Vojtech lahoda (44 Ergebnisse)

Square 8vo. Original black and white lettered pictorial laminated boards (Fine), no dustwrapper. Pp. 167, illus with coloured plates (no inscriptions; Czech text).

85 Seiten, kartoniert mit Umschlagklappen, Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

paperback. Zustand: near fine. Foreword by Jaroslav Fatka. Extensively illustrated. 280pp., tall 8vo, plain white wrappers with pictorial dust wrappers. Prague: Prague City Galleries, (1990). A near fine copy of this scarce catalog.

1. Auflage, OBrosch., 319 Seiten mit zahlr. Abb., 8° (16,5 x 23,5 cm), Buch ist neu. Book Language/s: English.

4°, Hardcover/Pappeinband. Zustand: Gut. 205 S., zahlr. Abb. Gebraucht: SU. leicht berieben, ansonsten sehr guter Zustand. Sprache: Deutsch Gewicht in Gramm: 500.

Paperback. Zustand: Near fine in wraps. First Edition. 17 x 21cm 96pp near fine paperback with Czechoslavakian and English text together with colour reproductions.

Hardcover. Zustand: As New. Leichte Kratzer / Abnutzungen / Druckstellen. Zdenek Rykr je dnes razen k nejoriginalnejsim umelcum prvni poloviny 20. stoleti v Cechach. Velka skala Rykrovy kreativity ukazuje na neuveritelnou tvurci energii umelce, ktery neustrnul a vzdy hledal nove vyzvy. Pokud v soucasnosti verejnost vi neco o Zdenku Rykrovi, pak bohuzel stale jen neprimo. Vetsinou ji nic nerika ani jeho dilo, ani jeho osud, muze vsak znat mourenina z cokoladove tycinky Kofila. Mnoho konzumentu teto lahodne cukrovinky netusi, ze autorem grafickeho navrhu Kofily, stejne jako provazkoveho pisma Orion nebo orionske hvezdy, je prave Rykr. Jeho vazba k tovarne na cokoladu byla v ceskem prostredi natolik vyjimecna, ze se stala hlavnim motivem teto publikace.…

hardcover. Zustand: Gut. 321 Seiten; 9788024651217.3 Gewicht in Gramm: 4.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Hardcover. First Edition. 22 x 28cm 212pp hardback in near fine condition with dust jacket. Czechoslavakian text with colour reproductions. Near fine in near fine dustjacket.

Zustand: New. 2023. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: NEW.

4to. Original pictorial boards (Fine). Pp. 365, illus with coloured photos (no inscriptions). [Czech text].

Zustand: New. In English.

Hardcover. Zustand: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveranderung. Monografie vychazi u prilezitosti vystavy Libora Fary v Galerii Smecky na jare 2006.

Hardcover. Zustand: Brand New. 321 pages. 9.25x6.50x2.52 inches. In Stock.

Zustand: New.

First Edition. 29 x 22 cm 378 pp with mainly colour illustrations throughout. Czech and English text. Wrappers with flaps, a fine copy.

Buch. Zustand: Neu. Nationalism and Cosmopolitanism in Avant-Garde and Modernism | The Impact of World War I | Lidia Gluchowska (u. a.) | Buch | Gebunden | Englisch | 2023 | Karolinum,Nakladatelstvi Univerzity Karlovy,Czech Republic | EAN 9788024651217 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Buch. Zustand: Neu. Neuware - An examination of the cultural and artistic consequences of post-WWI nationalism in Europe. World War I was a seismic event in Europe whose most concrete ramifications were the sweeping changes made to maps of the continent after 1918. A number of new, independent states were established in the wake of the Armistice, and these tectonic developments found varied expression in the arts, transforming the image of the continent both cartographically and artistically. This new edited collection focuses primarily on how modernism and the avant-garde responded to these geographic changes in Central and Eastern Europe, the Baltic States, and Scandinavia. The contributors explore the clashes between the national, the transnational, and the cosmopolitan as they played out in diverse artistic genres. In many countries across Europe, the struggle for national independence--which in many cases began in the nineteenth century and culminated only after World War I--had important cultural and artistic consequences, which are only beginning to be understood. This book--copublished with Artefactum--provides a crucial new lens to rethink the methodological tools used to understand the complexity and the multiplicity of avant-garde forms in twentieth-century Europe, encouraging scholars to reconstruct global cultural history without tired nationalistic approaches.…

