watts daniel (32 Ergebnisse)

Zustand: Good. Mercury, Daniel (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. Mercury, Daniel (illustrator). It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Brand New. 2nd edition. 128 pages. 7.80x5.20x0.50 inches. In Stock.

Paperback. Zustand: Brand New. 2nd edition. 128 pages. 7.80x5.20x0.50 inches. In Stock.

Zustand: New. In.

Zustand: Good. Good condition. Book 17. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: New. In.

Zustand: Fine. Zone 2 Europe - L'article présente des marques d'utilisation sur le boitier et le DVD mais reste en très bon état d'ensemble. - Expédition soignée sous blister dans une enveloppe a bulles. 18x14x1cm. 2017. DVD. Fine.

Zustand: New. In.

Zustand: New. KlappentextWalking in the Light is written to help those baby Christians, fallen Christians, and non-believers to see the wonders and benefits of following God. Those walking in His ways have experienced the benefits, but those who have .

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Gebunden. Zustand: New.

4pp., 12mo. Bifolium. In fair condition, lightly aged and worn, with discoloration from tape at head of second leaf. Watts's handwriting is not easily legible. The male recipient of the letter is not named. In reply to a letter received the previous Friday, Watts assures him that 'the earnest desire of Mrs. Watts and myself' is 'to promote by every means in our power the comfort and happiness of your daughter, and we are not without hope that we shall succeed in achieving what we wish.' Watts will be in London the following Thursday and Friday, 'and can, without the slightest inconvenience wait upon you in Trafalgar Square at any hour (morning or evening) that you may be the most likely to be disengaged'. He has 'promised to dine with the Royal Marines at Chatham on Saturday'. The letter ends with a discussion of the 'medium of conveyance' for certain 'articles of furniture', with Watts stating, 'I should wish Miss V. to bring any thing of the kind that she may desire to bring. There is not the shadow of an objection'. A line under the signature is illegible. Included with this item is a worn copy of the original engraved portrait of Watts (by Daniel Maclise), captioned 'The Editor of "The Literary Souvenir"', from Fraser's Magazine, June 1835.

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 286 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New. In.

Hardcover. Zustand: Brand New. hardback/disk edition. 240 pages. 9.50x6.25x1.00 inches. In Stock.

Zustand: New. This book draws on a range of informal letter corpora and outlines the historical sociolinguistic value of letter analysis. Editor(s): Auer, Anita; Schreier, Daniel; Watts, Richard J. Series: Studies in English Language. Num Pages: 352 pages, 20 b/w illus. 34 tables. BIC Classification: 2AB; CBX; CFB. Category: (P) Professional & Vocational. Dimension: 189 x 263 x 25. Weight in Grams: 820. . 2015. Hardback. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 350 pages. 10.00x7.25x1.00 inches. In Stock.

Zustand: New. Daniel M. Unger teaches the History of Early Modern Art at Ben-Gurion University, Israel. His research focuses on seventeenth-century Bolognese and Roman painting. His recent book Redefining Eclecticism in Early Modern Bolognese Painting: Ideology, Pr.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Letter Writing and Language Change outlines the historical sociolinguistic value of letter analysis, both in theory and practice. The chapters in this volume make use of insights from all three 'Waves of Variation Studies', and many of them, either implicitly or explicitly, look at specific aspects of the language of the letter writers in an effort to discover how those writers position themselves and how they attempt, consciously or unconsciously, to construct social identities. The letters are largely from people in the lower strata of social structure, either to addressees of the same social status or of a higher status. In this sense the question of the use of 'standard' and/or 'nonstandard' varieties of English is in the forefront of the contributors' interest. Ultimately, the studies challenge the assumption that there is only one 'legitimate' and homogenous form of English or of any other language.

Hardcover. Zustand: Brand New. 5th edition. 3546 pages. 10.25x7.50x8.00 inches. In Stock.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

vellum. Zustand: Good. b&w illustrations (illustrator). Illustrated English edition of Francisco De Quevedo-Villegas' picaresque novel (original title Vida Del Buscon, or El Buscon, first published in 1626); here with the illustrations of Daniel Vierge, being both full-page and text drawings; also includes full-page frontispiece plate of Quevedo-Villegas with tissue-guard; commentary on the Drawings of Vierge by Joseph Pennell, essay on the life and writings of Quevedo-Villegas by Henry Edward Watts; this edition was printed with variant bindings, this being the vellum with maroon leather title labels to spine; heavy foxing to endpapers and prelims, significant tanning to frontispiece plate; scattered foxing throughout, o.w. Good; boards rubbed and darkened to edges, worn patches to spine; boards a little sprung. no dustwrapper. 239pp. 4to. Good.

