welch roger (19 Ergebnisse)

Trade Paperback. Zustand: Good. No Jacket. Clean pages with no markings in the text. There is a gift notation on the front end paper. The cover has some small soil spots on the front, a small scribble mark on the back and corner creases.

Zustand: Very Good. 4 Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Very Good. Softcover, 54 pgs. Includes articles on "The Axe and Oakland," "The First Shelters of OUr Pioneer Ancestors," "Sod Consruction on the Plains," "Some Examples of Plank House Construction and Their Orgin," and others. Light wear, faint toning to top edge.

Hardback. Zustand: Very Good. Zustand des Schutzumschlags: None. VERY GOOD+ No dust jacket as issued. No marks in text. Binding is tight and square. . . . . . . . . . A detailed unit history of the 457th Bomb Group (H), a B-17 Flying Fortress group in the Eighth Air Force that flew strategic bombing missions over Europe in the Second World War. Compiled by Homer Briggs and James L. Bass and edited by John F. Welch, the book traces the group from its activation and training in 1943 through its deployment to England, covering major operations such as Big Week, pre-invasion strikes for Normandy, D-Day missions against coastal defenses, and subsequent support for campaigns including the Battle of the Bulge and the Rhine crossings. Drawing heavily on official records and veterans? recollections, the narrative emphasizes the group's identity as the *Fireball Outfit* and documents its 7,000 plus sorties, losses, and evolving tactics as part of the broader Allied air offensive. The volume presents an organized chronological account rather than a mere anecdotal scrapbook, making it a foundational reference for researchers, families, and enthusiasts interested in the operational history, missions, and personnel of this specific heavy bombardment group.

64 pp.; 22.8 x 15 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 2 of "Tracks: A Journal of Artists' Writings," edited by Herbert George. Contents include: "The Great Interplanetary Art Plot," by Peter Hutchinson; "The Art Dictator," by Peter Hutchinson; "Sitting Still (Poem)," by May Stevens; "Two Prosepoems for Old Women," by May Stevens; "5 Minute Intermission," by Francis Picabia; "The Journal, May 10, 1952," by Saul Baizerman; "Untitled Poem," by Rosemary Castoro; "More Modest," by Jean Dubuffet; "August (Poem)," by Michael Goldberg; "Untitled Poem," by Rosalind Hodgkins; "Card (Inside of Card Shown On Cover)," by Joseph Cornell; "Letter," by Joseph Cornell; "The Automobile Demystified," by Alberto Giacometti; "Experiment (Poem)," by Sari Dienes; "Untitled Poem," by Sari Dienes; "Poem," by Angelo Savelli; "Ants are Any Bodys (Poem)," by David Hare; "Two Turtles (Poem)," by David Hare; "The Black Room, A Theatre Play," by Oyvind Fahlstrom; "Notes on The Art of Painting," by Piero Dorazio and"On Recorded History (Part 1)," by Roger Welch. Includes contributor biographies. Cover : Joseph Cornell. Good. Staining across covers including a 3.5 cm. blue stain along right side edge of recto and another 2 cm. blue stain to recto. Yellow, brown, and dust soiling across covers with some creasing and a 7 mm. surface tear to recto. Yellow soiling to text block edge. Contents clean and unmarked.

Zustand: New. pp. 300 Figures.

Paperback. Zustand: Brand New. 3rd edition. 724 pages. 9.50x7.50x1.75 inches. In Stock.

Zustand: New. In.

Kartoniert / Broschiert. Zustand: New.

Paperback. Zustand: Brand New. 479 pages. 10.39x7.64x1.26 inches. In Stock.

Paperback. Zustand: Brand New. 4th edition. 750 pages. 9.61x6.85x1.42 inches. In Stock.

Zustand: New. In.

Zustand: New.

Hardcover. Zustand: Brand New. 4th edition. 750 pages. 9.92x6.93x1.57 inches. In Stock.

