Villon jacques 1875 1963 (22 Ergebnisse)

First Edition. Near fine paperback copy; edges very slightly dust-dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 104 pages: ill. ; 23 cm. Notes: Text is in Dutch. Subjects: Villon, Jacques 1875-1963 ; Exhibitions. Villon, Jacques 1875-1963. French paintings Villon, Jacques Catalogues. Art history. 1 Kg. …

Sewn as issued, printed wrappers. Fine. New York, The Museum of Modern Art [MoMA], [1953]. 8vo. 24 pp. incl. wrappers. Richly illustrated. With catalogue of the exhibition. (The Museum of Modern Art Bulletin, volume 21, no. 1, fall 1953.).

in-quarto, 62 pp., 25 illustrations, br Catalogue des Suvres exposées, essai de bibliographieTirage limité à mille exemplairesExemplaire sur Vélin d Arches à la formeBon état.

Encuadernación de tapa blanda. New York. The Museum of Modern Art. Bulletin, Vol. XXI. Nº1. Fall 1953. 25x19 cm. 24 págs. texto a dos columnas. Láms. en b/n. texto en inglés. # arte.

Sewn as issued, printed wrappers, transparent dustjacket. Very fine. Paris, Galerie Charpentier, 1961. 4to. With fully illustrated catalogue subdivided into sections of "peintures", "dessins /aquarelles / gouaches", "gravures", and "livres illustrés de gravures originales". With "Notes biographiques" by Chantal Maisonnier and a "bibliographie sommaire". Lists and reproduces 100 paintings (one in colour), 6 drawings / watercolours, and 11 prints.…

(Katalog nr. 219.). Häftad, dek. omslag i färg (aningen nötta). [Oslo 1959.] 4:o. 36 s. Rikt illustrerad. Katalogdel med 80 nr.

°°° [POST-BOOKFAIR-SALE: PRICE-REDUCTION of 50% until Monday, September 28, 2026; previously EUR 650,-] --- FIRST EDITION, ELABORATE ARTIST'S CELEBRATION BY THE WHO-IS-WHO OF FRENCH TWENTIETH-CENTURY ARTISTS IN VARIOUS FIELDS; WITH A TOTAL OF 29 ORIGINAL LITHOGRAPHS, COMPLETE: ''Il a été tiré des cet ouvrage 25 . . . [+] 975 exemplaires sur vélin B. F. K. de Rives . . . [+] 5000 exemplaires sur vélin Arjomari numérotés de 1001 à 6000. . . Exemplaire No 3982''['Justification du tirage on page (6)']. ''La typographie de cet ouvrage est due à L'IMPRIMERIE NATIONALE, Monsieur André Brignole étant Directeur & Paul Lajuncomme responsable de la typographie. La composition à été faite avec le Garamont corps 20 propriété exclusive du grand Établissement d'État sur les presses duquel lìmpression a été achevée le 22 juillet 1965. Les lithographies en couleurs et les dessins en noir ainsi que les manuscrits sortent des presses de Fernand Mourlot. Henri jadoux a été l'ouvrier responsable de l'ouvrage.''[colophone on page (195)]. - Loose sheets in cardboard-cover with titled cardboard-dustjacket in a gilt-titled strong half-leatherette folder with marbled panels which again is protected by the publishers stiff cardboard-slipcase with fullsize colour-lithographs by Marcelle Oury on both sides; Folio (ca. 32 x 25 x 6 cm; ca. 3 kg.). --- A BEAUTIFUL COPY; ALSO IN STOCK 'RAOUL DUFY / Louis CARRÉ: DESSINS ET CROQUIS EXTRAITS DES CARTONS ET CARNETS'(Paris 1944); the artists copy 'hors commerce #I', lengthly inscribed and signed by Dufy to the art-collectors and artist's-patrons ''. . . Madame et au Monsieur Bernard Reis. . .'' on the occasion of their meeting at Louis Carné's house in New York. . .…

Zustand: Good. Folio (290 x 385 mm) . Sheets loose as issued in original wraps in salmon colored chemise and slipcase. One of 200 signed and numbered copies on vélin de Rives. 19 etchings in black and 4 in color, hors texte and 64 pages of text. .References: Kornfeld, Tériade Editeur, 1978, no 33; Hommage à Tériade, Grand Palias, 1973, p. 147; Ginestet & Pouillon, App. 42-64; Monod 6014.; 3 (Ginestet & Pouillon App. 42-64).OCLC Number / Unique Identifier:1377722873: From colophon: Translated by E. Bergougnan. Double-page plates printed by Ateliers Crommelynck. Black and white plates printed by Georges Leblanc200 copies printed: 180 on Rives paper numbered 1-180 and 20 copies reserved for collaborators and numbered I-XX. All copies signed by Jacques Villon. Another 60 suites of all the plates printed without numbering and not signed by VillonUnbound sheets in wrappers printed in black. In matching orange paper sleeve with linen-edged spine and slipcase.Provenance: Galerie Kornfeld, Bern from the Estate of Tériade, the nom de plume of Stratis (or Efstratios) Eleftheriades a native of Mytilene who went to Paris in 1915 at the age of eighteen to study law, but who instead became an art critic, patron, and, most significantly, a publisher.In collaboration with Swiss publisher Albert Skira, Tériade founded the review Minotaure in 1933. For several years E. Tériade contributed and remained involved with the review, but departed in December 1937, when the 10th volume was published.In 1937 he founded the quarterly journal Verve, (1937-1960), for which he commissioned artists such as Picasso, Matisse, and Marc Chagall to produce a series of works. …

