violet paul (15 Ergebnisse)

Zustand: Very good. light shelf wear. 0 20 p. Text + Work. Audience: General/trade.

Zustand: Very good. light shelf wear. 0 20 p. Text + Work. Audience: General/trade.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Cover and binding are worn but intact. A reading copy in fair condition. Former owner's name, otherwise unmarked. Secure packaging for safe delivery.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardback. Zustand: Very Good. No Jacket. Circa 1930. Very good condition with no wrapper. Large format. Bright yellow pictorial boards and spine. Front shows boy and girl reading a book. First story is "The Expelling of Jimmie Russle" by Beaufoy. Colour plates and b/w illustrations. Covers a bit grubby. Inscription in ink to front endpaper. All plates present. Some foxing. Packaged with care and promptly dispatched!

Hardback. Zustand: Very Good. No Jacket. Very good condition with no wrapper. Large format. Bright yellow pictorial boards and spine. Front shows boy and girl reading a book. First story is "The Expelling of Jimmie Russle" by Beaufoy. Colour plates and b/w illustrations. Spine and corners bumped and slightly worn. Inscription in ink to front pastedown. Contents clean. Packaged with care and promptly dispatched!

First Folio Society edition hard back binding in publisher's original emerald green cloth covered boards, blocked in black, gilt back. 8vo. 9'' x 6''. Contains [xvii], 268 pp with monochrome drawings throughout by Paul Cox. Fine condition book in Fine condition slip case. Member of the P.B.F.A. FOLIO SOCIETY.

Broché. Zustand: Bon. Ed. de la revue d'optique théorique et instrumentale. 1938, 45 pages. Volume broché. Format : 15,5 x 24,5. BE intérieur. BE extérieur, légèrement défraîchi.

Zustand: very good. vendeur pro, expedition soignee en 24/48h.Le livre peut montrer des signes d'usure dus à son utilisation, des défauts esthétiques tels que des rayures, des bosses et/ou des coins legerement endommages.

Couverture souple. Zustand: bon. R320065363: 1990. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 187 pages - ENVOI DE L'AUTEUR. . . . Classification Dewey : 97.2-Dédicace, envoi.

Zustand: Good. Some foxing to the jacket. Some marks also. Wear to the outer edges, fine to read and use but quite aged.

Vintage borderless linen-backed publicity photograph of Florence Vidor from the 1925 silent film. A woman wants to leave her second husband, a wealthy but heartless count who refuses to grant her a divorce, and decides to seek help from her first husband whom she still secretly loves, a well-known divorce lawyer. 7 x 9.25 inches. Near Fine.

Zustand: Good. Two fliers made from media artist Violet Ray's 1960s collages of magazine advertisements and images from the Vietnam war. Ray began the series "Advertising the Contradictions" in 1966, juxtaposing images of satisfied American consumers with the horrors of the ongoing war. Fliers made from this series were often handed out at anti-war demonstrations. Two reproductions are included here, "Revlon adopts the oh-baby face" and "It's like opening a present." 11 x 14 inches. Note on back of one copy, in unknown handwriting: "distributed Fall 67 or Spring 68 Difficulty in finding a printer for fear of c/r Violations" Fine.

Vintage poster for the 1967 film. The film originally screened at the Hudson Theater in New York in a 99-minute version. In early 1968, a 110-minute cut played at the Cinematheque 16 in Los Angeles. This poster, which mentions the Los Angeles screenings and contains a blurb from the L.A. Free Press, corresponds to the latter version. A final 95-minute cut was completed later in 1968, and is the version available today. Andy Warhol's first attempt to make a "commercial" sexploitation film, eight unconnected scenes in which actor Tom Baker attempts to convince various women to have sex with him. Originally intended to star The Doors' Jim Morrison and unsimulated sex, the finished film contains neither. 19 x 25 inches, rolled, on archival linen, with minor professional repair and restoration. Near Fine. Murphy, The Black Hole of the Camera. Warholstars.