Vittore baroni (17 Ergebnisse)

Zustand: NEW.

Tadelloses, frisches Exemplar. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Ohne Stempel, keine An- und Unterstreichungen, sehr guter Zustand. Signiert. Softcover. Original Pappmappe.

Hardcover. Zustand: Very good. First edition. Collection 'C'est mon Dada' n. 21, a collection of small artist's books for visual poetry, experimental texts and works influenced by Dada and Fluxus. This book is the product of a deranged mix-up of details from collages, photos and mixed-media works (ca. 1975-2008) handpicked from my archive, then scanned and multi-layered on the pc with a primitive graphic programme. Combining my lifelong obsessions for the history of r'n'r and Dada, Don't You Rock Me Dada-O is respectfully dedicated to the CabVolt Contingent with thanks to Lonnie D. & The Vipers. SIGNED and DEDICATED. 36 pp; 15x10,5 cm.…

Ohne Stempel, keine An-und Unterstreichungen. Zustand: sehr gut. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Sehr guter Zustand. Signiert. Softcover / Original gheftet.

Paperback. Zustand: Very Good. Book. 295 x 210 mm, staple bound exhibition catalogue for International Artists' Books Exhibition, October 18 - December 7, 1987. Introductory essay by Marta Kovalovsky (Hungarian, with English translation); a text by Guy Bleus entitled 'Why Artists' Books?' (Hungarian, with English translation); and 37 b&w plates by artists such as Gyorgy Galantay, Robert Swierkiewicz, Robin Crozier, Geza Perneczky, Klaus Groh, Vittore Baroni and Peggy Horgan. Documents the first of the international artists' books exhibitions. Comes together with two signed letters from the director and curator of the Szent Istvan Kiraly Muzeum.Condition: some handling marks and light wear to covers, slight ding to bottom corner, rust to parts of staples but no major bleeding, light toning to four inside pages and some handling marks. No writing or tears. Overall VG. …

Zustand: Ottimo. Prima edizione. Pubblicazione d'artista. 6 fogli sciolti; 29,5x23,7 cm Fogli sciolti in cartellina editoriale.

Ohne Stempel, keine An-und Unterstreichungen, guter bis sehr guter Zustand. Original Pappbox.

Ohne Stempel, keine An-und Unterstreichungen, guter bis sehr guter Zustand. Original Pappbox.

114 meist lose Einblattdrucke (wenige gefaltet u. doppelblattgroß. In verschiedenen Formaten. Mit zahlreichen Abbildungen (wenige Zweifarbige). Zusammen in Illustrierter Original-Einsteckmappe. (Mappe mit Gebrauchsspuen an den Rändern. Ansonsten in tadelloser Erhaltung). 23x16 cm * Sehr seltene Ausgabe dieser Mail-Art Sammlung - hier mit ungewöhnlich hoher Beilagenzahl. ----- Beteiligt: Edgardo Vigo / Ruth Wolf-Rehfeldt / Aaron Flores / Leonardt Frank Duch / Unhandeijara Lisboa / Klaus Groh / Endre Tot / Bill Gaglione / Ruggero Maggi / Michele Perfetti / Guillermo Deisler u.v.v.a. ------ Vittore Baroni (born 1956 in Forte dei Marmi, Italy), is an Italian mailartist, music critic and explorer of countercultures. Since the mid-1970s he has been one of the most active and respected promoters and documenters of mail art.[ He has written or edited various books on aspects of the networking cultures that anticipated the Internet, among which is the mail art guide book, Arte Postale. He has also contributed to many of the seminal works about mail art published in recent decades, including Chuck Welch's Eternal Network, H.R. Fricker's I am a Networker (Sometimes), and Renaud Siegmann's Mail Art, Art postal - Art posté. In the past three decades he has organized many exhibitions, events, publications and collective projects in the fields of mail art, audio art, visual poetry, underground comics and street art, including 100 issues of Arte Postale! mail art magazine. He was the originator of formative networking projects such as the TRAX modular system (19811987) [citation needed], the multiple names Lieutenant Murnau and Luther Blissett, the Stickerman project and F.U.N. (Funtastic United Nations, since 2001).Vittore Baroni was introduced to the mail art network in 1977 through Guglielmo Achille Cavellini, and instantly became heavily involved, participating every year in dozens of international projects and shows. From 1979 he organized a series of Mail Art exhibitions for the Forte dei Marmi Town Library and published the first issue of his enduring magazine Arte Postale! During the summer of 1995 there was a retrospective exhibition of all Arte Postale! magazines (1979-1995) in Guy Bleus' E-Mail Art Archives in the provincial Centre for Arts (now Art Museum Z33) in Hasselt, Belgium. In 1992 he created, with Piermario Ciani, the Stickerman Museum devoted to all forms of adhesive art. In addition to writing the influential books, Arte Postale, guida al network della corrispondenza creativa (1997) and Postcarts Cartoline dartista (2005), he also edited the books Rubber Stamp Art by John Held Jr. (1999) and Artistamps by James Warren Felter (2002). In 2000, Baroni was Curator of the Mail Art section for a large retrospective exhibition on the art avant-gardes of the 20th century, Sentieri Interrotti at the Museo d'Arte Moderna of Bassano del Grappa. He is co-founder of the cultural association BAU in Viareggio. (Quelle Wikipedia) Sprache: Deutsch Gewicht in Gramm: 700 This catalogue has been hand-assembled in 500 copies.…