Zustand: Good. Large folio. 37 x 52.2cm. Original wraps. Very good. Decorative Textile chemise and black board slipcase. Some light foxing.[7], 10-148, [1] p. : ill. (part col.) ; 53 cm.At head of title: 1921."Achevé d'imprimer le tome premier d'Architectures à 500 exemplaires"--Colophon.No more published.Illustrations signed: R. de la Fresnaye; Jacques Villon sc.; Paul Vera sc.; lithography by Marchizet, Paris.Title printed in red and black.OCLC Number / Unique Identifier:458325019.Note(s) : Les planches (gravures sur bois, gravures en taille-douce et lithographie) de Paul Véra, Roger de la Fresnaye, André Mare, Louis Süe, Marie Laurencin, Jean-Émile Laboureur, Dunoyer de Segonzac, et alii comptent dans la pagination. - Tiré à 500 ex. numérotés de 1 à 500 sur papier vélin pur fil des Papeteries Navarre.…

Zustand: Good. Color lithograph on wove paper. 28 x 22.5 cm (sheet). Signed in the plate. Edition of 1800. Very Good.

Zustand: Good. Color lithograph on wove paper. 28 x 22.5 cm (sheet). Signed in the plate. Edition of 1800. Very Good.

Zustand: Good. Color lithograph on wove paper. 28 x 45 cm (sheet). Signed in the plate. Edition of 1800. Very Good, the usual center fold, book stitch holes in top and bottom of margins.

Zustand: Good. Color lithograph on gray wove paper. 33 x 25 cm (sheet). Signed in the plate. Printed by Mourlot, Paris. Very Good.

Zustand: Good. Color lithograph on Marais paper. 28 x 22 cm (sheet). Signed and dated in the plate. Edition of 1800. Very Good, slight sheet toning in the margins.

Zustand: Good. Color lithograph printed by Mourlot. 65.5 x 51 cm. Slight wrinkles on edges.

Zustand: Good. Photo by N. Mandel. 12 x 17 cm. Signed,and dated verso.Expertise by Alain Nicolas et Pierre Gheno (Experts près la cour d'Appel de Paris)Librairie Les Neuf Muses 41, quai des Grands-Augustins 75006.

unbound. Zustand: very good. A.L.S. with second signature on addressed panel, 8vo. 1 page, Puteaux, June 20th 1949, in French (partly translated), to a French art dealer in Paris: "If several engravings have been sold at Lausanne . and if possible . when you retrieve payment . would you please take out three thousand francs and send them to: Mrs. Veve: at Villa Genriana, Montana. She is a friend of mine who is being treated there. Thanking you for your assistance." Fine condition. French artist known for his paintings and etchings done in the Impressionist, Fauvist and Cubist styles. He was the elder brother of Marcel Duchamp.…

None. Zustand: Fine. completed state. VILLON, JACQUES (b.1875-d.1963), DANSEUSE AU MOULIN ROUGE. Also known as Gaston Duchamp, was a French Cubist and abstract painter and printmaker. Born: July 31, 1875, Damville, Mesnils-sur-Iton, France Died: June 9, 1963, Puteaux, France Siblings: Raymond Duchamp-Villon, Suzanne Duchamp, Marcel Duchamp 1899. Lithograph in four colors (yellow, orange, blue and black) Ginestet and & Pouillon E 31, completed state. Signed in the stone and with the blindstamp Only issue, published as a supplement to l'Estampe et l'Affiche by Andre Mellerio . Fine impression with fresh colors. On Pale cream Japon paper. 292 x 227mm, 11 1/2 x 8 7/8. FRAMED. VILLON, JACQUES (illustrator).…

Zustand: Good. Folio. 28.5 x 38.2 cm. Sheets loose as issued in printed covers, and light blue paper covered chemise and slipcase. With 44 color lithographs, some full page. One of 245 numbered copies from the total edition of 269. Printed by Mourlot on Arches. Fine except for one small rubbed spot inside cover of chemise and light rubbing on edges of slipcase. . Ginestet & Pouillon, Jacques Villon, Les Estampes, E. 555-577. Luc Monod, Manuel de l'amateur de livres illustrés modernes, no. 11330; OCLC number 743081054:L'introduction de Paul Valéry est intitulée : Variations sur les Bucoliques et datée du 20 aou?t 1944. Le texte de la traduction est imprimé en vis-a?-vis du texte latin. A la fin, un texte du Dr A. Roudinesco est intitulé : Bucoliques illustrées.Tirage a? 269 exemplaires sur papier vélin d' Arches + quelques exemplaires nominatifs réservés aux principaux collaborateurs. Ex. n 25.Feuilles. Etui.Description: XXX-126 p. : ill. en coul. ; 39 cm.VILLON.- VALERY (Paul). Les Bucoliques de Virgile. Lithographies originales en couleurs de Jacques Villon. P., Scripta et Picta, 1953, in-folio, en feuilles, couv. bleue titrée or, chemise et étui éditeur. Le texte latin de Virgile est imprimé en regard du texte français de Valéry. Edition originale tirée à 269 ex. num. 1/245 vélin d'Arches comprenant les 44 lithographies originales en couleurs (et 1 cul-de-lampe en noir) de Jacques Villon.…

