Virginia fraser (25 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Zustand: Good. [1st ed.]. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. [1st ed.]. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVERY GOOD CLEAN COPY.

Zustand: New. NEW COPY, shipped from the UK.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Appears unread. Gentle fading along spine. Minor shelf wear to extremities.

Zustand: Very Good. Some shelf wear otherwise in a very good condition.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st ed. Red cloth cover. xiii+338, 16 pp.central photo plate block, many in colour; virtually as new, will add protective sleeve to jacket when ordered.

Taschenbuch. Zustand: Neu. Neuware - Understanding 'Senility' is designed to provide basic information about Alzheimer's disease and to help families who are dealing with a mentally impaired older person. In clear, understandable language, the book dispells myths about 'senility,' explores the early symptoms and later behavior patterns of Alzheimer's disease, and describes treatable conditions that are sometimes mistaken for Alzheimer's. Special emphasis is placed on the emotional needs of families. Compassionate suggestions are offered to help families cope with the painful changes they see in their loved one. Understanding 'Senility' has been described by reviewers as 'perceptive,' 'informative,' 'refreshingly well-organized and stated,' and containing 'a wealth of helpful information' for laypersons struggling to understand a complex and difficult problem.…

Zustand: New.

282 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Power without authority in art and design education," by R.H. Litherland; "British Sculptors '72;" "Brian Kneale;" "Enemies of Art," by Jeremy Moon; "Correspondence;" "News and Notes;" "Newton Harrison: big fish in small pool," by Jonathan Benthall; "Atget and the City," by John Fraser; "Irish commentary," by Tim Hilton; "Section 10 from 'Mechanism of Meaning' (work in progress 1963-71)," Arakawa in collaboration with Madeline Gins; "Tantra Revealed," by Robert Fraser; "Anthony Caro at David Mirvish," by W. Neil Marshall; "Paris Biennale," by Virginia Whiles-Serreau; "Projection: the new trend at 'Prospect 71,' by Georg Jappe; "Prints supplement," articles by Charlotte Townsend and Chris Fox; "Directory of publishers and presses;" "Directory of galleries dealing in graphics;" "Inn70" "APG." Cover by Arakawa. Very Good. Light rubbing and bumping of cover edges and corners. 11.5 cm., 1.3 cm., and 4 cm. of soiling to verso edges with additional light scratching and rubbing. Contents clean and unmarked.…

St. Kilda, Vic. : Kraznapolsky Gallery, [2002]. Exhibition flyer. 110 x 300 mm, printed recto only; very good condition. Provenance: From the estate of Virginia Fraser (1947-2021), feminist, artist, writer, editor and curator.

Melbourne : LaTrobe Union Activities and RMIT Union-SRC Activities, 1979. Concert programme. 210 x 170 mm, self-wrappers, [12] pp., illustrated; with loosely inserted flyers for the film screening and for the band Razzamatazz. Fine. This landmark concert of women's music - a joint production of LaTrobe Union Activities and RMIT Union-SRC Activities - was staged at Storey Hall, RMIT, Melbourne on Friday 13 July 1979. The principal organisers were Soosie Adshead, Dianne Dunscombe and Laurel Frank, assisted by Virginia Fraser, Jenny Mather, Margot Nash, Eve Stocker, Hellen Sky, Margaret Hender and many others. The lineup of artists included Margret Roadknight, Yvette Isaacs, Ladies Revolutionary Brass, Canary Reynolds, Natasha, Elizabeth Drake, Jan Cornall, Razzamatazz, and Jane Clifton; the concert was accompanied by a screening of a number of short films by feminist filmmakers including Margot Nash and Robin Laurie, Megan McMurchy, and Johanna Demetrakas. Provenance: Estate of Virginia Fraser (1947-2021), feminist, artist, writer, editor and curator.…

