Voronov n (10 Ergebnisse)

Hard Cover. Zustand: Very Good. This is a very good hardcover copy in pictorial glazed boards with just a little wear to spine tips and corners. Very clean inside and out. Text in English, French and German. Most of the works illustrated were made in the post World War II period: the 1950's and 60's. Biographical notes on all artists. Bibliography. 107 full-page color and black & white plates. Appendix on the history of national art glass in Russia. 11" high X 7" wide, 178 pages. This book will be securely packed and shipped with tracking.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN.…

gr. 8°, 286 S./pp., zahlreiche teils farbige Abbildungen auf Tafeln/numerous partially coloured illustrations on plates, Originalleineneinband (publisher's cloth binding), Originalumschlag (publisher's dust jacket), Schnitt gering fleckig/Edges slightly stained, sonst gutes Exemplar (otherwise fine), Umschlag etwas gebrauchsspurig/dustjacket shows some tear and wear, (Nevskii khrustal'). Sprache: russisch.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good-. First Edition. Color Photographs; 4to 11" - 13" tall; 201 pages; 1977 Khudozhnik RSFSR. Oversize HC/DJ. Large quarto snugly bound in thatched tan cloth with titles in gilt to the cover and spine. Some light dust spotting to the top edge. Prior owner's ink ownership stamp to the front flyleaf. Mild wear and some tearing to the the top edge of the dust jacket. Contents are clean and unmarked. Illustrated with color and b&w photos and reproductions. Text is in Cyrillic. VG/VG- . Oversize book likely to require additional charges for expedited or international shipping.…

Hardcover. Zustand: Gut. 28,5x18,5cm; 180; 108 Abb.; Hardcover. sehr viele Abb.; Zustand: Gut min. bis gering gebräunt (Innen); Einband (Außen) hat geringe bis leichte Gebrauchsspuren; Hinterdeckel hat unten einen kleinen Tesastreifen; Schutzumschlag fehlt, oder es gibt keinen; Und in französischer und russischer Sprache; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Hardcover. Zustand: Very Good. No Jacket. Hardcover in Very Good condition, no dust jacket. Glossy pictorial boards, spine head is bumped and has small tears to edges. Introductory text is in Englsh, German and russian, followed by 108 glossy full page colour plates. Scarce book.

Originalbroschur. 4°. 329-362 Spalten. mit zahlreichen tabellarischen Übersichten. Ex. mit Längsknick. leicht knittrig. angerändert, mit kl. Anrissen. Widmung auf dem Deckblatt. leicht eselsohrig und gebräunt. noch guter Zustand. Abdruck aus den Astronomischen Nachrichten", Nr. 6092-93, Band 254. in deutscher Sprache.…

Hardcover. Zustand des Schutzumschlags: sehr gut. Obr. 4°. 23-42 SS. m. Einigen Tab. Gebräunt. Leichter Querknick. sehr guter Zustand. in englischer Sprache (in english).

Hardcover. Obr. 4°. Spalten 157-166. Deckblatt m. Füller-Notiz. Etwas knittrig. Exemplar m. Querknick. leicht gebräunt und eselsohrig. Angerändert mit durchgängigem Anriss. sehr guter Zustand. Abdruck aus den "Astronomischen Nachrichten Nr. 6128" Band 256. in deutscher Sprache.

Hardcover in slipcase. Zustand: Good. Presumed First Edition, First printing. The format is approximately 7.75 by 11.25 inches. Decorative front illustration. Plain cardboard slipcase (worn and soiled). Minor wear to exposed spine. 179, [1] pages. Illustrations (color). Appendix: From the History of National Art Glass. Appendix: Soviet Artists of Glass. Biographical Notes. Bibliography. List of Abbreviations. Text is in English with abbreviated versions in French and German. The history of glass in Russia is non-linear and tragic: in each new era, it began from scratch, with the revival of closed industries and the restoration of the continuity of schools. After the revolution, large factories that represented glass at the World Exhibitions were actually destroyed or repurposed for the production of cheap mass products. However, even it was not enough to meet all the needs of a vast country. In the 1930s, the plight of the industry attracted the attention of the authorities and restoration began: the glass industry department Glavsteklo was created, and the construction of factories was launched. For example, an experimental workshop was opened on the basis of the Demino Mirror Factory in Leningrad under the guidance of sculptor Vera Mukhina. The rapid recovery of the industry was interrupted by the Great Patriotic War. After 1945, the history of glass production actually began anew. A faceted glass or granyonyi stakan (literally faceted glass) is a type of drinkware made from especially hard and thick glass and having a faceted form. It is a very widespread form of drinking glass in Russia and the former Soviet Union. The antecedents of the faceted glass in Russian history are dated back to the reign of Peter the Great, who valued the design as being less likely to roll off tables aboard ships. Examples of the first such design were supposedly presented to the tsar by glassmaker Yefim Smolin, from Vladimir Governorate, with the assurance that the glass was unbreakable. After drinking from the glass, the tsar threw it to the ground, breaking it, but was still impressed, stating "Let's have that glass" (Russian: !, romanized: Stakanu byit!). The breaking of the glass and the associated statement later became remembered as "break the glasses!" and is the possible origin of the Russian tradition of breaking glassware after celebrating particularly important toasts. Presenting the history of the development of Soviet art glass in the field of cutting and engraving, the curators talk both about the artistic and stylistic features of the two leading schools - Moscow and Leningrad, and about the gradual formation of the styles of each plant in the 20th century. "The period of formation of the own style of Soviet glass was determined by the Leningrad school, represented by the Leningrad Art Glass Factory (LZKhS). It was his masters who stood at the origins of the process of bringing art into everyday life.…