Waters fred (18 Ergebnisse)

Soft cover. Zustand: Good. 210 pgs. Includes an interview with John Waters, along with several poetry, fiction, criticism, and commentary contributions. Toning to spine, vertical crease near spine, light corner/edge wear.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. New York, NY: The Young Socialist, 1967. 31 pp. 21.5 x 14 cm. Illustrated stiff paper wrappers printed in blue, black, and white with white and blue lettering; second printing. Some rubbing and light toning to spine, with light soil and light toning to rear cover. Small rubbed spot to tail of front cover. Light bumps to corners of covers and text block. Interior is clean and unamarked. Binding sound, albeit with rusting to staples. Soft Cover. Very Good. …

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Near Fine. Slipcase. First Edition Thus. Xvi, 651 Pp. Hardcover In Slipcase. First Folio Society Edition, 2002. Near Fine ( Trace Of Wear At Top Of Spine, Faint Foxing To Foredge Of Page Block) In Fine Slipcase.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 208 pages. 7.50x6.00x0.87 inches. In Stock. Waters, Wyatt (illustrator).

Taschenbuch. Zustand: Neu. Neuware - 'The Music Conductors Manual' is a comprehensive guide designed to master the art of musical direction. Written for both aspiring and experienced conductors, this technical manual explores the essential physical and theoretical skills required to lead an ensemble. It covers fundamental aspects of baton technique, time-beating patterns, and the nuances of interpretation.The work emphasizes the conductor's role in conveying dynamics, tempo, and expression to the performers. Beyond mere mechanics, it delves into the leadership qualities and score-reading abilities necessary for a successful performance. Whether for orchestral, band, or choral leadership, this text provides a systematic approach to the complexities of the podium. Its clear instructions and practical advice make it a valuable resource for anyone looking to refine their command over a musical group and achieve artistic cohesion. The text remains an important historical reference for the pedagogy of music leadership and ensemble management, providing timeless insights into the synchronization of sound and gesture.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Kartoniert / Broschiert. Zustand: New. &Uumlber den Autor Wayne Grudem (PhD, University of Cambridge) is Distinguished Research Professor of Theology and Biblical Studies at Phoenix Seminary. He is a member of the Translation Oversight Committee for the E.

Buch. Zustand: Neu. Neuware - 'The Music Conductors Manual' is a comprehensive guide designed to master the art of musical direction. Written for both aspiring and experienced conductors, this technical manual explores the essential physical and theoretical skills required to lead an ensemble. It covers fundamental aspects of baton technique, time-beating patterns, and the nuances of interpretation.The work emphasizes the conductor's role in conveying dynamics, tempo, and expression to the performers. Beyond mere mechanics, it delves into the leadership qualities and score-reading abilities necessary for a successful performance. Whether for orchestral, band, or choral leadership, this text provides a systematic approach to the complexities of the podium. Its clear instructions and practical advice make it a valuable resource for anyone looking to refine their command over a musical group and achieve artistic cohesion. The text remains an important historical reference for the pedagogy of music leadership and ensemble management, providing timeless insights into the synchronization of sound and gesture.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Single Issue Magazine. Zustand: Very Good. First Edition. Abundant black and white illustrations and reproductions of photos. Features: Black Cat Luck - Story related by John McAgee, a Texas cowman; The Fete of "St. Muslin" - Annual festival in Tarare, France to honour M. Antoine Simonet, inventor of Muslin which is made in local mills - article with photos; Exploring in Central Barzil - Part III - A small English expedition explores the Amazon's forests and studies the native peoples; The Signalman Baboon - Photo-illustrated article about "Jack", a baboon who assists his crippled master, James Edwin Wide, in operating railway signals and other important tasks at Uitenhage, near Port Elizabeth, South Africa; Among the Bohemians - Photo-illustrated article on the peoples of the little-known young Republic of Czecho-Slovakia; The Three Angleteers - Part II - The continuing adventures of three bored Englishmen who travelled in Europe; Msimba Konguo's Curse - A curse is put on an Irish trader by a native headman in Nyassaland; Marooned! - A strange and romantic story of the South Seas, reminiscent of the old Island days when unscrupulous traders did much as they pleased; Treed By a Bison - Many sportsmen consider the Indian bison a more dangerous opponent than the tiger; Beating Our Way - Two young men surpass a hobo at his own game of getting free train rides; A Hundred Dollars a Day - Salmon Fishing Off Vancouver Island - long photo-illustrated article by Charles Greenwood; The Watching Eyes - A tale from the South African constabulary of Mangwere; My Volcano Trip - Climbing La Nevada, an active volcano near Toluca, Mexico; A Bunch of Keys - A traveller's story of an odd little adventure in Boston, MA in 1911; and more. Clean and unmarked with light wear. A quality copy of this excellent vintage issue. Wood, Stanley L.; Webb, Arch.; Reynolds, Warwick; Abbey, S.; Prater, E.; Cameron, John; Soper, Geo.; Elcock, H.K.; Waters, D.B.; Woodville, R. Caton; Robinson, T.H.; Lloyd, S. (illustrator).…

