Wehle harry b (55 Ergebnisse)

Paperback. Zustand: Good. Paperback re-bound in flexible boards. Ex-library with usual markings. RE-BOUND BY LIBRARY. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Paper wrappers. First edition. ix, 103 pp. Illus. with b/w plates. 8vo. An exhibition held March 14 through April 24 New York 1938. One of 1,000 copies. Edges worn and soiled otherwise a very good copy.

Softcover. Zustand: Very Good. First Edition. Good-looking, structurally sound copy in softpaper-bound trade paperback format, being an exhibition catalogue for the 1939 World's Fair, held in New York. Preface by William M. Ivins, lengthy essay on visual culture in and of America by Harry B. Wehle, followed by an extensive section of plates in black-and-white. 230 pp., and with full notes, bibliography and index. Some moderate wear to wraps, slight forward cock to spine, else easily Ver Good condition.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …

paperback. Zustand: Very Good. 1952. Paper covers with stapled binding; mild wear; price written on front cover; 4to,9 3/4" to 12" tall; illustrations tipped in; approximately 32 pages.

Hardcover. Zustand: Good. 1st Edition. 1927. Wonderful book in good plus condition. First edition. Enjoy.

Softcover. Zustand: Wie neu. Zustand des Schutzumschlags: Ohne Schutzumschlag. 2. Auflage. (The Metropolitan Museum of Art papers, 7); 17 pages and XLIX b/w-plates.

Hardcover. Zustand: Good. No. First Edition. Garden City, New York: Doubleday, Page & Company for the Metropolitan Museum of Art, 1927. First edition, 1927. Illustrated throughout in black and white with a color frontis. This copy belonged to Julia D. S. Snow (1891-1984), noted antique dealer, collector and author from Greenfield, Massachusetts, with her name and address written prominently on the front free endpaper. Blue boards with black cloth spine, blue paper spine label, gilt top, 127 pages. Minor soil to the front board, good hinges, sound text block, clean pages. First Edition. Hard Cover. Good/No. 4to - over 9¾" - 12" tall. …

hardcover. Zustand: very good. very good(-). Frontis, 173 portraits selected with a descriptive account. With a biographical dictionary of the artists by Theodore Bolton. 127 pages, 4to, two-toned cloth, d.w.; dust wrapper chipped. N.Y: Garden City Publishing Company, 1937.

Zustand: New. In English.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Clean, unmarked pages with a small amount of soil spots on the edge of the pages. The cover has some very mild bumping. The dust jacket has some mild bumping and wear to the edges and some small tears with tape repairs.

Zustand: Good. - Quarto [11-1/4 inches high by 8-1/2 inches wide], blue boards backed with black cloth with a printed label on the spine. The top edge is gilt. The binding is bumped & rubbed. The head of the spine is frayed with a small piece out. The boards are unevenly darkened & lightly soiled with their edges chipped. xxv, [1] leaf & 127 pages. Illustrated with a color frontispiece & 48 black-and-white plates. There is a previous owner's name & address on the front endpaper. The fore-edge is slightly soiled. Good. First edition.…

Only edition. First printing of 1000 copies in December, 1936, this copy is one of an additional 1000 copies printed in January, 1937. Wrappers. Smallish octavo. [12] pp. of preliminaries, 12 pp. of text, followed by an ample section of illustrations (unnumbered). Frontispiece self-portrait. About fine condition. Text by Harry B. Wehle. Introduction by H. E. Winlock. Fine copy.…

Zustand: Fair. Acceptable condition. No Dust Jacket (miniature painting, portrait painting) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.…

hardcover. Zustand: Good. Unmarked hardcover in unclipped jacket. Soiling to top edge and solint and wear to edges of the jacket. Two small close tears along top edge. Foxed endpapers.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. Later. Pages age-toned, brown spotting on covers, very good in a fair chipped and torn dustwrapper.

Zustand: Good. - Small quarto, dark blue cloth backed tan boards with an oval vignette stamped on the front board, in dw. The boards are bumped & rubbed. The spine is dampstained. The dw is chipped & the dw spine is dampstained. 127 pp. Illustrated with B&W plates. Minor dampstaining to the rear blanks. Good. A reprint edition.…

Paperback. Zustand: Good. Paperback bound in flexible boards. Ex-library with usual markings. RE-BOUND BY LIBRARY. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day.

Hardcover. Zustand: Good. Good+. Hardcover board edges and corners are somewhat rubbed. Foredges browned. Dustwrapper has slight tearing to panel edges.

Zustand: Gut. 243 Seiten* mit zahlr. Abb. s/w, Text engl. Gr.8° Softcover, kleinere Gebrauchsspuren am over, angestaubt, dennoch gutes und sauberes Exemplar J71 Sprache: Englisch Gewicht in Gramm: 660.

Zustand: MOLTO BUONO. New York, The Metropolitan Museum of Art cm.16,5x24, pp.XI,330, ill.bw. softcover.

4°, Originalleinen (Hardcover), 210 s., durchgehend illustriert gutes Exemplar.

