Wang david der wei widmer ellen (10 Ergebnisse)

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780674325029.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780674325029.

8vo. pp xviii, 435. Printed paperback. ISBN: 0674325028 Fine.

Zustand: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

Paperback. Zustand: Very Good. 435 pages. clean tidy copyWhat do the Chinese literature and film inspired by the Cultural Revolution ( 1966?1976) have in common with the Chinese literature and film of the May Four th movement (1918?1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share s everal aims: to liberate these narrative arts from previous aesthetic orthodoxie s, to draw on foreign sources for inspiration, and to free individuals from soci al conformity.Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the po werful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China.Drawing on a wide range of meth odologies, from formal analysis to feminist criticism, from deconstruction to cu ltural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and f ilm in China?s unique historical context. The volume illustrates three general issues preoccupying this century?s scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticis m; the diacritics of voice, narrative mode, and intertextuality; and the reintro duction of issues surrounding gender and subjectivity.…

Black and white photographic illustrations, xviii + 435pp, notes, edges little foxed, covers slightly shelf worn, a good paperback copy. "Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode and intertextuality; and the reintroduction of issues surrounding gender and subjectivity." (Publisher's description).…

Paperback. Zustand: Brand New. 215 pages. 8.50x5.50x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 464 pages. 9.25x6.25x1.25 inches. In Stock.

Zustand: New. What do Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with media of the May Fourth movement (1918-1930)? This book demonstrates several shared aims: to liberate narrative arts from aesthetic orthodoxies, to draw .

Zustand: New. pp. 464.