Warren kendall (25 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In English.

Loose Leaf. Zustand: New. Reproduction. Original title: [Hudson River Seen from United State Military Academy at West Point, New York] German: [Hudson River gesehen von der United State Military Academy in West Point, New York] French: [Hudson River vu de l'Académie militaire des États-Unis à West Point, New York] Spanish: [Hudson River Visto desde la Academia Militar de los Estados Unidos en West Point, Nueva York] High-quality fine-art reproduction based on an original work from the Met. Creation period: 19th century (1867). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Hardcover. Zustand: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. 1908 edition. Boards have light shelf rubbing with scuffing and smudging as well as bumping. Binding is sound. Endpages have age-toning and smudging as well as foxing and soiling. Page edges have moderate age-toning with foxing and soiling. Interior pages are age-toned and smudged. Secure packaging for safe delivery. …

Zustand: gut. Taf., 23 cm, gebräunt, Ecke mit Wasserfleck. Sprache: Englisch.

Zustand: Fair. : Introducción a la Comunicación de Masas, décima edición, es un libro de texto que explora el campo de la comunicación de masas. Analiza tanto los medios tradicionales como el impacto del ámbito electrónico de Internet. El libro examina la evolución histórica de los métodos y principios éticos de la comunicación de masas, y también cubre los efectos de la Ley de Reforma de las Telecomunicaciones de 1996 y el papel de los medios en casos de alto perfil. EAN: 9780060401825 Tipo: Libros Categoría: Educación|Tecnología Título: Introduction to Mass Communications Autor: Warren Kendall Agee| Phillip H. Ault| Edwin Emery Editorial: Longman Idioma: en Páginas: 569 Formato: tapa blanda.…

Zustand: New. In English.

Zustand: New. In English.

Zustand: gut. Abb., 23 cm, ausgebunden, gebräunt. Sprache: Englisch.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Kartoniert / Broschiert. Zustand: New.

Zustand: New.

Gebunden. Zustand: New.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly .

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: Good. 4to Spiral bound. 40pp. + inserts. Silkscreen cover by Charles T. Coiner (1898-1989). In 1933 Coiner was asked to design a symbol for the National Recovery Administration, the federal agency created to encourage industrial recovery and combat unemployment. His Blue Eagle design, that he sketched on a flight to Washington, DC, was displayed by businesses all across the United States and as its much publicized creator, Coiner became something of a household name.Photograph by Ruth Bernhard.When Advertising Arts made its debut during the Great Depression, the economy was at its nadir and desperation was at its zenith. Unless advertising and public relations men like Calkins could help resuscitate the economy, the nation would plummet further into the abyss ? and with it the advertising industry. Advertising Arts, edited by Frederick C. Kendall and Ruth Fleischer, was developed as a vehicle to encourage innovative work and celebrate the determination of advertising designers to manipulate popular perception using pseudoscience. It was indeed a magazine with a mission. So rather than publish the usual diet of gossip, trade talk, and technical notices, Kendall and Fleischer tapped the movers and shakers of what was then called "art for industry" to flag the new progressivism. Touting their own achievements as "artists" and imbuing art with commercial value was a massive public relations effort that required the most articulate practitioners. Granted, the readers of Advertising Arts were primarily other advertising artists and designers, but nonetheless the magazine gained authority within the offices and boardrooms of industry. The articles validated contemporary design in ways that business men could understand it.Provenance : Estate of CCAC/CCA professor Steve Reoutt, who passed away May 14, 2008. He was born in 1938 in Shanghai to Russian parents. He came to the United States when he was just 12 years old. He went on to co-found the San Francisco chapter of the AIGA, including serving a nine-year board position as design historian. In 2001 Reoutt received the AIGA Fellowship award for "personal and professional contributions to raising the standards of excellence within our design community.".…

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. [1st edition, 1st printing] ; 179 pages illustrations 26 cm ; LCCN: 50-9725 ; LC: NB1250; Dewey: 736.4 ; OCLC: 227669 ; beige and brown cloth ; no dustjacket ; Contents: Art is what you make it -- Wood as material for the sculptor -- Ideas and subject matter -- Tools and their care -- Rasps for carving in the round -- Carving in the round -- Carving a head -- Carving in low relief -- Finishing -- How to use sculpture ; "n simple every-day language and with lavish use of photographs, a noted sculptor takes you, step-by-step, through the process of wood sculpture and explains how to appreciate and use this kind of art in your own home. The how-to-do-it section contains information on the tools needed, the various woods and their qualities, and finishes. Photographs showing examples of the author's work and that of other contemporary sculptors illustrate his points clearly. The beginner will find this book opens the way to a rewarding hobby; the serious artist will be challenged by Mr. Rood's forceful ideas on art." ; contains numerous illustrations of beautifully photographed artwork of William Zorach, Maria Nunez del Prado, Aaron Goodelman, C Ludwig Brumme, Warren Wheelock, Ernst Barlach, Jose De Creeft, Chaim Gross, Peter John Lupori, Milton Hebald, Ossip Zadkine, Ann Wolfe, Dorothea Greenbaum, Gwen Lux, Evelyn Raymond and Alonzo Hauser ; copy of award-winning Santa Clara, New Mexico sculptor and painter, Joe Rodriguez Valles (1922-1982) ; foxing to endpapers ; else VG. Book.…

Hardcover. Collector's Edition. Octavos, Twelve Volumes. In Very Good plus condition. Bound in matching red genuine leather, with black and gilt decorations; spines paneled with gilt titling on black labels; text block edges gilt, with silk moiré endpapers and bound-in ribbon bookmark. Volumes show very light shelf wear to boards, with mild rubbing to the bottom board edges. The Elizabeth I volume shows some chipping to the title label on the spine. Text block edges show light scuffing and wear; scraping to the fore edge of the Henry V volume. Interiors clean. CONTENTS: Vol. I "William the Conqueror" (xii, 476 pages); Vol. II "Henry II" ([xviii], 693 pages); Vol. III "Richard the Lion Heart" (viii, [2], 349 pages); Vol. IV "Henry V" (xx, 251 pages); Vol. V "Richard III" (602 pages); Vol. VI "Henry VIII" ([10], 561 pages); Vol. VII "Elizabeth I" (x, [6], 636 pages); Vol. VIII "Charles I" ([12]; 496 pages); Vol. IX "Charles II" (xviii, 524 pages); Vol. X "George III" (xix, 411 pages); Vol. XI "Queen Victoria" (635 pages); Vol. XII "George VI" (xiv, 506 pages). Shelved above Easton Press. Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates. 1406351. Shelved Dupont Bookstore.…

Hardcover. Zustand: Very Good. Folio (8 ½" x 11 ½"). Opens with an engraved portrait of Henry Ellis Beecher Stowe (eldest son Harriet Beecher Stowe, who drowned in the Connecticut River on July 9, 1857), followed by 35 oval salted paper print photographs by George K. Warren. All but two photographs are Signed or identified in manuscript below the image. Each print mounted on the recto only of 34 card leaves within a manuscript ruled oval frame. Each image measures approximately 3 ½" x 4 ½". Bound in a later 19th century commercial album (patented 1877) in blind-stamped decorative cloth with an internal metal clasp fastener. The boards are rubbed and moderately soiled, the engraved plate of Stowe is foxed, a few intermittent leaves are toned, very good overall. One of the earliest college yearbook albums illustrated with original photographs, put together by an unidentified member of Dartmouth's class of 1859. Known for the "high quality and strength of his portraits" Warren is credited as the first photographer to specialize in graduating-class photography. He began "his long and prolific photographic career in 1851 in Lowell, Massachusetts, opening one of the city's first daguerreotype studios . When the portrait business in Lowell began to flag just prior to the Civil War, Warren turned to specializing exclusively in senior class photographs for colleges including Dartmouth, Princeton, Williams, Harvard, Brown, Yale, and Rutgers universities," and he kept a virtual monopoly on Ivy League and elite college yearbook photography for more than twelve years. The portraits in this album appear to be mostly of students, many of whom would go on to serve in the Civil War, including William Alfred Barnard (20th Michigan) who was captured in 1864 and survived seven months in a Confederate prison. Also included is George H. Strong, who moved to San Francisco where he joined the Bohemian Club and Astronomical Society of the Pacific, and served as President of the Dartmouth Alumni Association of the Pacific Coast. A scarce early album featuring many fine portraits by George Warren.456298.…

