victor hammer (33 Ergebnisse)

OBroschur. Zustand: Tadellos. 164. Inszenierung des Elbe-Elster-Theaters. 8 S. mit Abb., 1 lose Bl. Stab u. Besetzung, geheft. OBroschur, 8°, Titelbild: Ilse Sturm-Lindner. - OBeiträge v. Ulrich Hammer: Verdi: Leben u. Schaffen. Die italienische Renaissance: Ein Zeitbild. Victor Hugo u. d. Französische Romantik. Hugos Drama "Der König amüsiert sich". Tadelloses Exemplar. Broschüre.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Der Ereck Hartmanns von Aue liegt für den akademischen Unterricht bislang ausschließlich in Editionen vor, die vergeblich beanspruchen, mithilfe zahlreicher Konjekturen einen Autortext des 12. Jhs. zu rekonstruieren. Dabei ist der Roman abgesehen von vier Fragmenten nur in einer einzigen Handschrift vom Anfang des 16. Jhs., dem 'Ambraser Heldenbuch', annähernd vollständig überliefert. Nur dieser von Hans Ried im Auftrag Kaiser Maximilians I. abgefasste Text kann die Grundlage einer verlässlichen Studienausgabe darstellen. Die vorliegende Studienausgabe mit philologischem Kommentar und moderner neuhochdeutscher Übersetzung bietet nicht nur den Ambraser Text, sondern sämtliche Überlieferungszeugen des ersten deutschsprachigen Artusromans im Paralleldruck und verzichtet aufgrund ihrer Handschriftennähe dabei weitgehend auf Konjekturen. Damit ist diese verbesserte Neuauflage der textgeschichtlichen Edition von 2017 bestens für den akademischen Unterricht geeignet, der die aktuellen textphilologischen und kulturwissenschaftlichen Diskussionen der mediävistischen Literaturwissenschaft zum Ereck berücksichtigen möchte. 'Dass hier verspätet geschieht, was die germanistische Editorik längst hätte in Angriff nehmen müssen, liegt meines Erachtens auf der Hand. Den Herausgebern gebührt daher bereits durch ihre Initiative aller Dank' (Martin Baisch).

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

8° (20 x 14,5 cm). 6 unbeschnittene Blatt, 1 Illustration. Fadengeheftete Original-Broschur mit montiertem Deckelschild. Erste Ausgabe / 1st Edition, eins von 50 Exemplaren. Gesetzt mit der Uncial-Typen von Victor Hammer und gedruckt auf gedämpftem, handgeschöpftem Bishopstoke-Papier. - Bestens erhalten. Sprache: englisch.

15 Seiten. Tadellos. R-VI.3 0945074026 Sprache: Englisch Gewicht in Gramm: 250 23,5 cm x16 cm, O.Broschur mit Fadenbindung.

Original-Beitrag aus Velhagen & Klasings Monatshefte 49. Jahrgang 1934: Broschur im Format 17 x 24,5 cm mit, in schlichtem neuerem Kartoneinband. Seiten 429-436, mit 7 farbigen Gemäldewiedergaben auf Kunstdruckpapier, Schrift: Fraktur. - Illustrierte Bücher, gegenständliche Malerei im Nationalsozialismus, Kunstgeschichte, deutsche Malerei im 3. Reich, Neue Sachlichkeit. - Erstausgabe in sehr guter Erhaltung Versand an Institutionen auch gegen Rechnung Sprache: Deutsch Gewicht in Gramm: 2000.

in-8, 112 pp, 1 Farbtafel, 60 Tafelabb., OHLn, farb. ill. OUmschlag (leicht besch.), Namenszug auf dem Titel. Zweiter Band der Bücherreihe: Österreichische Blätter.

Hardcover/Pappeinband. Zustand: Gut. XLI, 633 Seiten. Guter Zustand. Ehemaliges Bibliotheksexemplar mit entsprechenden Kennzeichnungen. Ansonsten ohne Eintragungen im Text. Einband mit leichten Gebrauchsspuren. Ohne Schutzumschlag. Sprache: Deutsch Gewicht in Gramm: 1340.

Paperback. Zustand: Very Good. First Edition. Wraps. Large format paperback. pp 81, some illus. Limited to 500 copies. Very good indeed. Loosely inserted Holderlin engraving in presentation card and blank greetings card with Victor Hammer colour illustration.

One of 150 copies on Lana Laid paper. Rubricated in tempera, the specimen sheet is printed in gilt with blue decoration. Set in Cloister Old Style by Victor Hammer based on a font by Jenson, Ratdolt's contemporary in Venice. Pp.8. 4to., original printed wrappers. Very slight fading to edge of wrapper, otherwise very good. The first showing of Ratdolt Titling commission by Robert Haas and printed by the Dale Guild.

