Veen h th van (11 Ergebnisse)

Zustand: New. 2007. Illustrated. hardcover. . . . . .

Taschenbuch. Zustand: Neu. Neuware - The prolonged influence of patricians on the cultural and artistic life in FlorenceThe history of the Florentine patriciate did not end with the establishment of the Medici Duchy and Grand Duchy of Tuscany. Proud and self-confident, these patricians were not subservient courtiers; on the contrary, they continued to exert a considerable influence on Florentine culture and politics for centuries. The patrician class in sixteenth-century Florence were the descendants of wealthy, sophisticated and politically savvy families who, while acquiring noble titles, estates, and villas, retained their long-standing urban identity. The mark they left on the city's cultural and artistic life was embraced by the Medici, who used their political and diplomatic knowhow, eleborate artistic commissions, and European networks to enhance their power and prestige. A Cultural Symbiosis highlights the contributions to Florentine art and culture of eight patricians, focusing on the Valori, Pucci, Ridolfi, Vecchietti, del Nero, Salviati, Guicciardini, and Niccolini families.Contributors: Carla D'Arista (Columbia University), Klazina D. Botke (University of Groningen / Museum Boijmans Van Beuningen), Julia Dijkstra (Museum MORE), Sanne Roefs (Dutch Ministry of Education, Culture and Science in The Hague), Henk Th. van Veen (University of Groningen), Bouk Wierda (Classical Academy of Art in Groningen), Andrea Zagli (University of Siena)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).…

Hardcover. Zustand: Brand New. illustrated edition. 138 pages. 9.50x6.50x0.75 inches. In Stock.

Zustand: New. 2007. Illustrated. hardcover. . . . . . Books ship from the US and Ireland.

104pp., 20cm., stempeltje op titelblad, rug hersteld, goed.

Zustand: New.

Firenze 1986. 170 pp. Broché (Diss.Groningen/Ist.Univ.Olandese; rousseurs).

Hardcover. Zustand: new. Hardcover. The papers assembled in this volume were read at the Cultural Crises in Art and Literature congress held at the University of Groningen (2002). Taking their inspiration from Marcia Hall's study, After Raphael. Painting in Central Italy in the Sixteenth Century (1999), the participants explored the mannerist style that Raphael developed in his last Roman years and that was promulgated throughout Italy by his main pupils. The question asked is how this new manner, which was based on the Roman imperial relief style, was reacted to at courts - Medici, Gonzaga, Farnese, Della Rovere - and in cities - Rome, Mantua, Pesaro, Florence - in Italy and at Fontainebleau. The papers show that the response to the new style was without exception a very conscious one. In Siena and Venice it was simply rejected, whereas in Pesaro, Mantua, Rome and Fontainebleau it was transformed or attempts were made even to surpass it. In other cases, Florence in particular, the answer to the new Raphaelesque style was found by proposing a conspicuously Michelangelesque one instead.In all these reactions, shaping or marking one's own identity appears to have been an important issue: for the artists of course, who spread the new style through Italy, but certainly also for the princely patrons who commissioned their works and even for the courts and cities as a whole. Seen as studies in artistic and cultural identity, the essays in this volume can rightly be considered a contribution to one of the most important recent developments in the historiography of Italian Renaissance art. Lectures given at the symposium The translation of the Raphaelesque Roman style, held at the University of Groningen in November, 2002. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Zustand: gut. 2007. The Translation of Raphael's Roman Style In deutscher Sprache. pages.

2 werken samen ingebonden: 194 [ii] pp. + 104pp., gecart.band (lederen rug met titel in goudopdruk), 19cm., enkele roestplekjes, stempeltje, goede staat.

Geen plaats, geen jaar. 29,5 x 21 cm. Geniet, oorspronkelijke omslag. Met enkele illustraties in kleur en z/w. [8] pag. [Art / Dutch artist [Nederlandse Kunstenaars] ].