Hardcover. Zustand: Very Good. Quarto. Measuring 11" x 14". Bound in quarter black morocco and pebbled cloth over boards, gilt spine with raised bands, front cover lettered in gilt, all edges gilt. Compiled by Henry W. Tewksbury, a member of the graduating class, with his name stamped in gilt on the front cover and his bookplate on the front pastedown. Contains 55 albumen prints neatly mounted on the rectos of 55 thick card leaves. Light wear at the edges of the boards, light toning, very good. An attractive Dartmouth College senior "class book" album with photographs most likely made by George K. Warren, credited as the first photographer to specialize in graduating-class photography. Known for the "high quality and strength of his portraits" Warren made all of the photographs for Dartmouth's first yearbook album in 1858 and thereafter kept a virtual monopoly on Ivy League and elite college yearbook photography for more than twelve years. Every yearbook is unique, having been compiled and bound for a particular graduating student. According to one of Warren's contemporary price lists, class portraits were 20 cents each, views and groups were 30 cents each. This album commissioned by Tewksbury contains 51 portraits of senior class members in alphabetical order (Abbott to Worcester, with each surname written in pencil at the bottom edge of the leaf); two campus views; one group portrait of 13 students, members of the Kappa Kappa Kappa fraternity; and one group portrait of the entire class of 1870. Laid in are five loose albumen portraits mounted on paper: Dartmouth Presidents Asa D. Smith and Samuel C. Bartlett; professors Edwin D. Sanborn and Henry E. Parker; and one unidentified student. There is also a later tintype portrait of a student laid in next to his albumen portrait; three loose pieces of printed ephemera: a printed1868 program: "Exercises at the Burial of Mathematics"; and two broadsheets relating to the 20th class anniversary. Tipped-in among the student portraits are 13 printed obituary notices dating through the 1890s. Henry Tewksbury, a successful lawyer and popular lecturer, suspended his practice in 1883 in order to tour the country. Severely injured in the 1887 West Hartford (Vermont) railway bridge disaster, Tewksbury recovered and was able to attend the class of 1870 20th anniversary celebration in 1890. Other notable figures pictured in the album include the remarkable character Theodore Barber, a university professor and book collector (and mentor to Andrew Mellon); and senior class President Francis Brown, a distinguished philologist and theologian, and Trustee of Dartmouth. A handsomely bound volume containing many fine portraits by or attributed to Warren.…

Zustand: Fine. Oval albumen bust portrait (4-1/2 x 6 in.) SIGNED ('Edward J. Lowell') beneath image, docketed on different hand below signature. Folio. A distinctive portrait of the young Lowell reading, possibly from his Harvard 1867 photographic yearbook. Lowell wrote a history of the French Revolution and practiced law. Oval albumen bust portrait (4-1/2 x 6 in.) SIGNED ('Edward J. Lowell') beneath image, docketed on different hand below signature. Folio. Signed.…

127 oval albumen bust portraits (4-1/2 x 6 in.) of Harvard class of 1866, titled in pencil with sitter's last name and some SIGNED beneath image. Some leaves printed with "Warren phot.", some second generation prints. Folio. George Kendall Warren (1824-1884) was a distinguished northeastern landscape photographer and the most highly-regarded collegiate yearbook photographer to elite northeastern institutions: Dartmouth, Williams, Brown, Weslyan, Yale, Princeton, Rutgers, West Point, Union, and Harvard. The Class of 1866 graduated George A. Glass and Frank Wright, founders of the '66 Base Ball Club in 1862, later re-named the Harvard University Base Ball Club in 1864. Full gilt-panelled black morocco, rubbed. Spine titled in gilt, "Harvard College. Class of 1866"; a.e.g. Very good 127 oval albumen bust portraits (4-1/2 x 6 in.) of Harvard class of 1866, titled in pencil with sitter's last name and some SIGNED beneath image. Some leaves printed with "Warren phot.", some second generation prints. Folio. Signed.…