sign of a single German ship delivering a single bale of goods anywhere across the Seven Seas"; How Good-Looking Are You?; Do You Want to be Popular?; Oddments in Cookery; World Sayings; Mussolini's Revealing Speech; Heinz Ketchup ad on back cover; and more. Unmarked with moderate wear. Binding sound. A quality copy of this excellent wartime issue.; Folio - over 12" - 15" tall; National Home Monthly Magazine, January (Jan.) 1941 - Homing Pigeons as Emergency Messengers yellow 1941 Pontiac Fleetleader inside front cover; News digest discusses the illusions of a year ago; Poem "Land of Wish-It-Were", by James Byrne; Interesting p.

Original copper engraving (44 x 60 cm, overall sheet 53.5 x 66 cm). Tissue guard to verso. Light foxing to lower margin not affecting print. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).

Original copper engraving (44 x 60 cm, overall sheet 53.5 x 66 cm). Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).

Original copper engraving (44 x 60 cm, overall sheet 53 x 66 cm). Tissue guard to verso. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).

[73] pp.; 6.9 x 4 x 1.5 cm.; loose leaves; slipcase; black-and-white; edition size 2000; unsigned and numbered; offset-printed Exhibition catalogue published in conjunction with show held at Coracle Press, London, in 1977. Artists include Roger Ackling, Reg Ashton, Tony Ashton, Robin Bagilhole, Allen Barker, Glen Baxter, Gavin Bennett, Boris Brook, David Brown, Jennifer Buxton RMS, Peter Cartwright, John Christie, Tom Clark, Laurie Clark, Les Coleman, Martin Cook, Simon Cutts, Rosemary Deval, Stephen Duncalf, Paul Eachus, Kenelm Evans, Martin Fidler, Noel Forster, Terry Frost, John Furnival, Phillida Gili, Peter Gordon-Stables, Paul Hammond, Jonette Harley-Peters, Glynn Boyd Harte, Adrian Heath, Anthony Hill, Charlie Holmes, Patrick Hughes, Tess Jaray, David Johnstone, Ron King, Brian Lane, Eileen Lawrence, Edwina Leapman, David Lehrle, Kim Lim, Stuart Mills, Brodnax Moore, Dave Morris, Glen Onwin, Eduardo Paolozzi, Roy A. Perry, Tom Phillips, David Prentice, Dinah Prentice, Kay Roberts, Martin Rogers, Archie Puff, William Scott, Stephen Skidmore, Birgit Skiöld, Diane Slocock, Karl Torok, Ian Tyson, Darrell Viner, Shelagh Wakely, Warren Editions, Alan Welsford, Madelaine Westwood, Steve Wheatley, David Willetts, Julia Wilson, Richard Wilson and Trevor Winkfield. Catalogue consists of 71 loose cards each one devoted to an artist in the exhibition with a black-white-image of their work one side and caption information on the other, housed in a printed paper slipcase. Very Good. Complete set. Cards in Fine condition. Light flattening of box, with 2 mm. of soiling to recto. Number 679 / 2000.

Vellum. Zustand: Very Good. T.R. Way (illustrator). First edition. A 4 volume lithographically illustrated limited edition collection of topographical accounts on the lost reliques of London, each signed by the artist. The first editions of this 4 volume set, each limited edition and signed by the illustrator T.R. Way.This set includes:1896 Reliques of Old LondonA limited edition, consisting of 275 copies, of which 250 are for sale, this being No. 10.1897 Later Reliques of Old LondonA limited edition, consisting of 280 copies, of which 250 are for sale, this being No. 256. 1898 Reliques of Old London Suburbs North of the ThamesA limited edition, consisting of 280 copies, of which 250 are for sale, this being No. 78. 1899 Reliques of Old London Upon the Banks of the Thames & in the Suburbs South of the RiverA limited edition, consisting of 280 copies, of which 250 are for sale, this being No. 124.Each volume is in quarter paper vellum with decorative cloth boards.All four volumes include a lithographic frontispiece, and 23 further lithographic plates each. Collated, complete.An explorative collection of topographical accounts on the lost reliques of London, accompanied by an abundance of intricate lithographic illustrations by English landscape and portrait painter Thomas Robert Way who designed posters for the London Underground. In publisher's original cloth bindings. Externally, smart. Spines are faded with bumping, most significant to '1896 Reliques of Old London'. Shelf wear to extremities of boards, with the odd mark. All volumes have book plate to front paste down, except '1897 Later Reliques of Old London'. Age toning and spotting to endpapers. Significant damp staining to rear paste down of '1897 Later Reliques of Old London'. Internally, firmly bound. Pages are generally clean and bright with light spotting, most significant to the front and rear of the works. Damp staining to top corner of leaves for '1897 Later Reliques of Old London'. Very Good. signed by author. book.

Zustand: Near fine. On Loan, Coracle Press, London, 1980. Cards printed black on white in 88 x 60 x 70mm white box, together with 75 x 75 x 85mm outer mailing box. Edition 11 of 15 signed copies. Numbered by Simon Cutts on underside of both boxes. Published to coincide with the On Loan exhibition ('an exhibition of borrowed art lent by artists'), 22 November 19 December 1980 at 233 Camberwell New Road, London. Artists included Roger Ackling, Glen Baxter, David Brown, Marc Camille Chaimovicz, John Christie, Thomas and Laurie Clark, Les Coleman, Simon Cutts, Stephen Duncalf, Sandra Fisher, Barry Flanagan, Hamish Fulton, Bill Furlong, John Furnival, Gerry Hunt, R. B. Kitaj, Robin Klassnik, Brian Lane, Richard Long, Leonard McComb, Stuart Mills, Eduardo Paolozzi, Roy Perry, David Pescod, David Roe, Martin Rogers, S. East Gallery (Sally East), Joe Tilson, Ian Tyson, Steve Wheatley, Stephen Willats, Jonathan Williams and Richard Wilson.On Loan references the analogue card system once used by British libraries for loaning books. In all, it functions as a list of works for the show, with one card per artist and their exhibited work. In this special edition numbered 11 of 15, each card is signed in ink or pencil by one of the artists who participated in the exhibition. Condition: Near fine.