Hardcover. dj. Quarto, 211 pages. In Very Good condition with a Very Good dust jacket. Spine is white with black print. Dust jacket in mylar. Price unclipped: "£66s". Boards in purple cloth. Illustrated: "58 color plates, 78 black and white plates"- dust jacket; color plates are tipped in. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: NOTE: Shelved in Locked Annex Area, Netdesk Column QB (ND-QB). 1416578. FP New Rockville Stock. …

Hardcover. 127 pages. Forty-eight plates. A Biographical Dictionary of The Arts by Theodore Bolton. General Bibliography. Index. KARPEL H145. "After brief chapters on the appeal and origin of miniatures and the use of ivory, Wehle organizes the subject by century and region. Wehle's and Bolton's work remain useful." Minor rubbing and stain to front cover. Orig. two-toned cloth. Very good.…

tapa dura. Zustand: Bien. Pintura (75:069.538(460.27 M.)) Vergara. Barcelona. 1967. 33 x 28 cm. 211 p. il. col. y n. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Wehle, Harry B. 1887-. Prólogo de F. J. Sánchez Cantón. Título original: Great paintings from The Prado. Pintura. Museo Nacional del Prado. Catálogos. Sánchez Cantón, Francisco Javier. 1891-1971 . (=3322144=) PT135. …

Zustand: Fair. Acceptable condition. No Dust Jacket (portrait miniatures, american, portrait painters ) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.…

Wraps. Zustand: Good. Presumed First Edition, First printing. Format is approximately 5.5 inches by 8.5 inches. ix, [1], 49 pages plus black and white plates. Footnotes. List of Paintings by Samuel F. B. Morse. References Cited. Cover has some wear and soiling. Harry B. Wehle (1887-1969) was the Curator of European Painting, Metropolitan Museum of Art. Wehle was the nephew of Supreme Court Justice Louis Brandeis. As an undergraduate at Harvard, Wehle took the famous 'Museum Course" lead by Paul J. Sachs, He graduated from Harvard in 1911. He was appointed curator in 1918. Under his tenure, the collections of Bache, Griggs, Havemeyer and Lewisohn came to the Met. He retired as curator of European Painting in 1948, succeeded by Theodore Rousseau, Jr., but retained the title curator of collections until 1953. Samuel Finley Breese Morse (April 27, 1791 ? April 2, 1872) was an American inventor and painter. After having established his reputation as a portrait painter, in his middle age Morse contributed to the invention of a single-wire telegraph system based on European telegraphs. He was a co-developer of Morse code and helped to develop the commercial use of telegraphy. The decade 1815?1825 marked significant growth in Morse's work, as he sought to capture the essence of America's culture and life. He painted the Federalist former President John Adams (1816). The Federalists and Anti-Federalists clashed over Dartmouth College. Morse painted portraits of Francis Brown?the college's president?and Judge Woodward (1817), who was involved in bringing the Dartmouth case before the U.S. Supreme Court. Morse also sought commissions among the elite of Charleston, South Carolina. Morse's 1818 painting of Mrs. Emma Quash symbolized the opulence of Charleston. The young artist was doing well for himself. Between 1819 and 1821, Morse went through great changes in his life, including a decline in commissions due to the Panic of 1819. Morse was commissioned to paint President James Monroe in 1820. He embodied Jeffersonian democracy by favoring the common man over the aristocrat. His commissions for The House of Representatives (1821) and a portrait of the Marquis de Lafayette (1825) engaged his sense of democratic nationalism. The artist chose to paint the House of Representatives with careful attention to architecture and dramatic lighting. He also wished to select a uniquely American topic that would bring glory to the young nation. His subject did just that, showing American democracy in action. He traveled to Washington D.C. to draw the architecture of the new Capitol and placed eighty individuals within the painting. He chose to portray a night scene, balancing the architecture of the Rotunda with the figures, and using lamplight to highlight the work. Pairs of people, those who stood alone, individuals bent over their desks working, were each painted simply but with faces of character. Morse chose nighttime to convey that Congress' dedication to the principles of democracy transcended day. Morse was honored to paint the Marquis de Lafayette, the leading French supporter of the American Revolution. He felt compelled to paint a grand portrait of the man who helped to establish a free and independent America. He features Lafayette against a magnificent sunset. He has positioned Lafayette to the right of three pedestals: one has a bust of Benjamin Franklin, another of George Washington, and the third seems reserved for Lafayette. A peaceful woodland landscape below him symbolized American tranquility and prosperity as it approached the age of fifty. The developing friendship between Morse and Lafayette and their discussions of the Revolutionary War affected the artist after his return to New York City. In 1826, he helped found the National Academy of Design in New York City. He served as the academy's president from 1826 to 1845 and again from 1861 to 1862.…

Zustand: BUONO. NOTA:Firma a penna in antiporta. Mancante di sopraccoperta. / Milano, Garzanti Ed. cm.27x32,5, pp.212, 114 figg.bn.e col. legatura ed.in tutta tela. Pref.di F.J.Sanchez Canton.

Zustand: Discreto. I. Libro usato che potrebbe presentare segni di usura e del tempo. Possono esserci danni alla copertina. La rilegatura potrebbe essere allentata, ma l'integrità non è compromessa. Potrebbero esserci scritte, sottolineature ed evidenziazioni al testo. Le pagine potrebbero presentare ingiallimento e fioritura come i tagli. Presente sovraccoperta. La foto corrisponde al libro in vendita. Altre foto su richiesta. RILEGATO.…

Encuadernación de tapa dura. Zustand: Muy bien. Idioma español. Encuadernación de tapa dura, en plena tela. Dimensiones: 33x28 - 211 pp. Ejemplar en buen estado.

Paperback, original wrappers, 16,5x24cm, 329pp, illustrated b/w. The Metropolitian Musem of Art. 880 g.