Zustand: Good. Complete suite of 10 color lithographs in the original lithographed chemise. The lithographs printed on chine are hinged at the top to board support sheets (except for one). Sheet size: 14.5 x 11 in. (38 x 28 cm). The image of 2 vultures is signed in pencil and justified 49/50 with the blind stamp (Lugt 2254) of the publisher: Edmond Sagot (1857-1917). Catalogue raisonné reference: Ginestet & Pouillon, nos. E 212 through 221.Suite complète des 10 lithographies d'après des Aquarelles, impression en couleurssur chine volant montées par le bord supérieur, l'une est libre. La dernière est épreuve signée et numérotée, timbre sec de l'éditeur Sagot (Lugt 2254), légers plis, infimes rousseurs. Présentée sous couverture illustrée recto et verso formant chemise (infimes plis dans les bords).(Ginestet et Pouillon E 212 à 221) Sujet: 190 x 145 mm.Format total: 382 x 282 mm.…

No Binding. Zustand: Near Fine. The complete suite, issued in an edition of 50, of 10 lithographs printed in colors (G. & P. E 212 - 221) on pale slate blue chine volant (sheet sizes vary, the smallest 22.5 x 15 cm, the largest 31.3 x 24 cm) hinged on upper versos to the original off-white vélin supports 36 x 27.5 cm, the portfolio covers comprising additional original lithographs printed in colors (text and Vautours recto with white gouache highlighting, Aigle verso) on buff japon 38.2 x 27.7 x 0.7 cm, all signed in the stone; Vautours additionally signed in pencil, numbered 46/50 and impressed with the publisher's blindstamp (L. 2254). The suite, exhibited at the Salon d'Automne 1907, comprises: Femme de profil (G. & P. E 212); Fillette (G. & P. E 213); Femme a l'ombrelle (G. & P. E 214); Femmes au bord de la mer (G. & P. E 215); Jeune serveuse (G. & P. E 216); Femme au café (G. & P. E 217; Soldats (G. & P. E 218); Soldat (G. & P. E 219); Aigle (G. & P. E 220); Vautours (G. & P. E 221). In fine condition overall, full sheets and mounts as issued, the colors unfaded, the sheets with few imperceptible original paper flaws and clear of even the slightest foxing, hinged to the mounts along upper edges verso as issued (rippling and faint staining through rectos), the mounts with hinge remnants in upper corners versos only, loose as issued with the lithographed covers (slight surface soiling and edge crinkling). Now within individual Somerset Velvet folios in a full Bristol card portfolio, in a slipcase covered with olive-tan book cloth and lettered in red on the spine (old but not original; 51.5 x 38.5 cm overall; slight smudging and edge wear to slipcase). The Impressions straddle Villon's Belle Époque beginnings and his emergence into his cubist period. While Ginestet and Pouillon state that the lithographs were made in part from watercolors of 1897, a comparison of illustrations from 1897 (e.g., G. & P. I 35, I 36) with those circa 1907 (e.g., G. & P. I 218, I 222) demonstrates a progression from broad volumetric masses of color to transparent planes suggested by lines and highlighted with selective massings. The translucency, spontaneity and expressionistic abstraction of Vautours, in particular, parallel similar qualities of the contemporaneous Minne drypoint series as precursors of Villon's cubism. Provenance: Edward Powis Jones and Anne Keating Jones. Catalogue reference: Ginestet, Colette de, and Pouillon, Catherine, Jacques Villon: Les estampes et les illustrations. Catalogue raisonné. (Paris: Arts et Métiers Graphiques, 1979), nos. E 212 - 221.…

5 p. 1 2 in-8vo. Préface pour le catalogue de l'exposition du graveur Christian d'ESPIC (1901- 1978) à la Galerie Marcel Guiot, en 1956. Ayant évoqué le pêle-mêle artistique qui règne à Paris, Villon décrit son ami, qui vit loin de Paris, comme un enfant des sortilèges. « Très tenté par le merveilleux, il lui a semblé que le métier du grain (trop négligé) cher à Goya, pouvait, en animant le papier, créer des sortilèges. (.) Partagez ses éblouissements. (.) Tirées par lui, chez lui, ses épreuves gardent un charme d'hésitation. Tirées par le maître imprimeur Leblanc, elles affirment leurs noirs, avec une très grande autorité ».…