broschiert/Taschenbuch. 349 S. OBrosch. mit OU. 1. Aufl. Guter Zustand. ISBN 8070350954 ///// Tschechische bildende Kunst in der 1. Hälfte des 20. Jahrhunderts. Sprache / Language: Tschechisch.

4to. Original pictorial card covers (softback) (Fine in protective cover). Pp. 631, illus with coloured and photos (no inscriptions). [English text].

Soft Cover. Zustand: Very Good. Text in English and Czech. 86 pp. Minor rubbing to covers; spine end bumped. Teige studied history of art at the Philosophical Faculty of Charles University in Prague He devoted himself to extensive theoretical, publicist, lecturing, editiorial and organizational activities as well as being the leading initiator and representative of Czech avantgarde culture between the wars, primarily in the field of art, literature, architecture, photography, film and theatre. In 1920 he became a co-founder of the artistic group Dev?tsil (1920-1932) and the first chairman of Leva fronta (Left Front) (1929-1935). In 1934 he became a member of the Prague surrealist group, and was its spokesman until 1947. In the field of art theory he was a leading figure in the establishing of the programmes of proletarian art, poetism and constructivism. As an artist, his early paintings and graphics were influenced by cubism. Later on, he devoted himself to typography and book design characterized by constructivism. Within the framework of poetism, he developed the "pictorial poem". From 1934 until his death he worked systematically on the creation of surrealist collages. Karel Teige's most significant publications include Modern Czech Architecture (1924), Film (1925), Construction and Poem (1927), The World Which Laughs (1928), The Smallest Apartment (1932), The Art Fair (1936), a monograph on the artists Jan Zrzavý (1923) and Styrsky and Toyen (1938) which he published together with Vitezslav Nezval. His Manifesto of Poetism (1928) was also issued in collaboration with Nezval. In the 1940s he worked on questions concerning the philosophy of modern art in the book The Developmental Changes in Art, which had to wait until 1967 until it was allowed to be published for the first time.…

Zustand: Very Good.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : 205 Seiten mit zahlreichen Abbildungen, gebunden mit Schutzumschlag - Die tschechischen Künstler haben sehr früh ein besonderes Sensorium für internationale Veränderungen und Neuerungen entwickelt und einen besonderen "Möglichkeitssinn" in der Suche nach alternativen Konzepten für die Zukunft aktiviert. In der kulturellen Avantgarde spiegelt sich die Auseinandersetzung zwischen Tradition und Erneuerung, aber auch die zwischen einer nationalen Eigenständigkeit und einer Weltoffenheit wider. Daß die tschechischen Künstler der Jahrhundertwende in der Rückschau als hervorragende Avantgarde bezeichnet werden können, verdankt sich in vielem dieser speziellen Dialektik von Eigenem und Fremdem. ….…

Praha, 2003. 212 pp. 231 col. ills. Hardcover, d/j.

4°, gebundene Ausgabe, Leinen. 111 Seiten, SU mit Randläsuren, Einband etwas berieben, Seiten nachgedunkelt, sonst in einem guten Zustand. Abgleich des Titelbildes bitte bei nika-books. 9788020704771 cs Gewicht in Gramm: 550.

1st edn. 4to. Original gilt lettered black cloth (FIne), dustwrapper (Fine in protective cover). Pp. 478, with b&w and coloured photos (no inscriptions). [Czech text].