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Verlag: Rowohlt Tb. 01 J, 2000
ISBN 10: 3499606607ISBN 13: 9783499606601
Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
Buch
Pocket Book. Zustand: Very Good. Film als subversive Kunst. Kino wider die Tabus - von Eisenstein bis Kubrick. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 12,58
Verlag: Bucher Luzern.
ISBN 10: 3765802778ISBN 13: 9783765802775
Anbieter: medimops, Berlin, Deutschland
Buch
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 12,16
ISBN 10: 3854451377ISBN 13: 9783854451372
Anbieter: medimops, Berlin, Deutschland
Buch
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
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Gebraucht ab EUR 24,08
Verlag: Rowohlt Taschenbuch Verlag Reinbeck, 2000
Anbieter: Antiquariat Niedersaetz Berlin-Zürich, Berlin, Deutschland
gr. 8°, 377 S. , zahlreiche Abb. ill.OBrosch. Sauberes, fast neuwertiges Exemplar Schlagworte: Film*Kunst* Versandkosten können abweichen. PayPal on request. Für Schweizer Kunden: Versand von Zürich möglich und günstiger. Zahlung mit CH- Einzahlungsschein.
Zustand: Neuf.
Dos carré collé. In-8 (17 x 24,8 cm), dos carré collé, 330 pages, photos en noir et blanc, ouvrage recherché ; volume un peu gondolé, pliures au dos, traces et marques d'usage sur les plats, par ailleurs intérieur frais, assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Verlag: Luzern/Frankfurt, Bucher, 1979
Anbieter: Antiquariat Uhlmann, Zürich, Schweiz
Erstausgabe
Brosch. 4°, 335 S., zahlr. Abb. (tlw. auf Tafeln). Rücken etw. augeblichen u. broschurbedingt knickspurig, Blattränder min. gebräunt, innen sonst tadellos. Dt. Erstausgabe.
Verlag: Weidenfeld and Nicolson, 1974
ISBN 10: 0297766740ISBN 13: 9780297766742
Anbieter: Cambridge Rare Books, Cambridge, GLOUC, Vereinigtes Königreich
Buch
Hardcover. Zustand: VERY GOOD. 1974-06-06. Weidenfeld and Nicolson. Hardcover. VERY GOOD DJ VG. DJ mild edgewear. spine sunned. price clipped. 10x7.
Verlag: Harvard University, Cambridge, MA, 1977
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Kunst / Grafik / Poster
Original promotional window poster for a film lecture by Amos Vogel, given in 1977 at the Carpenter Center for the Visual Arts, Harvard University. Vogel was the author of the seminal work on avant-garde cinema, "Film as a Subversive Art," published in 1974 and reprinted many times since. 11 x 22 inches, rolled. Near Fine.
Verlag: Gaade,, Den Haag,, 1974
Anbieter: Burwood Books, Wickham Market, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe
Hardcover. Zustand: Good. First Edition. Hardback. Dust Jacket. 4to. pp 336. Original publisher's black cloth, lettered silver at the spine. Weidenfeld & Nicolson's retained copy with their stamp on the half title page reading 'Weidenfeld Library'. They published the English edition titled, 'Film as Subversive Art'. Text in Dutch. Copiously illustrated in black and white throughout. Very good indeed in very good dust jacket, with a small nick at lower spine due to label removal and slight chipping at top rear edge.
Verlag: N.p., N.p., 1959
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Kunst / Grafik / Poster Signiert
Hand tinted woodcut by Kurt Seligmann in 1959 as a Christmas card, titled "Moor," SIGNED and dated in pencil by Seligmann just below the image, and further INSCRIBED to Amos Vogel: "We loved your card - with Jean Durand! / Season's greetings / Arlette and Kurt." Kurt Leopold Seligmann (1900-1962) was a Swiss-American surrealist painter and engraver. He was known for his fantastic imagery of medieval troubadors and knights engaged in macabre rituals and inspired partially by the carnival held annually in his native Basel, Switzerland. Amos Vogel (1921-2012) was one of the most influential cineastes in New York City. He is best known for his bestselling book "Film as a Subversive Art" (1974) and as the founder of the New York City avantgarde cine-club Cinema 16 (1947-1963), where he was the first programmer to present films by Roman Polanski, John Cassavetes, Nagisa Oshima, Jacques Rivette and Alain Resnais as well as early and important screenings by American avant-gardists of the time like Stan Brakhage, Maya Deren, James Broughton, Kenneth Anger, Sidney Peterson, Bruce Conner, Carmen D'Avino and many others. In 1963, together with Richard Roud, he founded the New York Film Festival, and served as its program director until 1968. In 1973, Vogel started the Annenberg Cinematheque at the University of Pennsylvania and was eventually given a Chair for film studies at the Annenberg School for Communication, where he taught and lectured for two decades. 8 x 7.25 inches. Several tiny pinholes in the top half of the woodcut, from the years when the card hung in Vogel's home, else Near Fine.
Verlag: N.p., N.p., 2004
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Signiert
Vintage double weight photograph of Amos Vogel, taken by Gerard Malanga and gifted by Malanga to Vogel in 2004. Malanga's trademark name blindstamp is at the bottom right corner of the image, and he has inscribed the verso: "Amos Vogel, founder of Cinema 16 / October 22, 2004 / Gerard Malanga." Below is Malanga's stamped copyright. Included is an autograph letter signed by Malanga to Vogel, dated March 3, 2005, where Malanga says that he is enclosing three prints, two for Vogel's children, and that the prints were made before Christmas 2004. From the estate of Amos Vogel. Gerard Malanga is an American poet, photographer, filmmaker, curator, and archivist. He is noted for his creative presence in Andy Warhol's earliest work, including the development of Warhol's "Screen Tests," his performances in early Warhol films, his choreography for early performances by the Velvet Underground, and his work as a founding editor of "Interview" magazine. He also made an important series of avant garde films in the late 1960s, and beginning in 1970 he reinvented himself with great success as a photographer, shooting now-legendary portraits of some of the most important artists and creative thinkers of his era. Amos Vogel (1921-2012) was one of the most influential cineastes in New York City. He is best known for his bestselling book "Film as a Subversive Art" (1974) and as the founder of the New York City avantgarde cine-club Cinema 16 (1947-1963), where he was the first programmer to present films by Roman Polanski, John Cassavetes, Nagisa Oshima, Jacques Rivette and Alain Resnais as well as early and important screenings by American avant-gardists of the time like Stan Brakhage, Maya Deren, James Broughton, Kenneth Anger, Sidney Peterson, Bruce Conner, Carmen D'Avino and many others. In 1963, together with Richard Roud, he founded the New York Film Festival, and served as its program director until 1968. In 1973, Vogel started the Annenberg Cinematheque at the University of Pennsylvania and was eventually given a Chair for film studies at the Annenberg School for Communication, where he taught and lectured for two decades. 11 x 14 inches. Near Fine.
Verlag: Film Desk Books 2023-12-01, New York, 2023
ISBN 10: 0999468383ISBN 13: 9780999468388
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
hardback. Zustand: New. Language: ENG.