Zustand: Very Good. Original single sheet folded souvenir theatre programme 7½'' x 5'' with black lettering. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Zustand: Sehr gut. 99 S., 8°, Broschur, geheftet, mit s/w Abb., einer zweifarbigen FAlttafel und montiertem Couvert mit 8 Karten. Sprache(n)/language(s): de, en, frSehr guter Zustand.

Paperback. Zustand: Good. First Edition. Pages 143-258. Features: Indian's Cultural Heritage; 'Hoosier Incunabulal"; David M. Parry; I Remember My Grandmother; Recollections of Morgan's Raid; Indiana Historical Society; History Teachers' Forum; Some Vincennes Documents of 1772; Sergeant-Major Blanchard at Gettysburg; A Transition Period - 1907-1911; Indiana Genealogy; and more. Moderate wear. Prior owner's stamp atop first page otherwise clean and unmarked with moderate wear. Binding intact. A quality vintage copy.; 4to - over 9¾" - 12" tall; Indiana Magazine of History, June 1938 Indian's Cultural Heritage; 'Hoosier Incunabulal"; David M. Parry; I Remember My Grandmother; Recollections of Morgan's Raid; Indiana Historical Society; History Teachers' Forum; Some Vincennes Documents of 1772; Ser.

First Edition. Minor stain shadow to the page-tops. Very good copy+ in the original full vellum. Spine bands and panel edges somewhat dulled and toned. Remains particularly well-preserved overall; tight, bright, clean and strong. Scans on request. ; 289 pages; Description: 4 p. L. , [iii]-xlii, 289 p. Incl. Illus. , plates. Front. (port. ) 34 cm. Bookplate of William Tinker to the front paste-down. Subjects: Pablo de Segovia--The Spanish Sharper. 5 Kg.

48 pp.; 21 x 15.3 cm.; staple bound; black-and-white; edition size 800; unsigned and unnumbered; offset-printed Exhibition catalogue for show of artists' books held September 20 - October 14, 1972. Text by Germano Celant. Exhibition checklist organized chronologically by Celant and Linda Morris. Show included books by Dick Higgins, Claes Oldenburg, Dieter Rot [aka Dieter Roth], Ben, Daniel Spoerri, George Brecht, Yoko Ono, Claus Bremer, John Cage, La Monte Young, Jackson MacLow, Nam June Paik, Emmett Williams, Walter de Maria, Malka Safro, Simone Forti, Richard Maxfield, Christian Wolff, Stanley Brouwn, Piero Manzoni, Edward Ruscha, Robert Filliou, Ray Johnson, Allan Kaprow, Alison Knowles, Joseph Kosuth, Eduardo Paolozzi, Gianfranco Baruchello, Mel Bochner, Terry Atkinson, Michael Baldwin, Ay-o, Oyvind Fahlstrom, John Giorno, Jerome Rothenberg, Wolf Vostell, Robert Watts, Philip Corner, Juan Hidalgo, Mel Ramsden, Carl Andre, Robert Barry, Sol LeWitt, Robert Morris, Lawrence Weiner, Ian Burn, Merce Cunningham, Terry Riley, Ben Vautier, Stephen Kaltenbach, Walter Marchetti, N.E. Thing Co. LTD., Giulio Paolini, Bernard Venet, Franz Erhard Walther, Andy Warhol, Vito Acconci, Stig Brogger, José Luis de Castillejo, Roger Cutforth, Hanne Darboven, Jan Dibbets, Dan Graham, James Lee Byars, Maloney, Bruce Nauman, Michelangelo Pisteletto, Emilio Prini, Allen Ruppersberg, Richard Tuttle, Harold Hurrell, Bernd & Hilla Becher, Christo, Dennis Oppenheim, Mark Boyle, Daniel Buren, Donald Burgy, Gerald Ferguson, Dorothy Iannone, Bejamin Patterson, Gilbert & George, Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, Scott R. Kahn, Lawrence Alloway, Gerard Hemsworth, David Lamelas, Mario Merz, Tom Phillips, Peter Roehr, Klaus Staeck, Art & Language, Derek Boshier, Marcel Broodthaers, Alessandro Carlini, James Collins, Giancarlo Croce, Giorgio Fabbris, Giorgio Spiller, Sandro Greco, Hamish Fulton, Bob Law, Richard Long, Philip Pilkington, David Rushton, Kevin Lole, Peter Smith, Giuseppe Penone, John Stezaker, Athena Tacha, Gérard Titus-Carmel, Vincenzo Agnetti, Giovanni Anselmo, John Baldessari, John Blake, Victor Burgin, Ger van Elk, Richard Hamilton, and Bruce McClean Reference : No. 3 and No. 135 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 15, 74. Very Good. Very light wear to covers. Name of previous owner in ink on first inside page, and small ink dash next to the names of Alison Knowles, Hanne Darboven, and Athena Tacha in the checklist. Otherwise Fine.

