Vincenzo borghetti (22 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Paperback. Zustand: Brand New. 336 pages. 9.18x6.12x6.10 inches. In Stock.

Zustand: New. 2025. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Zustand: NEW.

Taschenbuch. Zustand: Neu. Neuware - This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. Ranging from the eleventh to seventeenth centuries, and across countries and genres, the chapters offer innovative insights into the historical relationship between music and its presentation in a wide variety of media.The lens of media enables contributors to expand music history beyond notated music manuscripts and instruments to include images, furniture, luxury items, and other objects, and to address uniquely visual and material aspects of music sources in books and literature. Drawing together an international group of contributors, the volume pays close attention to the medial and material dimensions of musical sources, considering them as multifaceted objects that not only contain but also determine the nature of the music they transmit.Transforming our understanding of musical media, this volume will be of interest to scholars of musicology, art history, and medieval and early modern cultures. …

Paperback. Zustand: Brand New. 336 pages. 9.18x6.12x6.10 inches. In Stock.

Zustand: New. Vincenzo Borghetti is Associate Professor of Music History at the University of Verona, Italy. His research interests include Renaissance polyphony and opera. His essays and articles have appeared in Early Music History, Acta musicologic.

paperback. Zustand: New. 1st.

Taschenbuch. Zustand: Neu. The Media of Secular Music in the Medieval and Early Modern Period (1100-1650) | Alexandros Maria Hatzikiriakos (u. a.) | Taschenbuch | Music and Visual Culture | Einband - flex.(Paperback) | Englisch | 2025 | Taylor & Francis Ltd | EAN 9781032036090 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

hardcover. Zustand: Fine.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 531 pages. 10.75x9.00x1.25 inches. In Stock.

Zustand: New.

Zustand: New. 2023. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. Vincenzo Borghetti is Associate Professor of Music History at the University of Verona, Italy. His research interests include Renaissance polyphony and opera. His essays and articles have appeared in Early Music History, Acta musicologic.

Buch. Zustand: Neu. Neuware - This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. The chapters offer innovative insights into historical relationship between music and its presentation in a wide variety of media.…

Zustand: gut. Museum of Renaissance Music. A History in 100 Exhibits In deutscher Sprache. pages.

Zustand: NEW.