52 pp.; 20 x 22.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 9 - July 16, 1981. Exhibition examines the social, cultural, and political elements of the sixties that birthed the "alternative" movement -- specifically Gain Ground, Apple, 98 Greene Street, 112 Greene Street Workshop, Idea Warehouse, 3 Mercer -- and charts the effects it had on the art world. Curated by Jacki Apple, with preface by Marcia Tucker and essay by Mary Delahoyd. Artists include Vito Acconci, John Perreault, Robert Newman, Eleanor Antin, Billy Apple, Geoff Hendricks, Jerry Vis, Davi Det Hompson, Artwiser / Artweiser, Roger Welch, Bill Beckley, Susan Hall, Robert Kushner, Brad Davis, Gordon Matta-Clark, Suzanne Harris, Tina Girouard, Larry Miller, Richard Nonas, Jeffrew Lew, Jene Highstein, Nancy Holt, Cecile Abish, Peter Downsbrough, Douglas Davis, Virginia Piersol, Stefan Eins, Christopher McNeur, Dieter Froese, Stuart Sherman, Jaime Davidovich, and Bill Bierne. Includes images of selected works. Good / Very Good. Mild edgewear and yellowing of interior cover. Circular sticker on lower left corner of recto. Sticker adhesive from removed sticker on lower right corner of recto. Clean and unmarked.

16 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed 1973 issue of Art-Rite edited by Joshua Cohn, Walter Robison, and Edith deAk. Images by Ted Stamm, Elbert Weinberg, Bentley Campbell, Charles Simonds, Bradford Graves, Les Levine, Marty Greenbaum, Alam Suicide, Tony King, Gordon Matta-Clark, Roger Welch, Claus, Peter Grass, Holly, Nancy Holt, Mary Miss, William Schneck, Julias Tobias, Tommy Schmidt, Christo, Abby Gerd, and Mike Robison. Cover: Yuri. Reference : No. 5.3 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 126, 239. Very Good / Fine. Light yellowing of covers and pages. Wear to cover edges including light tearing of top edge of verso measuring 1 mm. (x 2), 4 mm., 2 mm.; and 5 mm. of chipping to top right corner of verso. Additional light edge wear. Contents clean and unmarked.

[56] pp.; 20.3 x 20.4 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Artist's book with contributions by artists associated with Chicago and The Art Institute of Chicago, published in 1970. Artists include: James Zanzi, Robert James Guthridge, Orwett Echer, Joe Cavalier, Lee Kehrein, Teresa Burga, Gary Perkins, Jim Doring, John T. Celio, Fred Nagelbach, Frederick Paul Sperry, Allyn Yamaneuchi, Andrea Kalish, Joe Cavalier, John Ward, Andy Brady, Olaf Borge, Roger Welch, Martin Prekop, John Orentlicher, Frederick P. Sperry, Sister Mary Connors, Peter Davies, and others."This publication is intended to present the form of a free sensibility, a sensibility that seeks qualities of invention which disregard the constraints of commercial matter. This publication is a response and wishes to initiate a response. It aims at building communication and exchange between artists. Interested persons write James Zanzi, c/o The School of the Art Institute of Chicago." -- publishers statement. Good. 1.6 cm. area of blue ink markings on recto with yellowing and dust soiling of covers. Bumping along top edge of publication and light wear to corners. Scratching of verso. Includes stapled in small artist's book "What Time Is It?" by John Ward, with light indentations from the small book and the staple. Contents otherwise clean and unmarked.

Milwaukee, Art Center, 1974. 18,5 x 17,5 cm. Original wrappers / Softcover. Illustrated b/w. Text in English. 24 pag. [Art / international artist [Buitenlandse Kunstenaars] ].

Three vintage photographs of Dolly Parton and Carol Burnett from the 1979 CBS television special, which aired on February 14, 1979. All three photographs with provenance stamps on the versos, two with mimeo snipes on the versos. "Dolly and Carol in Nashville" was a musical variety television special, in part a promotion for Parton's 1978 album "Heartbreaker," shot at The Grand Ole Opry and aired on Valentine's Day, 1979. It was Burnett's first special following the cancellation of her 1967-1978 variety show, "The Carol Burnett Show." 8 x 10 inches. Near Fine.