walter vitzthum (67 Ergebnisse)

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Milan, 1971; Italian text; gray cloth covered boards; mild shelf wear; illustrated jacket with edge and corner wear; 4to - over 9 3/4" to 12" tall; Interior is clean and unmarked; Previous owner's name on second front end paper; 93 pages; Additional shipping charges may be required due to the size and weight of book.; From the library of Thomas Willette, University of Michigan professor.

92 SS. mit sehr zahlreichen s/w und farb. Abb. 4°. OPbd. mit OU. Gut! Aufgrund der von der Europäischen Union erlassenen EPR-Handels-Erschwernisse kann in folgende Länder KEIN VERSAND mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Polen, Österreich, Rumänien, Dänemark, Schweden, Slowakei, Spanien. Sollte eine deutsche Lieferadresse möglich sein, kann an diese aber problemlos geliefert werden! * * * due to EPR-Restrictions NO SHIPPING to Austria, Bulgaria, Danmark, Greece, Luxembourg, Poland, Romania, Sweden, Slovakia and Spain * * * Sprache: Deutsch 999 gr.

93pp. 38 color plates, 32 reference illus. Lrg. 4to. Cloth. D.j.

Soft Cover. Zustand: Book good. pages not numbered. With many illustrations, partly coloured.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Hardcover. Superficial marks and small dents on the jacket covers and spine. Jacket and hardcover spine ends, edges and leading corners are slightly worn and bumped. Film has detached from jacket on the spine sides. Small paint stain on the rear jacket cover near the spine. Inner jacket edges are tanned. Rear board has one or two marks. Small bump on the spide. Blind stamps on end papers. Page edges are midly tanned. Text is clear throughout. Binding is sound. HJW. Used.

Zustand: MOLTO BUONO. Milano, F.lli Fabbri Ed. cm.25x31, pp.96, XXXVIII tavole a colori e numerose figure bn. nel testo, legatura editoriale sopraccoperta figurata. Collana Disegni dei Maestri.

Gebunden. OPpd., OSU., 101 Seiten, in gutem Zustand, , [LSA4,2v]. Deutsch 400g.

Zustand: Good.

Erste Ausgabe. 8vo. 101 S. Orig.-Broschur Tadelloses Exemplar.

OPappband mit OUmschlag. 92(3)S. Size: 4°.

Publisher's boards, pictorial dustjacket. Fine. Milano, Fratelli Fabri, 1971. 4to. 30 x 24,5 cm. 96 pp. With 32 illustrations in black & white and 38 colour plates. Master drawings by i.a. Ribera, Vaccaro, Cavallino, Falcone, Salvator Rosa, Preti, Luca Giordano, Solimena, Caracciolo (Battistello), Stanzione, Falcone, Spadaro, Conca, Bonavia.

92 p. Cloth with dustjacket, in good condition.

Zustand: Buone. italiano Condizioni dell'esterno: sovracopertina leggermente strappata Condizioni dell'interno: Leggere tracce d'umidita'.

Zustand: Buone. italiano Condizioni dell'esterno: Discrete con difetti, strappi Condizioni dell'interno: Discrete con Difetti, bruniture.

Zustand: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Zustand: Buone. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Zustand: BUONO USATO. I grandi decoratori ITALIANO Volume n. 9 della collana I grandi decoratori. Legatura cartonata illustrata, con abrasioni lungo i margini ed alle cerniere, appena brunita dal tempo. Pagine leggermente scurite, con testo introduttivo seguito da tavole a colori ed in bianco e nero, nel testo. Numero pagine 72.

Copertina rigida. Zustand: Buono. Cm.35,5x26,2. Pg.72. Coperta cartonata. Con illustrazioni. 1100 gr.

geringe äußere Gebrauchsspuren. Gewicht in Gramm: 550.

Softcover. Reprint 1986. not paged, illustrated Good condition. Reading pages are clean and without marks. Retired library exemplar, with the usual marking. Corners slightly rubbed or bumped. Still good copy. Italian book. Sprache: Italienisch Gewicht in Gramm: 1000.

Zustand: Good. Paperback, dust jacket, good condition, light tan, 35.5x26.8cm, 16 pages of color plates in fine condition.

HRD. Zustand: Good. Hardcover, bend on corner of cover and surface of cover,tan on pages.

92 + 3 S. OLwd. m. OSch. DEA. - Mit 38 Farbtafeln u. 33 Schwarzweiß-Abb. - Schulers Kunstkabinett. - OSch. m. leichten Gbrsp., sonst tadellos.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0888843259.

Zustand: leido. CARTONE CON SOBRECUBIERTYA, leve falta cubierta 96.

Brossura. Zustand: Buono. Presentazione di Anna Forlani Tempesti. Cm.22,7x15,7. Brossura editoriale. Lievi tracce d'uso. Con 64 tavole fuori testo. Con la collaborazione di Anna Maria Petrioli. "Collana "Gabinetto Disegni e Stampe degli Uffizi", nº26. 250 gr.

Zustand: Good. Paperback, dust jacket, good condition, light tan, light damaged jacket, 35.5x26.8cm, 40pp.

gebunden. Zustand: Gut. 94 Buch ist in gutem Zustand, geringe Gebrauchs- Alters- oder Lagerungsspuren, Gebundenes Buch mit Original-Schutzumschlag, Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 1001.

Schuler, München 1976, 92 S., Oppbd., OU, 4, Seiten etwas gebräunt, riecht innen leicht muffig.

Hardcover. Zustand: Good. Immediate dispatch from Somerset. Nice older book in good condition. Pages in good condition. Repaired tear on dust cover. Hardcover. Italian. Pub Year 1971, See images for condition. About the book >.>.> Il Barocco a Roma by Walter Vitzthum explores the artistic developments in Rome during the seventeenth century, focusing on the evolution of drawing and its significance within the context of the Baroque period. The narrative traces the lineage of artists seeking official recognition, beginning with Annibale Carracci and culminating in the work of Carlo Maratta. Vitzthum highlights the influence of illustrious collections, such as the Galleria Farnese, which served as an essential resource for young artists. These artists were inspired to study the classical and Renaissance masters, creating a vibrant artistic environment centred around the mastery of drawing.The book delves deeper into the educational practices that shaped the artistic community in Rome. The continuous presence of Annibale Carracci?s students ensured the perpetuation of his teachings, establishing a robust school for decorative arts under official patronage. Vitzthum notes Maratta's connection to Carracci through his apprenticeship with Andrea Sacchi, also a student of Carracci. This link makes Maratta a natural heir to Carracci's legacy, albeit interpreted through the lens of subsequent generations. The text highlights Maratta's own studies and experiences, which demonstrate his intimate knowledge of Carracci's graphic style and methodology.Additionally, Vitzthum examines the broader implications of the artistic dialogue between Carracci's students, showcasing how their differing interpretations, particularly in the works of Domenichino and Lanfranco, contributed to the shaping of a distinctive classicising vision. The interplay of styles and the evolution of drawing practices are presented as central themes, providing readers with an insightful look into the rich tapestry of Baroque art in Rome.