Warren low (27 Ergebnisse)

hardcover. Zustand: Very Good.

Zustand: Good. 4th Edition. Little wear to clean boards. Content is clean and bright. DJ has a few small tears and is toned. Solid binding.

Zustand: New. In.

Zustand: Fair. 1922. No Edition Remarks. 352 pages. No dust jacket. Green cloth. Rough-cut pages. Ex Libris plate to front pastedown. Black and white photographic plates. Moderate foxing and tanning to pages and plates. More prominent to text block edges, pastedowns and free endpapers. Moderate to severe cracking to gutters and hinges, exposing netting and causing some heavy looseness to binding; pages remain attached. Pencil inscription to front free endpaper. Boards have minor corner bumping and edgewear with moderate staining, tanning and scuffing overall. Spine has heavier tanning with soft crushing to ends. Book has a slight forward lean.…

Zustand: New. In.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Paper edge browned. Dustwrapper a little worn and ssoiled.

Hardcover. Zustand: Fine. Originally released 1920. xl, 307 p. 23 cm. B&w illustrations. Red cloth. Topics include: filming under fire; editing a battle film; fighting in a sea of mud; etc.

hardcover. Zustand: Good. werner laurie 1937 first edition on b;lue cloth.

Hardcover. Zustand: Fine. No Jacket. 304 pages : illustrations ; 23 cm. ; ; SBN: 0940889218; 9780940889217; LC: GV964 .L68 ; OCLC: 33988457 ; Originally published: London : J. Nisbet, [1900] ; red cloth with gold lettering ; no dustjacket ; "It was rarely except on the Links that I saw Freddie. It was my custom, and that of several others, to walk round and watch his play at golf, but I never even saw him compete for the Medal, or in any greater contest than a match over both Links with Andrew Kirkcaldy. We used to make little bets with him, in ordinary matches, that he would not do the round under seventy-eight, or some such figure, and we were apt to lose our halfcrowns. At first, his extraordinary driving was the chiet attraction, but he later aimed more at accuracy, and drove much within his powers. I remember his coming into the Club and asking whether it was worth while to measure a drive he had made. He had, in fact, "overpowered" the Heathery Hole, the thirteenth as you come in, on the right-hand course. The drive has been disputed, and I only narrate what I remember. Perhaps my recollection is inaccurate. He was playing behind his brother Willie, and, when the brother and partner had played their second, Freddie's ball flew over their heads, and lighted on the long, narrow table-land which there crosses the Links. Freddie, on approaching the hole, could not find his ball, and, I think, gave up the hole, and then found his ball about "hole-high." The day was of a light frost, brilliantly sunny, and with the faintest flicker of air, no breeze. I remember seeing Mr. Tait measuring the distance to the place where the ball was found, and I think the whole extent was about 350 yards, the "carry" being about 250 yards. Probably there is a more authentic record than my memory supplies. At first, his extraordinary driving was the chiet attraction, but he later aimed more at accuracy, and drove much within his powers. I remember his coming into the Club and asking whether it was worth while to measure a drive he had made. He had, in fact, "overpowered" the Heathery Hole, the thirteenth as you come in, on the right-hand course. The drive has been disputed, and I only narrate what I remember. Perhaps my recollection is inaccurate. He was playing behind his brother Willie, and, when the brother and partner had played their second, Freddie's ball flew over their heads, and lighted on the long, narrow table-land which there crosses the Links. Freddie, on approaching the hole, could not find his ball, and, I think, gave up the hole, and then found his ball about "hole-high." The day was of a light frost, brilliantly sunny, and with the faintest flicker of air, no breeze. I remember seeing Mr. Tait measuring the distance to the place where the ball was found, and I think the whole extent was about 350 yards, the "carry" being about 250 yards. Probably there is a more authentic record than my memory supplies.At first, his extraordinary driving was the chief attraction, but he later aimed more at accuracy, and drove much within his powers. I remember his coming into the Club and asking whether it was worth while to measure a drive he had made. He had, in fact, "overpowered" the Heathery Hole, the thirteenth as you come in, on the right-hand course. The drive has been disputed, and I only narrate what I remember. Perhaps my recollection is inaccurate. He was playing behind his brother Willie, and, when the brother and partner had played their second, Freddie's ball flew over their heads, and lighted on the long, narrow table-land which there crosses the Links. Freddie, on approaching the hole, could not find his ball, and, I think, gave up the hole, and then found his ball about "hole-high." The day was of a light frost, brilliantly sunny, and with the faintest flicker of air, no breeze. I remember seeing Mr. Tait measuring the distance to the place where the ball was found, and I think the whole extent was about 350 yards, the "carry" being about 250 yards. " ; FINE. Book.…