[1] pp.; 53.4 x 16.9 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster / flyer issued to promote Fluxshop where multiples, editions, games and more made by Fluxus artists were available in unlimited editions and sold at affordable prices. Artists include George Maciunas, Genpei Akasegawa, Eric Andersen, Ay-o, George Brecht, Stanley Brouwn, Anthony Cox, Giuseppe Chiari, Philip Corner, Walter de Maria, Willem de Ridder, Robert Filliou, Dick Higgins, Hi Red Center, Joe Jones, Alison Knowles, Jiri Kolar, Arthur Kopcke, Takenhisa Kosugi, Shigeko Kubota, Frederic Lieberman, Gyorgi Ligeti, Jackson Mac Low, Jonas Mekas, Barbara Moore, Robert Morris, Ladislav Novak, Yoko Ono, Nam June Paik, Benjamin Patterson, James Riddle, Diter Rot (Dieter Roth), Takako Saito, Willem Schippers, Tomas Schmit, Chieko Shiomi, Daniel Spoerri, Ben Vautier, Robert M. Watts, Emmett Williams, La Monte Young, and others. Reference : "Fluxus Administration : George Maciunas and the Art of Paperwork" by Colby Chamberlain. Chicago, IL : University of Chicago Press, 2024, pp. 32. Very Good / Fine. Minimal handling wear, otherwise Fine, clean and unmarked with mild curl to sheet.

autocopertinato. [New York], Fluxus, 1964 (January), Edizione originale. Esemplare con la normale brunitura e fragilità della carta, un certo numero di lacerazioni senza perdite riparate con nastro filmoplast (in particolare una lungo la piegatura orizzontale del primo foglio), piccole mancanze marginali lontane dal testo: un più che buon esemplare sostanzialmente integro). Raro primo numero in originale del periodico ufficiale del gruppo Fluxus, una pubblicazione d'artista in formato giornale che oggi, sul mercato antiquario, è spessissimo confusa con la ristampa anastatica fattane poco più di dieci anni dopo, a Milano, per le cure di Flash Art e King Kong International. L'unica maniera di distinguere i fascicoli originali da quelli della ristampa è il formato (nettamente più corto di 1 cm per lato nella ristampa, che misura 58 x 44 cm contro i 59 x quasi 46 cm dell'originale) e la qualità della carta, che negli originali è molto bassa e leggera (e pertanto si presenta oggi evidentemente brunita e fragile), mentre nella ristampa è più spessa e bianca (fatto salvo il normale lieve ingiallimento dovuto al tempo). -- «Fluxus cc V TRE» (poi nota con altri nomi tipo «Fluxus cc Valise eTRanglE», «Fluxus cc fiVe ThRee», «Fluxus Vacuum TRapEzoid» eccetera) fu per un lustro la pubblicazione periodica ufficiale del movimento neo dada: ne uscirono quattro fascicoli da gennaio a giugno 1964, poi due fascicoli nel 1965 (marzo e luglio) e ancora due nel 1966 (febbraio e maggio) e tre irregolari rispettivamente nel 1970, nel 1976 e nel 1979 per un totale di 11 numeri in formato giornale autocopertinato (tranne l'ultimo, di formato minore e di sedici pagine). -- Le pubblicazioni di Fluxus erano contrassegnate dalla parola «Fluxus» seguita dalle lettere dell'alfabeto; nel caso di questo giornale venne utilizzata la doppia «c», preesistendo una pubblicazione contrassegnata dalla «c» semplice. Il seguito del titolo, «V TRE», fu ispirato a Brecht da un'insegna al neon parzialmente spenta. Tra gli artisti coinvolti in questo fascicolo: George Brecht, Gyorgy Ligeti, Alison Knowles, Jackson Mac Low, David Tudor, John Cage, Emmett Williams, Dick Higgins, Robert Watts, Christo, Daniel Spoerri, Jean Tinguely, Nam June Paik. in folio (455 x 590 mm), autocopertinato pp. [4] stampate in bianco e nero con numerose illustrazioni nel testo. Edizione originale. Esemplare con la normale brunitura e fragilità della carta, un certo numero di lacerazioni senza perdite riparate con nastro filmoplast (in particolare una lungo la piegatura orizzontale del primo foglio), piccole mancanze marginali lontane dal testo: un più che buon esemplare sostanzialmente integro).