Paperback, 424 pages, Size:178 x 254 mm, Illustrations:3 b/w, 31 col., 9 tables b/w., 48 musical examples, Language: Italian. ISBN 9782503626819. Summary Storie di una chanson is the first book-length study of Fors seulement and its reworkings. It offers a major interdisciplinary study of the phenomenon of polyphonic reworkings. It explores its subject matter through the lenses of musicology, literary history and theory, art history, medieval and early modern political thought, and theology. The book includes many detailed analyses of music and music manuscripts, and presents a new methodology for analysing and interpreting Renaissance polyphony and its media. Questo libro ricostruisce la storia del rondeau polifonico Fors seulement l'actente que je meure di Johannes Okeghem e delle sue numerose rielaborazioni che circolarono nei manoscritti e nelle stampe musicali tra il 1470 e il 1540 circa. Al centro dell'attenzione di molti dei principali compositori dell'epoca (Obrecht, La Rue, Févin, Pipelare, Verdelot, Willaert, oltre, naturalmente, allo stesso Okeghem) nonché di committenti, collezionisti e lettori, Fors seulement diede origine a un'ingente quantità di musica che abbraccia gran parte delle forme e dei generi musicali praticati tra il XV e il XVI secolo (messe, mottetti, chansons), godendo così di una fortuna e una durata forse ineguagliata nella musica del periodo. Il volume ripercorre questa storia soffermandosi non solo sulle caratteristiche tecniche delle composizioni, ma anche sul loro contesto, sui media cui sono state consegnate e sui significati che assunse per chi le ha commissionate, copiate, usate, ascoltate. Questo libro prende in esame anche la tradizione storiografica su Fors seulement, analizzando come come è stata scritta la storia di questo rondeau e delle sue rielaborazioni, e interrogandosi sulle idee che questa storia hanno sostenuto e che ne hanno garantito la longevità negli studi musicologici a partire dalla metà del XIX secolo fino ai giorni nostri. TABLE OF CONTENTS Elenco degli esempi musicali, delle figure e delle tabelle Premessa e ringraziamenti Avvertenza 1. Introduzione Prima Parte Il rondeau Fors seulement l'actente que je meure di Johannes Okeghem 2. Preludio Fors seulement: dove, quando Libri aperti 3. Il rondeau di Okeghem Un rondeau lungo Dare un nome alle voci 4. Il lamento di una donna abbandonata Le origini del rondeau Dalla Complainte a Fors seulement 5. Grammatica e retorica del tenor La voce di una donna Voci nelle voci Il genere delle convenzioni Seconda Parte Okeghem e Fors seulement dopo Fors seulement 6. Un frammento: Fors seulement in Intemerata Dei mater Latino classico per un funerale Okeghem in Intemerata Dei mater I testi impliciti nel mottetto Okeghem, Busnoys e ancora Okeghem: il soggetto di Intemerata Dei mater L'etica del ben comporre 7. Una voce: Fors seulement in Fors seulement contre ce qu'ay promys Il nuovo rondeau e il disagio della politestualità Due testi poetici La musica: un rondeau su un altro rondeau Paris 2245: storia e analisi di Fors seulement in due pagine Uno speculum principis in musica Fors seulement contre/Fors seulement l'actente oltre Paris 2245 8. L'intera chanson: la messa a cinque voci su Fors seulement Una messa? Storiografia di un'opera incompleta e non unitaria Fors seulement: una messa Kyrie Gloria Credo Diverse unità 9. Ancora l'intera chanson: la messa su Fors seulement di Jacob Obrecht Datazione e storiografia Fors seulement e le altre messe a tre voci di Obrecht Mise en page e riuso del modello Obrecht e Okeghem 10. Il sacro e il profano: Fors seulement e il genere della messa Chansons d'amore in contesti spirituali Un lamento femminile nella messa Ritorno a Fors seulement: la musica sacra e la chanson di Okeghem Terza Parte Dopo Okeghem 11. La storia di Fors seulement August Wilhelm Ambros e la prima storia di Fors seulement Dopo Ambros Sul fronte franco-prussiano, dalla parte della Prussia Sul fronte franco-prussiano, dalla parte della Francia Dopo la Grande guerra La genealogia delle rielaborazioni L'edizione delle musiche 12. Un'altra storia di Fors seulement Okeghem è morto Fors seulement e la corte dei Paesi Bassi Le fonti delle prime rielaborazioni I sette Fors seulement di Wien 18746 Mediare Okeghem Le lacrime e il potere Dal 'flusso' al 'ritorno' 13. Una messa per Carlo V La miniatura istoriata La musica e l'allegoria I modelli Una messa principesca, grave e maestosa I cinque movimenti Una storia imperiale Due scritti di Mercurino Gattinara per Carlo V 14. Altre storie di Fors seulement Due mottetti Dopo Pipelare: Fors seulement la mort Le messe di Carpentras, Le Heurteur, Daser La messa di Vinders/Gombert E poi Appendici Elenchi e concordanze delle composizioni su Fors seulement 1: Testimoni con più di un Fors seulement 2: Testimoni con un solo Fors seulement 3: Fors seulement elencati per autore Fors seulement l'actente Fors seulement contre/Fors seulement l'actente Elenco dei manoscritti e delle stampe Bibliografia Indice dei nomi 0 g.…