Zustand: Very Good +. 140x100mm postcard. Printed on one side only with artist's black circular rubber stamp on recto together with lithographic image of performance/event (processional work covered Roman litter and all participants wearing togas on an Italian urban street). Purple rubber stamp on verso with artist's name and address. No edition size given, undated (early 1970s). Provenance: Art Information Centre.…

Revue produite par Mind Invaders (Piermario Ciani) et Lt. Murnau (Vittore Baroni), avec des contributions de : Piermario Ciani, Vittore Baroni, Ado for Towns, George Anderer, CC et CC, Massimo Giacon, Cristina Masutti, Moreno T., Daniele C., Diego S., Emanuel. 1981. Une plaquette agrafée 23 x 23 cm, non paginé. Deux disques vinyl 45 t. Un de in Invaders et un de Ice & the Iced. Avec quelques ephemera divers comme un autocollant Cavellini, des autocollants, des cartes postales. …

Zustand: Near Fine. A collection of 31 printed Artpool documents, acquired direct from the Artpool archive space, Budapest, in the early 1990s. Includes postcards, posters, information sheets, booklets, etc. Various mediums, including rubber-stamps. Artpool was a pioneering central hub and archive for Eastern European and global Mail Art projects. Contents listed below relates to the five images of material. Image 1: Two Artpool letterhead printed pages (A4): one red, one green. Undated (circa 1980). Artists' stamp exhibition, 1981, printed green and black and white, verso shows façade of Museum of Fine Arts, Budapest, where the exhibition took place with description. PUNKANYAR, 1985, folded document printed black and white. Two blue on white printed postcards of Gygörgy Galánti self-portrait, 1976 - 1979. Folded green, yellow and black on white information sheet entitled 'I Like Your Works' hand-stamped and signed by Galánti September, 1990. After 11 years of existence, Artpool has finally got the opportunity to create its own art-space.' Image 2: Five broadsides, all circa A4: 1. Audio Vizuális Költ szeti Est, featuring photo of Dora Maurer, 1985. 2. Költészet Gesztus, 1985. 3. Punkanyar, Mini RC Klub event, 1984. 4. Tankanyar, 1985. 5. Common press 51 / Hungary, double-sided broadside, 1983/4. Image 3: Artpool Cards Numbers 1, 3, 4 5, 6, 9, 10, featuring works by Kassak Theater / Squat Theater (Balatonboglar, 1973). Herve Fischer's message, 1974. Galantai Dada Texts, 1979 (postcard 4 and 6). Postcard of an exhibition in Balatonboglar, 1973. Robert Filliou and Galantai with Cavellini. We presume these postcards were printed in the 1980s at Artpool. Together with mini RC Klub postcard for Punkanyar event (circular text piece). Brain book, stapled booklet by Galantai, undated. Art mail printed envelope containing three Poolmail booklets printed in various colours with stickers and signed and stamped by Galantai. Image 4: Nine printed documents, including Buda-Ray University info sheet (early 1980s). 1984 music performance info sheet, including works by various artists including Philip Glass, Laurie Anderson, and Henri Chopin. Twice-folded information brochure for Galantai exhibition at Chateau De Fougéres 1st April - 25th June, 1978, with three images of his works and text in French by Julia Klaniczay. 24-page booklet, Artpool's Faxzine: Decentralized Networker Congress, Artpool Budapest, August 24 - 24, 1992. The Artpool Pool Window (Artpool's PERIODICAL Space), info brochure stapled with fold-out sheets showing various publications with hand-colour annotation to Endre Tot image and signed by Galantai and numbered. Folded poster and information sheet, 4pp, for Egy Betiltott Kiállitas Rekonstukcioja, Fiatal Muveszek Klubja, 9 - 21 December, 1981. Lists participants including Mark Pawson, Guy Bleus, Joaquim Brango (sic), Ruth Wolf-Rehfeldt, Klaus Groh, Vittore Baroni, Clemente Padin, Peter Frank, and numerous Hungarian participants, printed green and red on cream stock. World Art Post Museum of Fine Arts Budapest, 1987. Printed broadside orange and black on white stock with rubber stamp. Fold-out brochure, 8pp, Artpool Subjectif: 7 projets d'Artpool, Budapest, 1980 - 1992, Ateliers d'artistes de la ville de Marseille, 1993. Fluxmost, 4pp Fluxus-themed information pamphlet with text by Beke Laszlo printed black and brown on white stock, Artpool, 1993. Image 5: Artpool's Periodical Space 4, 10 - 20 April, 1980. Kuldott Muveszet. Folded poster / information guide, 500 x 345mm unfolded, with sticker and rubber stamps printed green on brown paper with images of the exhibition that featured artists' postcards, rubber stamps from the material received by Artpool before 10 April, 1980, with lists of contributors by country. Red rubber stamp on verso, 'Gayor Maurer Archiv'. Majority of items are in Very Good + / Near Fine condition. All items were bought directly from Artpool in the early 1990s.…

Forte dei Marmi, Near the Edge Editions, 1982. Dans son enveloppe d'origine un ensemble d'ephemera : affiche, cartes postales, fanzine. Une partie des ephemera n'est pas visible car encore dans un fanzine scellé par une bande collée. Avec un autographe de Baroni.

Forte dei Marmi, Near the Edge Editions, 1982. Dans son enveloppe d'origine un ensemble d'ephemera : affiche, cartes postales, fanzine.

Forte dei Marmi, Near the Edge Editions, 1982. Dans son enveloppe d'origine un ensemble d'ephemera : affiche, cartes postales, fanzine. Une partie des ephemera n'est pas visible car encore dans un fanzine scellé par une bande collée. Avec un autographe de Baroni.