One of 250 copies. Beautifully printed in black and red on handmade paper. Pp. 17. 8vo., original purple paste boards, printed paper label on upper cover. Very mild damp stain at the very edge of the bottom right hand corner of a few leaves, otherwise very good with presentation slip, printed in Hammer Uncial inserted loose. Printing of Victor Hammer's burial service in Pisgah Church Graveyard, Woodford County, Kentucky with an illsutration of a stylised drawing of Hammer tipped in. The piece also mentions prayers said for him at the Trappist Abbey of Gethsemani and a commemorative Mass said for him in Alsace.

Gebundene Ausgabe. Zustand: Sehr gut. VI, 171 S. ; 24 cm Nummerierte und limitierte Kleinauflage v. 152 Exemplaren, gedruckt auf unbeschnittenem Bütten mit einer Vorrede von Curt von Faber du Faur (Yale University). Rotbrauner Originalleineneinband mit mont. Rückenschildchen. Sehr gut erhalten. Keine Besitzvermerke. Ungelesenes originalverpacktes Restexemplar. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Deutsch Gewicht in Gramm: 550 [152 sign. Abzüge. - Drucker: Victor u. Jakob Hammer, Aurora. - Schrift: Garamond-Antiqua].

First edition. Softcover. Exhibition catalog for a show that ran September 27 through October 11, 1970 at the Mitchell Fine Arts Center, Morlan Gallery of the Transylvania University. Foreword by Ulrich Middeldorf. Includes 25 black and white plates. A fine copy in wrappers. A very attractively printed catalog. Uncommon.

One of 475 copies out of an edition of 500 on Ragston paper. Engraving by Victor Hammer on title page. Printed in brown and black in Emerson type. Pp.234, original blue and cream cloth, stamped in gilt, in the original dustwrapper. Wrapper slightly darkened, otherwise a very good, uncut copy. The metal cut engraving on the title page by Victor Hammer is based on a drawing scribbled by a clerk of the Parliament of Paris in the margin of a recored of 1429 which mentions the lifting of the siege of Orleans.

Hard Cover. Zustand: Near Fine binding. Zustand des Schutzumschlags: Near Fine dust jacket. Limited Edition. 8vo.; in salmon colored paper-covered boards lettered in black to the spine, with dustjacket; [ii], 93 pages, [94]; from the colophon: Two Hundred and Fifty Numbered Copies | The text has been set by Victor Hammer | Jacob Hammer has printed in | Lexington, Kentucky | October, 1952 | Number 176.~~There is minor offsetting to the endpapers; a number of pages are unopened. Near Fine binding / Near Fine dust jacket.

Softcover. 12mo; pp 93; VG/G-; tanned spine with black text; dust jacket has some age toning toward edges and to spine; chips to joints; cloth has modest wear to exterior; mildly rubbed edges; strong boards; text block shows light wear to edges; mild toning to ffeps; deckled edges; frontispiece; some uncut pages; inscribed by author NOTE: Shelved in Netdesk office, Case #3. 1331791. FP New Rockville Stock.

Hard Cover. Zustand: Near Fine binding. Limited edition. Large 8vo.; in the publishers' cream paper-covered board, with letterpress text printing in black, blue and terra-cotta; with printed dustjacket; iv, 107 pages~~The edition is limited to 252 copies, printed at the hand-press by Carolyn B. Hammer; Victor Hammer has set the pages; this is #64, signed in pencil by Carolyn R. Hammer and Victor Hammer; with the name label on the pasteown of designer and art historian Fridolf Johnson which has signed in pen by Victor Hammer; the price on the flap has been marked through in pen. ~~. Near Fine binding.

vii, [9]pp. 12mo. First edition, limited to 250 numbered copies. vii, [9]pp. 12mo. The text was handset by Victor Hammer, and the book was printed by Jacob Hammer, in Lexington, Kentucky. Paper-covered boards, Very slight wear to spine tips and extremities, else a fine, partially unopened copy, in very good dust jacket. The cream-colored jacket is slightly soiled, spine is tanned, few nicks to extremities, else very good First edition, limited to 250 numbered copies.

One of 250 copies. Layout by Victor Hammer, presswork by Jacob Hammer. With woodcuts by Fritz Kredel. 72 pp. 1 vols. 8vo. Quarter cloth and boards by Elizabeth Kner. Slight rubbing to edges and slightly faded at spine , otherwise a attractive copy of a marvelous marriage of typography, illustration, and design With woodcuts by Fritz Kredel. 72 pp. 1 vols. 8vo One of 250 copies. Layout by Victor Hammer, presswork by Jacob Hammer.

First edition, number 214 of 450 copies. First edition, number 214 of 450 copies. [xii], 213 pp., [1, printer's imprint]. 1 vols. 4to. Important and abundantly illustrated study of the careers of Austrian-born artist and typographer Victor Hammer (1882-1968). Includes chapters on Hammer's mezzotints and wood engravings, discussions of Hammer's uncial typefaces by R. Hunter Middleton and Hermann Zapf; and Paul Holbrook's bibliography of Hammer's private press work over four decades, including the peripatetic Stamperia del Santuccio, Wells College Press, Hammer Press, and The Anvil Press. Designed by Martino Mardersteig and printed at the Stamperia Valdonega. Original gold cloth. Fine in slipcase [xii], 213 pp., [1, printer's imprint]. 1 vols. 4to.

One of 250 copies. Layout by Victor Hammer, presswork by Jacob Hammer. With woodcuts by Fritz Kredel. 72 pp. 1 vols. 8vo. Quarter cloth and boards by Elizabeth Kner. Slight rubbing to edges, otherwise a attractive copy of a marvelous marriage of typography, illustration, and design With woodcuts by Fritz Kredel. 72 pp. 1 vols. 8vo One of 250 copies. Layout by Victor Hammer, presswork by Jacob Hammer.

Translated from the German of Johann Peter Hebel by Clavia Goodman and Bayard Quincy Morgan, appreciation by Emil Strauss. No. 92 of 175 copies. Book design by Victor Hammer, press work by Jacob Hammer. Printed in sepia and black on handmade Japanese hosho paper. Pp. xiv, 108. Square 12mo., original buff paper covered boards with title printed in black on spine, in the original printed dust jacket with a woodcut by Victor Hammer after a drawing by Leo Delitz. Jacket faded on the spine with chips to the head, very slight browning to some of the uncut edges, otherwise very good. A beautifully printed and unusually laid out book in square format, the second published by Hammer's Anvil Press. With a printed slip inserted loose advising that a sharp knife should be used to cut the pages. With the booklabel of Brooke Crutchley as University Printer at Cambridge.

Hard Cover. Zustand: Very Good binding. Quarto; in brown paper-covered boards with a label wrapped over the spine; 4 unnumbered leaves, with illustrations cut on the wood by Victor Hammer; the text of St. Matthew is from William Tyndale's1596 translation; the text of Isaiah translated from the Hebrew by Rev. Dr, I. W. Slotki; printed in and a terra-cotta ink; the edition limited to 100 copies of which this is #52; the paper label is a bit darkened at the spine. Very Good binding.

Hard Cover. Zustand: Near Fine binding. Limited Edition. Large 8vo.; in tan paper-covered boards, with a printed paper label to the spine; 78 pages; from the colophon: "Printed after the Praetorious facsimile edition from the proof copy of the First Quarto -- 1609 -- in the British Museum. -- Layout by Victor Hammer. Printed by Jacob Hammer for the Anvil Press, Lexington Kentucky 1956. Publication V: two hundred and forty copies. [no; 96]." Printed in black and red.~~There is a tan"smudge" on a couple of leaves, and some toning to the endsheets from the binder's glue; there is also some darkening near the joint at the rear board.~~~~. Near Fine binding.

Hard Cover. Zustand: Near Fine binding. Zustand des Schutzumschlags: Near Fine dust jacket. Limited Edition. Large 8vo.; in blue paper-covered boards, backed in tan linen with a printed paper label to the spine; 78 pages; from the colophon: "Printed after the Praetorious facsimile edition from the proof copy of the First Quarto -- 1609 -- in the British Museum. -- Layout by Victor Hammer. Printed by Jacob Hammer for the Anvil Press, Lexington Kentucky 1956. Publication V: two hundred and forty copies. [no; 96]." there is the faintest amount of foxing to the spine; printed in black and red; with the printer's blue dustjacket, also with a paper title label to the spine.~~Altogether a splendid copy of this production by Victor Hammer's Anvil Press.~~~~~. Near Fine binding / Near Fine dust jacket.

No. 41 of 100 copies. Printed in red and black in Victor Hammer's American & Andromaque uncial types, overseen by Carolyn Reading Hammer. Foreword by Desmond Flower. 21 tableaux illustrations by Fritz Kredel. Pp.52. 29 x 22.5 cms, original black cloth backed, printed red paper covered boards, in the original printed dust jacket. An exceptional copy.