weil thomas e (23 Ergebnisse)

Paperback. Zustand: Good. Hardcover. No DJ. Ex-Library with usual markings. Pages clean and unmarked. Covers show minor shelf wear. Binding tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Xlib.

Hardcover. Zustand: Good. Maps (illustrator). 1st Edition. Xiv Pp. 189 Pp. White Cloth. Stated First Printing, 1973. Slightly Used, But Foxing To Covers, Owner's Name On Front Endpaper.

hardcover. 450pp. 8vo, cloth; (cloth lightly soiled). (Washington: GPO), 1975.

Zustand: Fair. Acceptable condition. (Haiti, History, Geography) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Hardcover. Zustand: Very Good. Second edition, 6th printing. Fold-out map. Very good with some soiling to the boards.

Zustand: Good. Good condition. (Dominican Republic, Politics, History, International Relations) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: good. First? Edition. First? Printing. 24 cm, 316, map.

Zustand: good. First Edition. 25 cm, 509, illus.

Area Handbooks 550-26. Ex library, with class-mark on spine and all before foreword (P.iii) ripped out. Text complete in firm binding Used - Acceptable. Fair hardback.

1971 1st edition, part of Foreign Area Studies (FAS) series; ex-library copy with front free endpaper and title page removed and label at spine foot; tightly bound in green cloth with gilt lettering to spine and front; very light wear to head and foot of spine. A little bit of foxing to slightly yellowed page fore-edges; otherwise, a good, clean copy. Used - Good. Good ex-lib hardback (no dust jacket) Used - Good. Good ex-lib hardback (no dust jacket).

Pictorial Cover. Zustand: Fine. 105 pp. Pictorial covers. Minimal rubbing to extremities, as new internally. A colour illustrated catalogue of 156 items in the collection of Thomas E. Weil, comprising books, art, trophies and ephemera relating to rowing. Thomas E. Weil competed in the Henley Royal Regatta for Yale in 1970 and accumulated one of the finest collections of rowing material in the world; this catalogue presents his personal favourites and material from the period when British rowing was instrumental in shaping modern sporting culture. Published by the River and Rowng Museum in Henley-on-Thames. Square 8vo.

Hardcover. 2. Edition. 450 p. Good condition. The reading pages are clean and unmarked. Slight signs of storage and use. Retired library copy with corresponding labelling. Without dust jacket. Otherwise a good copy. Sprache: Englisch Gewicht in Gramm: 726.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Hardcover/Softcover. Ehemaliges Bibliotheksexemplar, Signatur und Stempel, guter Zustand. Former library book in good condition. Sprache: Englisch Gewicht in Gramm: 550.

Gr. 8°. XII, 261 pages including two folded maps and various tables. Original Cloth. A bit bumped, some passages underlined with pencil. Otherwise good condition.

Hardcover. Ehemaliges Bibliotheksexemplar in gutem Zustand. 550 Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. Ehemaliges Bibliotheksexemplar in gutem Zustand. 550 Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. Ehemaliges Bibliotheksexemplar in gutem Zustand. 550 Sprache: Deutsch Gewicht in Gramm: 550.

Zustand: 2. Brochà , bon à tat.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.