Soft Cover. Zustand: Near Fine. Limited. Card portfolio containing wood-engravings, lacking box case. 39cm x 28.5cm. There are 12 wood-engravings, signed and numbered by the artists. Plus 13 additional prints, 12 signed of 13. Includes works by Fred Becker; Jack Coughlin; John DePol; Fritz Eichenberg; Raymond Gloeckler; James Grashow; Judith Jaidinger; Stefan Martin; Michael McCurdy; Barry Moser; Gillian Tyler and Herbert Waters. With an introduction by Leonard Baskin and a dedication print by Lynd Ward. No. 80 of a limited edition of only 200 copies, from a total of 250 copies. A little edge wear, a few top corners slightly scuffed. Scarce.…

Prints. Zustand: Near Fine. Folio [39 cm] Two suites of loose prints (the suites are issued in two states). 13 prints printed on white paper, 12 of which are signed; 13 prints printed on cream-colored paper, 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper, the only difference being the paper. The 13th print in each suite is by Lynd Ward, which are not signed, as he passed away in June of 1985, just before the project was completed. *Does not contain the introduction by Leonard Baskin or the descriptive letterpress text.*. With signed self-portraits by the following artists: -Fred Becker (1913-2004). Born in Oakland, California, and active in St. Louis, Missouri and New England. -Jack Coughlin (b. 1932). Born in Greenwich, Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings, etchings, and lithographs of literary figures and musicians. (Information obtained from Brier Hill Gallery, Boston, MA). -John DePol (1913-2004). A New York printmaker and wood engraver. His press was Endgrain Press. -Fritz Eichenberg (1901-1990). A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. (Westmont Ridley-Tree Museum of Art) -Raymond Gloeckler (1928-2022). Born in Portage, Wisconsin. While still a student, he taught art, via a government program, in rural schools. Later, he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures, and bold, expressive, satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art -James Grashow (b. 1942). An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man, nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations, through which the viewer traverses, to the delicate and contained world of his houseplants, where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website -Judith Jaidinger (b. 1941). One of the two female artists represented here. Born in Chicago, Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute, and is linked to her equally long, frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time, printing industry technology had moved on, supplanting woodblock engravings with line drawings and photography. 'A dying art,' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago, hub of an enormous catalog business, there were still a few commercial wood-engraving establishments turning out the precise, detailed images more typical of the previous century. One of them, Sander Wood Engraving, on Dearborn Street, was where Professor Troy, a committed modernist, sent his students to buy the best material: rare, English-grown, boxwood blocks. "'He warned us,' Jaidinger recalls, 'If you go to Sander and buy your wood from them, don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom -Stefan Martin (1936-1994). Born in Elgin, Illinois, and a graduate of the Art Institute of Chicago. He was also active in Roosevelt, New Jersey. His work is held in private museums and collections throughout the world, including the Metropolitan Museum and the Smithsonian Institution. -Michael McCurdy (1942-2016). American author, illustrator, and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts, at Concord Academy, and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press (1968-1985). (Information obtained from Brier Hill Gallery, Boston, MA). -Barry Moser (b. 1940). The owner and operator of The Pennyroyal Press, and the illustrator of over 250 books, including Moby Dick, The Divine Comedy, and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes -Gillian Tyler (b. 1935). Born in Baltimore, Maryland. She is an illustrator that works primarily in children's books. -Herbert Ogdon Waters (1903-1996). Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia, the Art Institute of Chicago, and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham, and at the Holderness School in Plymouth, New Hampshire. (Information obtained from Brier Hill Gallery, Boston, MA). -**Lynd Ward (1905-1985). **The 13th print in each suite is by Lynd Ward, which are not signed, as he passed away in June of 1985, just before the project was completed. Originally issued in an edition of 250 boxed sets. Limited Edition "Out of Series" Print Set (not numbered, not in linen slipcase/box).…

Collection of 36 vintage reference photographs from the 1952 film, including 35 bordered and one borderless. Most with provenance stamps and labels on the versos, and four with printed mimeo snipes affixed to same. Based on Carson McCullers' beloved 1946 novel, which McCullers also adapted for Broadway in 1950, starring actors Ethel Waters and Julie Harris, who reprised their roles for the film. A young, lonely tomboy dreams of escaping her small southern town with her brother and his fiancée. Harris was 27, more than double the age of the fictional Frankie Addams, at the time of the film's production. Set in the American South. 35 photographs 10 x 8 inches, one 7.5 x 9.25 inches. Generally Very Good plus to Near Fine, a couple with annotations in manuscript ink on the margins.…