Paperback. Zustand: Very Good. First Edition. Melbourne, Outback Press, 1974. Quarto, 144 pages with 131 illustrations (including the cover illustrations). Pictorial card covers lightly rubbed at the extremities and a little bumped at the top corners (impacting unobtrusively on the textblock); small tape stain on the plain verso of the front cover (where the publisher's small complimentary 'review copy' slip was originally attached - now loosely inserted); overall, an excellent copy. The National Portrait Gallery, Canberra, posted the following observations (on 7 December 2024) in advance of its exhibition 'Carol Jerrems: Portraits': 'In 1974, on the eve of the United Nations' International Women's Year, Carol Jerrems and writer Virginia Fraser published "A book about Australian women". This earnest and timely collaboration was conceived as a "collective portrait" of Australian women, and captures a significant period of change and activism. The book was launched by the very first Women's Advisor to an Australian Federal Government, Elizabeth Reid, which drew what might otherwise have been a niche cultural object into mainstream discourse. It remains one of the most important photobooks made in Australia'. The introductory comments by Carol Jerrems in the book are worth quoting in full: 'The photographs are mostly portraits of artists . painters, sculptors, writers, poets, filmakers [sic], printmakers, photographers, designers, dancers, musicians, actresses and strippers. Others include women's liberationists, Aboriginal spokeswomen, activists, revolutionaries, teachers, students, drop-outs, mothers, prostitutes, lesbians and friends. Each portrait is honest. Some are extended in the form of a sequence, with between four and sixteen images, which like an individual photograph reads as a "whole"; the interrelated "parts" flow from left to right. The women are not intended as an elitist minority group, like a who's who; some are well known, others are not; each is of equal importance. It is difficult to exist as an artist, being almost impossible to live off one's "art" alone. It is more difficult for a woman. And if her tool of creative expression is a camera, there is yet another struggle because photography is not fully recognised as being an art form in Australia. There is so much beauty around us if only we could take the time to open our eyes and perceive it. And then share it. Love is the key word'. Carol Jerrems (1949-1980) died of illness shortly before her 31st birthday.…

Zustand: Good. Autograph collection assembled by John Wilkinson of England. 52 pieces.Collection of cards, album pages and clipped magazine photographs signed by prominent tennis champions, including: Rod Laver (signed card and colour magazine photograph), Andres Gimeno (signed colour magazine portrait), Evonne Goolagong-Cawley (signed black and white magazine photograph), Tony Roche (signed album page, Arthur Ashe (signed newspaper photograph), Neale Fraser (signed card), Roy Emerson (signed card), Lew Hoad (signed card), John Newcombe (signed album page "to John, thank you for your kind letter. Wishing you good luck"), Maria Bueno (signed card), Ann Jones (signed card), Virginia Wafe (signed card), Darlene Hard (signed album page "Best wishes to you and your family" and black and white magazine photograph), Pancho Gonzalez (signed card), Nicola Pietrangeli (signed card), Bill Bowrey (signed card), Nancy Richey (signed and "Dear John, Thanks so much for your letter"), Lesley Bowrey (signed card), Kerry Melville (signed card), Francoise Durr (signed card "All my best wishes"), Ken Fletcher (signed card "To John, Best Wishes"), Frew McMillan (signed card "All the very best john"), Bob Hewitt (signed card), Dennis Ralston (signed card and colour magazine photograph), Pierre Barthes (signed photograph), Tom Okker (signed card), Rosemary Casals (signed card and black and white magazine photograph), Judy Tegart (signed card "To John, with very best wishes"), Julie Heldman (signed card), Helga Nissen (signed album page), Winnie Shaw (signed album page and clipped newspaper photograph), Annette Du Plooy (clipped signature and newspaper photograph), Tom Gorman (signed album page), Clark Graebner (signed card, dated 1968), Marty Riessen (signed card "To John, thank you for your kind letter. Best wishes and good luck in the future"), Cliff Drysdale (signed card "To John, very best wishes"), Zejlko Franulovic (signed colour magazine photograph), Charlie Pasarell (signed card), Mark Cox (signed card and colour magazine photograph), Roger Taylor (signed glossy black and white photograph), Martin Mulligan (signed album page), Jan Leschly (signed card, Copenhagen 13 July 1967), Owen Davidson (signed card), Bobby Wilson (signed colour magazine picture) and Butch Buchholz (signed card "To John, wish you the very best of luck", 1969).…

[Melbourne? c.1985]. Six gelatin prints, each 65 x 53 mm, in two strips of three; unmounted; fine condition. Provenance:Estate of Virginia Fraser (1947-2021), Australian feminist, artist, writer, editor and curator.