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Zustand: Neu. Neuware - 'How I Filmed the War' offers a rare and vital firsthand account of World War I, told by Lieut. Geoffrey H. Malins, the man behind the camera during the infamous Battle of the Somme. This gripping record details Malins' extraordinary experiences capturing the brutal realities of the Great War on film. A significant contribution to military history and biography, the book provides unique insights into the challenges and dangers of war photography under unimaginable circumstances. Witness the war through the eyes of a pioneer, as Malins recounts his efforts to document one of history's bloodiest conflicts. This meticulously prepared print edition allows readers to delve into the original narrative, preserving the authenticity and impact of Malins' work. A powerful and enduring testament to courage, technology, and the human cost of war.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Paperback. Zustand: Brand New. 186 pages. 10.00x7.00x0.38 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware - This XpressRead Cram Edition of How I Filmed the War pairs the complete original text with carefully prepared study materials, designed for deeper engagement with this classic. 'How I Filmed the War' offers a rare and vital firsthand account of World War I, told by Lieut. Geoffrey H. Malins, the man behind the camera during the infamous Battle of the Somme. This gripping record details Malins' extraordinary experiences capturing the brutal realities of the Great War on film. A significant contribution to military history and biography, the book provides unique insights into the challenges and dangers of war photography under unimaginable circumstances. Witness the war through the eyes of a pioneer, as Malins recounts his efforts to document one of history's bloodiest conflicts. This meticulously prepared print edition allows readers to delve into the original narrative, preserving the authenticity and impact of Malins' work. A powerful and enduring testament to courage, technology, and the human cost of war.…

Zustand: New.

Buch. Zustand: Neu. Neuware - 'How I Filmed the War' offers a rare and vital firsthand account of World War I, told by Lieut. Geoffrey H. Malins, the man behind the camera during the infamous Battle of the Somme. This gripping record details Malins' extraordinary experiences capturing the brutal realities of the Great War on film. A significant contribution to military history and biography, the book provides unique insights into the challenges and dangers of war photography under unimaginable circumstances. Witness the war through the eyes of a pioneer, as Malins recounts his efforts to document one of history's bloodiest conflicts. This meticulously prepared print edition allows readers to delve into the original narrative, preserving the authenticity and impact of Malins' work. A powerful and enduring testament to courage, technology, and the human cost of war.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Zustand: Neu. Neuware - This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.…

Zustand: Used - Very Good. VG hardback. 1st ed. 1st edition, 1901, in red cloth with gilt. Tissue overlay to frontis browned; spine slightly bumped; cloth a little marked. Used - Very Good. VG hardback.

8vo. pp 337. Disbound (i.e. lacking covers) but otherwise in decent sound condition with clean text. Suitable for rebinding or reading and reference. Inked stamp at lower edge but otherwise insound condition with clean text.

Cloth. Zustand: Very Good. First edition. The first edition of this uncommon work on the history of cinema, signed by the author and his wife. The first edition of this uncommon work.Signed by the author and his wife, with a lengthy inscription to the recto of the front endpaper, dated July 1942.A fascinating history of cinema, written from the author's experiences of working in the film industry.Illustrated with a frontispiece, fifteen plates, and in-text illustrations.Collated, complete.Four pages of adverts to the rear. In the original publisher's cloth binding. Externally, smart. Light bumping to the head and tail of the spine and to the extremities. Light rubbing to the spines. A few minor marks to the cloth, a little heavier to the rear board. Spots to the fore edge. Inscription to the recto of the front endpaper. Small tidemark to the rear paste down. Internally, generally firmly bound. Pages are bright and generally clean with scattered spots. Very Good. Not Stated (illustrator). signed by author. book.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN.…