Paperback Pages: 532 pages,Size:230 x 280 mm, Illustrations:250 col., 6 musical examples, Language:English.*new. ISBN 9782503588568. history of Renaissance music told through 100 artefacts, revealing their witness to the priorities and activities of people in the past as they addressed their world through music. SUBJECT(S) Renaissance Music (c. 1400-1600) Material culture Renaissance art history REVIEW(S) "Like a veritable pop-up book, The Museum of Renaissance Music surprises its readers with the multidimensional quality of its content. Presenting a hundred diverse objects organized in different themed rooms, Borghetti and Shephard?s volume offers readers the experience of walking through an imaginary museum where objects ?speak out? their complex web of allusion connecting texts, images and sounds. A veritable tour de force, this book brings history, art history, and musicology together to highlight the pervasive nature of music in Renaissance culture, and does so in a direct and effective manner that can be enjoyed by experts and amateurs alike." Martina Bagnoli, Gallerie Estensi, Modena "With imaginative verve, The Museum of Renaissance Music contributes to a current explosion of material studies whose cacophony remakes our understanding of the Renaissance via ?history by collage,? in this case understanding Renaissance musicking through the spatial affordances of the gallery with its multitude of ?rooms? (travels, psalters, domestic objects, instruments, and much more), rather than through the traditional edited collection. The results are mesmerizing, indispensable." Martha Feldman, University of Chicago "This imaginary museum of Renaissance music, through a collection of one hundred exhibits, returns a proper share of sonority to objects, images, artworks and spaces. A fascinating reference book, offering a transformative vision of music in Renaissance culture, from domestic space to the global dimension." Diane Bodart, Columbia University, New York "The high-quality reproductions together with the knowledgeable commentaries are a treat for the eyes and mind of the reader. An entirely new type of music history book, this wonderful volume will appeal to scholars, music lovers, and students alike." Melanie Wald-Fuhrmann, Max Planck Institute for Empirical Aesthetics, Frankfurt BIO Vincenzo Borghetti is Associate Professor of Music History at the University of Verona. He holds a doctorate in musicology from the University of Pavia-Cremona and in 2007?08 was a fellow of Villa I Tatti, The Harvard University Center for Renaissance Italian Studies in Florence. His research interests are centred on Renaissance polyphony and opera. His essays and articles have appeared in Early Music History, Acta musicologica, Journal of the Alamire Foundation, and Imago Musicae, among other journals, and in several edited collections. In 2019 he was elected to the Academia Europaea. Tim Shephard is Professor of Musicology at the University of Sheffield. He is the co-author of Music in the Art of Renaissance Italy (Harvey Miller, 2020), as well as numerous other books and essays on Italian musical culture in the fifteenth and sixteenth centuries. He currently leads the project ?Sounding the Bookshelf 1501: Musical Knowledge in a Year of Italian Printed Books?, funded by the Leverhulme Trust. SUMMARY This book collates 100 exhibits with accompanying essays as an imaginary museum dedicated to the musical cultures of Renaissance Europe, at home and in its global horizons. It is a history through artefacts?materials, tools, instruments, art objects, images, texts, and spaces?and their witness to the priorities and activities of people in the past as they addressed their world through music. The result is a history by collage, revealing overlapping musical practices and meanings?not only those of the elite, but reflecting the everyday cacophony of a diverse culture and its musics. Through the lens of its exhibits, this museum surveys music?s central role in culture and lived experience in fifteenth- and sixteenth-century Europe, offering interest and insights well beyond the strictly musicological field. TABLE OF CONTENTS ? I. The Room of Devotions Introduction (Matthew Laube) 1 Silence (Barbara Baert) 2 Virgin and Child with Angels (M. Jennifer Bloxam) 3 Madonna of Humility (Beth Williamson) 4 Virgin Annunciate (Marina Nordera) 5 The Prato "Haggadah" (Eleazar Gutwirth) 6 The Musicians of the Holy Church, Exempt from Tax (Geoffrey Baker) 7 A Devotional Song from Iceland (Árni Heimir Ingólfsson) 8 Alabaster Altarpiece (James Cook, Andrew Kirkman, Zuleika Murat, and Philip Weller) 9 The Mass of St Gregory (Bernadette Nelson) Psalters 10 Bernardino de Sahagún?s "Psalmodia christiana" (Lorenzo Candelaria) 11 The "??????????" of Abgar Dpir Tokhatetsi (Ortensia Giovannini) 12 A Printed Hymnal by Jacobus Finno (Sanna Raninen) 13 "The Whole Booke of Psalmes" (Jonathan Willis) ? II. The Room of Domestic Objects Introduction (Paul Schleuse) 14 Commonplace Book (Kate van Orden) 15 Knife (Flora Dennis) 16 Playing Cards (Katelijne Schiltz) 17 Cabinet of Curiosities (Franz Körndle) 18 Table (Katie Bank) 19 Statue (Laura Moretti) 20 Valance (Katherine Butler) 21 Painting (Camilla Cavicchi) 22 Fan (Flora Dennis) 23 Tapestry (Carla Zecher) Sensualities 24 Venus (Tim Shephard) 25 Sirens (Eugenio Refini) 26 Death and the Maiden (Katherine Butler) 27 Erotokritos Sings a Love Song to Aretousa (Alexandros Maria Hatzikiriakos) ? III. The Room of Books Introduction (Elisabeth Giselbrecht) 28 Chansonnier of Margaret of Austria (Vincenzo Borghetti) 29 The Constance Gradual (Marianne C.E. Gillion) 30 The Bible of Borso d?Este (Serenella Sessini) 31 The Jistebnice Cantionale (Lenka Hlávková) 32 The Saxilby Fragment (Lisa Colton and James Cook) 33 "Le Jardin de Plaisance et Fleur de Rhétorique" (Jane H. M. Taylor) 34 "Hypnerotomachia Poliphili" (Massimo Privitera) 35 Embroidered Partbooks (Birgit Lodes) 36 "Grande Musicque" Typeface (Lou.…