vernoit stephen (18 Ergebnisse)

hardcover. Zustand: Fine copy in fine dust jacket. Profusely illustrated (illustrator). 1st. 4to, 144 pp.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 144pp. 164 colour and b&w illustrations.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 144pp. 164 colour and b&w illustrations.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. Almost as new.

Hardcover. Zustand: As New. 446pp. Colour and b&w plates.

Hardcover. Zustand: As New. 446pp. Colour and b&w plates.

Paperback. Zustand: New.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. 36 by 26cm., 256pp., fully illustrated in colour. Islamic art of the 19th century has received very little attention, and this is the first work devoted entirely to the subject. Through a series of essays and the entries on 188 objects in various media, the catalogue reflects the issues confronting Islamic artists and their patrons in the 19th century, namely the desire to maintain traditional forms of expression with their requisite skills, while acknowledging a need to develop new modes of expression suitable for the modern world. The first section of the book examines objects related to the Muslim faith and its expansion through Africa and South-east Asia. The second discusses the effect of royal patronage on the arts of the Ottoman empire, Iran and the Muslim courts of India. Domestic items are the subject of the third section. The concluding chapters examine Islam's interaction with the West through objects made both in Europe and in the Islamic lands, including the revival of Mamluk and Safavid styles. With slipcase (slight wear).

Taschenbuch. Zustand: Neu. Neuware - This collection of essays provides a timely reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies. However, traditionalists, revivalists and modernists all referred in one way or another to an Islamic heritage, whether to reinvent, revive or reject it. Beginning with an historical introduction and an assessment of changing attitudes towards the visual arts the following essays provide case studies of architecture and art in Ottoman Turkey, Egypt, Morocco, sub-Saharan Africa, Iran, Central Asia, India and the Caribbean. They examine such issues as patronage, sources of artistic inspiration and responses to European art. The essays have a relevance and importance for our understanding of the societies and attitudes of that time, and have a direct bearing on the more general debate concerning cultural identity and the integration of modern ideas in the Muslim world. The book is richly illustrated with very many illustrations in black-and-white and in full colour.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Brand new book and slipcase in mint condition, still in publisher's shrink-wrap. May incur additional postage charges outside the U.K.

Hardcover. Zustand: New. &Uumlber den AutorStephen Vernoit, D.Phil. (1990) at St. Antony s College, Oxford University, was research fellow in Islamic art and architecture at St. Antony s College and has subsequently lectured on Islamic history and art at.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. xiv, 232 pages : illustrations ; 24 cm. Summary:This book explores how collecting and scholarship in the field of Islamic Art developed between c. 1850 and c.1950, the period when the intellectual foundations for the study of Islamic art were established. Stephen Vernoit outlines the formation of collections, the role of exhibitions, museums and libraries, the growth of the art market, and the emergence of scholarship.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 315 pages : colour illustrations ; 37 cm. Issued in a slip case. Summary:The 18th in the series, this fine volume continues the high standard of earlier catalogs, presenting detailed scholarship and outstanding images of the Khalili collection. Published in oversized format (10.5x14.25"), the volume contains color plates of the works described, with many details, as well as images of manuscript paintings that depict the jewellery as it was worn. Each catalog entry includes an essay as well as information on media, size, date, origin, and publication history.

Buch. Zustand: Neu. Neuware - This collection of essays provides a timely reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies. However, traditionalists, revivalists and modernists all referred in one way or another to an Islamic heritage, whether to reinvent, revive or reject it. Beginning with an historical introduction and an assessment of changing attitudes towards the visual arts the following essays provide case studies of architecture and art in Ottoman Turkey, Egypt, Morocco, sub-Saharan Africa, Iran, Central Asia, India and the Caribbean. They examine such issues as patronage, sources of artistic inspiration and responses to European art. The essays have a relevance and importance for our understanding of the societies and attitudes of that time, and have a direct bearing on the more general debate concerning cultural identity and the integration of modern ideas in the Muslim world. The book is richly illustrated with very many illustrations in black-and-white and in full colour.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. 25 by 20cm., 232pp., 50 black and white illustrations. Important work exploring how collecting and scholarship in the field of Islamic art developed between c. 1850 and c. 1950, the period when the intellectual foundations for the study of Islamic art were established. Stephen Vernoit outlines the formation of collections, the role of exhibitions, museums and libraries, the growth of the art market, and the emergence of scholarship. Contributions by Stephen Vernoit, J.M. Rogers, Nadia Erzini, Susan Stronge, Jennifer Wearden, Rachel Ward, Annette Hagedorn, Sheila Canby, John Carswell, B.W. Robinson, Anna Contadini, Robert Irwin, Robert Hillenbrand, Filis Calislar Yenisehirlioglu and Oleg Grabar. RARE, ESPECIALLY IN THIS CONDITION.

hardcover. Zustand: Good. Zustand des Schutzumschlags: Includes dust jacket. Ex owner markings on prelim pages. Dust jacket has some wear.

Zustand: Fine. First edition hard back binding in publisher's original navy cloth covers, gilt title and author lettering to the spine. 4to. 11'' x 9''. Contains 144 pp with colour illustrations and photographs throughout. Fine condition book in Fine condition dust wrapper. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ISBN 1851774300 ISLAM (Islamic Art).

Leiden, Brill, 2006. X,446 pp. Col. & b./w. ills. Hardcover. (Islamic History and Civilization. Studies and texts. Vol. 60). This collection of essays provides a reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies.