Venturi robert introduction (8 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Cloth. Zustand: Fine Condition. Near Fine. 362 pages. Hardcover. Texts in English. Mild shelfwear to the edges of the jacket, but otherwise in fine condition with a tight binding, sharp edges, bright jacket, and clean interior. Many illustrations 21 in full color. Includes acknowledgments, bibliography, chronology, and index. Purple cloth with blindstamped letters to the cover, gilt letters to the spine. Dustjacket is protected with a mylar cover. Book. …

Hardcover. dj. Quarto, 385 pages. In Very Good condition with a Very Good dust jacket. Spine is white with black print. Dust jacket has small vendor label on rear panel. Boards in black cloth. Illustrated: b&w photographs, color plates (photographs). [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Net Desk work area. 1417489. FP New Rockville Stock.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Grey cloth octavo, with dust jacket. First edition. Inscribed by Robert Venturi to art & architecture critic Victoria Donohoe (1929 - 2018). Donohoe wrote over 1,000 articles about art and architecture for the Philadelphia Inquirer over a fifty-year period from 1962-2012. Near fine+ with some very faint foxing to edges of text block. Moderate rubbing to dj, chip to lower right front corner. Inscribed by Author(s).…

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Boldly signed by Robert Venturi and Vincent Scully on the title page. Fine in a near fine dust jacket. Introduction by Vincent Scully. Rare and desirable signed by both Venturi and Scully. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times). …

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Boldly signed by Robert Venturi who has added a drawing of his mother's house on the dedication page. Fine in a near fine dust jacket. Introduction by Vincent Scully. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).…

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Presentation copy, inscribed by the author on the front free endpaper, "To Al, Friendship and respect Bob Venturi." FineÂin a near fine dust jacket with a touch of shelfwear. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).…

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Signed and dated by Robert Venturi on the title page. FineÂin a near fine dust jacket with a touch of shelfwear. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times). …