Verschueren tom (12 Ergebnisse)

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Misereor Medienproduktion und Vertriebsgesellschaft, Aachen, 1998. 26 überwiegend illustrierte S., kartoniert, quart---- gutes Exemplar / Eine Bildergeschichte der Max Havelaar-Stiftung Belgien in der deutschsprachigen Ausgabe von Transfair - 232 Gramm.

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Zustand: New. KlappentextrnrnCrossing Cultures brings together scholars in the field of reception and translation studies to chart the individual and institutional agencies that determined the reception of Anglophone authors in the Dutch and Belgian literary .

Buch. Zustand: Neu. Neuware - Crossing Cultures brings together scholars in the field of reception and translation studies to chart the individual and institutional agencies that determined the reception of Anglophone authors in the Dutch and Belgian literary fields in the course of the nineteenth and the beginning of the twentieth century. The essays offer a variety of angles from which nineteenth-century literary dynamics in the Low Countries can be studied. The first two parts discuss the reception of Anglophone literature in the Netherlands and Belgium, respectively, while the third part focuses exclusively on the Dutch translation of women writers. With contributions by: Cees Koster, Ton van Kalmthout, Kris Steyaert, Anne van Buul, Susanna De Schepper, Lieven D'hulst, Francis Mus, Karen Vandemeulebroucke, Liselotte Vandenbussche, Suzan van Dijk, Lizet Duyvendak, Laura Kirkley, Stefanie Walker.…

Hardcover 160 pagina's, 23x220x170 mm Illustrated. ISBN 9789058564818. Young Belgian architects are showing a renewed approach to architecture. While the older generation grew up in a booming economy in which there was time and money to endlessly study details, proportions and create minimalist designs, the younger generation are increasingly aware of functionality. Lower budgets have forced them to approach projects from a fresh perspective. Among this new wave of young architects are Tom Verschueren and David Driesen, whose office dmvA is situated in Mechelen, Belium. Focusing on achieving durability, they use materials creatively and in context to allow for minimising on financial budgets while maximising content. dmvA is not focused on one particular style. As with any creative process they allow the constructions to communicate the story, by considering a range of elements both naturally and artificially fabricated. They are motivated to move beyond the confines of design theory to become more intuitive; they focus on the internal, on emotional involvement, the link between art and sex in order to achieve complex, meaningful work. 0 g.…