w jack hudson (8 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: NEAR FINE. 56 pp. Sewn binding in paper wraps. 2 b/w plates to rear, 24 figures in text. Owner signature to front wrapper, spine toned, sharp and clean otherwise.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. [1st ed., 1st printing] ; 177 p. : ill., maps ; 22 cm. ; LCCN 73085028 ; ISBN 9780820303321, 9780820303628, 0820303321, 0820303623 ; OCLC 1365856 ; LC E78.S65 F64 ; 973/.04/97 ; 8.6x5.9x0.9 Inches ; red cloth in dustjacket ; name on front endpaper ; "All of the papers in this volume were originally presented at the nineteenth annual meeting of the American Society for Ethnohistory held in Athens, Georgia, 13-16 October 1971." ; The Indians of the Southeast had the most highly centralized and complex social structure of all the aboriginal peoples in the continental United States. They lived in large towns and villages, built monumental mounds and earthworks, enjoyed rich religious and artistic achievements, and maintained a flourishing economy based on agriculture and complemented by time-honored hunting and gathering techniques. Yet they have remained relatively unknown to most scholars and laymen, in part because of a lack of collaboration between historians and anthropologists. Four Centuries of Southern Indians is a collection of nine essays which allow both historians and anthropologists to make their necessary contributions to a fuller understanding of the southern Indians. The essays span four hundred years, beginning with French and Spanish relations with the Timucuan Indians in northern Florida in the sixteenth century and ending with the modern Cherokees transported to Oklahoma. The interim topics include the social structure of the Tuscaroras of North Carolina in the eighteenth century, the role southern Indians played in the American Revolution, the removal of the southern Indians to the Indian Territory, and Cherokee beliefs about sorcery and witchcraft. This collection of essays and the cooperation between historians and anthropologists which it incorporates signify the beginning of what will undoubtedly prove a fruitful approach to the study of southern Indians. ; A very successful collection of important papers . . . The nine papers presented in Four Centuries of Southern Indians suggest the rich possibilities for research in Southeastern Indian history and culture. Prefaced with a fine introduction by Professor Hudson, the papers explore the variety of past and present issues touching the lives of many tribes.--American Indian Quarterly ; Makes a valuable contribution to the study of Indians in the South, even though the subjects are diverse and brevity militates against full development of some themes. --American Historical Review ; FINE/VG. Book.

Citellus Leucurus. University of California Publications in zoology Volume 64, No. 1. 51 S. gr.8. mit 2 Plates, 24 Figures in Text. University of California Press. Berkeley. 1962. Mit Gebrauchsspuren/Used condition. Broschur/Softcover. Sprache: englisch/english.

Hardcover. Zustand: Good -. Baynes, Hiram; Hambridge, Jay; Goodwin, C. L. (illustrator). Binding tight; interior clean other than gift inscription (dated 1909) in pencil on ffep. Red and cream half-bound boards with gilt lettering and design; heavy wear and bumping at corners. A collection of stories, poems, and activities for children by various authors. Illustrated in black and white. Full-color frontis. Unpaginated, but approx. 94pp.

Two Draft scripts for the 1976 film. One script, a Final Draft, belonging to an auditioning actor, Jenny Sullivan, with her name in manuscript ink on the front wrapper; the other script is bound in red faux leather with gilt tiles, a color photograph of a human fetus bound in, and both scripts bear letters from a professor at the University of California describing the possible methods and techniques detailed in the screenplay, and their applicability to contemporary (1974) ethical and legal conditions. Brief annotations on laid-in slips in manuscript ink throughout the first script. Laid in is a signed letter from director Nelson to Jenny, informing her that she is a finalist for the role of Victoria (ultimatly the role went to Barbara Carrera). An exploitation film owing much to "Bride of Frankenstein," as well as the technological advances with DNA in the 1970s. Dr. Paul Holliston (Hudson) is a scientist who discovers a method to accelerate the birth cycle to just a few days. The maturation process has detrimental side effects, and the mature adult, a woman, shows homicidal tendencies. Set in Los Angeles. First script: Light blue titled wrappers, undated. Title page present, undated, noted as FINAL DRAFT, with credits for screenwriters Thomas and Doohan. 122 leaves, with last page of text numbered 119. Mechanical duplication. Pages Near Fine, wrapper Very Good plus, bound with two silver brads. Second script: Red faux leather titled wrappers. Title page present, undated, with credits for screenwriters Thomas and Doohan. 140 leaves, with last page of text numbered 136. Mechanical duplication, with a color photograph, Near Fine overall, bound internally with three gold brads. Muir 1970s.

Draft script for the 1976 science fiction film. Included with the script are two bound documents relating to film options and literary purchase agreements, the former being SIGNED by producers Sandy Howard and Plato Skouras and writer Jack Thomas. An exploitation film owing much to the 1935 classic "Bride of Frankenstein," as well as technological advances with DNA in the 1970s. A scientist discovers a method to accelerate the birth cycle to just a few days. The maturation process has detrimental side effects, and the mature adult, a woman, shows homicidal tendencies. Set in Los Angeles. Red titled Sandy Howard Productions wrappers, with titles in gilt. Title page present, undated, with credits for screenwriters Jack Thomas and Anita Doohan. 138 leaves, with last page of text numbered 134. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads.