Vaughan oliver (27 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. Cover/edges have light wear. Pages are clean/intact.

Zustand: Very good. xiii, 97, col + b/w illus. . PB. Vg. . [9780875950495].

Zustand: Paperback in new condition. Includes TAMING THE ANGRY STALLION by Linda Kohanov: The power of nonviolence, THE CAVE by Michael Harner: A quest for shamanic powers, BODY CONSCIOUSNESS by Patty de Llosa: Listening to the energies of the body, LONGING FOR THE BELOVED by Mirabai Starr: Teresa of Avila-and grief-teach a mighty lesson, TRANSFORMING THE POWER OF THE EARTH by Lorraine Kreahling: A house explodes; a new way is found, EFFORTLESS POWER by Peter Ralston: Anchoring the body, THE OLD WOMAN'S MIRACULOUS POWERS by Mary Grace Orr: A Zen tale, "WHAT DID YOU SEE?": A conversation with photographer Camille Seaman, THE CALL OF THE EARTH by Llewellyn Vaughan-Lee: Reconnecting to the sacred, from a Sufi teacher, COYOTE CROSSINGS by Alison Townsend: "God's Dog" displays its powers, Turning to a greater power by Bill W.: Advice from the co-founder of Alcoholics Anonymous, Three poems by Mary Oliver; 127 pages.…

B/w. illustrations. Rebound in blue cloth with original pictorial wrapps. bound in. US$13.

xiii, (1), 97, (5)pp. Prof. illus. Sq. 4to. Wraps.

Hardcover. Zustand: Brand New. German language. 9.65x6.54x0.67 inches. In Stock.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Edition Olms 1992, 142 S. : überw. Illustrationen, 30 x 30 cm, kart. ; guter bis sehr guter Zustand.

Hardcover. Zustand: Brand New. 344 pages. German language. 6.93x1.02x10.51 inches. In Stock.

hardcover. Zustand: Gut. 152 Seiten; 9783864251870.3 Gewicht in Gramm: 1.

hardcover. Zustand: Sehr gut. 152 Seiten; 9783864251894.2 Gewicht in Gramm: 1.

hardcover. Zustand: Gut. 152 Seiten; 9783864251894.3 Gewicht in Gramm: 1.

hardcover. Zustand: Gut. 152 Seiten; 9783864251900.3 Gewicht in Gramm: 1.

4°, Broschur. 142 Seiten, Ecken und Kanten leicht bestoßen, Seiten leicht nachgedunkelt, sonst in gutem Zustand, Abgleich des Titelbildes bitte bei nika-books. 9783283002619 Sprache: Deutsch Gewicht in Gramm: 867.

23 pp.; 28 x 21 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; October 1983 issue of "On the NEXT WAVE : The Audience Magazine of BAM's NEXT WAVE FESTIVAL." Edited by Roger W. Oliver. Contents include "From the Judson to BAM: Trisha Brown and Lucinda Childs," by Sally Banes; "California Dreamin': West Coast Artists in the NEXT WAVE," by David Bither; "Great Black Music: Ancient to the Future," by Leonard Goines; "Diaghilev and After: Twentieth-Century Collaborations," by David Vaughan; "NEXT WAVE Bookshelf" and "Spotlight on Sponsors." Very Good. Mailed copy with mailing marks and mailing wear. Rubbing and bumping of corners and right side edge of periodical and 5.3 cm. dog-ear to bottom right corner of periodical. Contents are clean and unmarked.…

First US edition. Folio. [42 pp w/bibliography]. Near fine in wrappers. A profusely color illustrated exhibition catalogue. The go-to designer, particularly for indie LPs, in late 80s - early 90s. Pixies, Unrest, Breeders, Lush, all your favorites.

Hardcover. Zustand: Wie neu. 1. ---. nein.

Hardcover. Zustand: Wie neu. 1. ---. nein.

Hardcover. Zustand: Wie neu. 1. ---. nein.

Zustand: gut. 1992. Album Cover Album Das Buch der Schallplattenhüllen, Vol. 6 In deutscher Sprache. pages.

Three early never-issued alternate artwork proof designs for the classic 1989 album. Developed by British graphic designer Vaughan Oliver, with photography by Simon Larbalestier. Unique. In 1980, Oliver and photographer Nigel Grierson formed the graphic design partnership 23 Envelope. In 1982 the duo were invited to create sleeve art for the 4AD record label by co-founder Ivo Watts-Russell. Under 23 Envelope and v23, Oliver would give 4AD one of the most acclaimed and distinguished visual identities of any record label of the 1980s and 1990s, designing album art for the Cocteau Twins, This Mortal Coil, Dead Can Dance, Colourbox, and the Pixies, among many others. Oliver managed the graphic design for the Pixies' entire discography during his lifetime, with "Doolittle" being the most celebrated. Photographer Simon Larbalestier is best known for his collaborative work with Oliver under 23 Envelope and v23, and provided photography for all the Pixies albums, helping to give the band their distinctive and opulent visual style. "Doolittle" was the first Pixies album for which Oliver and Larbalestier had access to the lyrics, which "made a fundamental difference" according to Larbalestier, and helped determined the photography, layout, and graphic style. While each of the experimental proofs presented here retain the general overall layout of the released cover, each contains both stark and subtle differences. The first proof, the most dramatically divergent, is printed in a sharp copper, with the photograph a pale yellow, and the rear cover text a deep blue. The other two proofs, experimenting with metallic copper and gold, are both notably lighter in tone than the final art, but the photograph, printed in a gray green, is close to Oliver's final design, with the rear cover text also in gray-green, as opposed to the white of the final design. The layout of the typography is also notably different in all three proofs, with the band name much smaller, and its accompanying grid nearly indiscernible, as is the title, placed discreetly above the band's name. Three extraordinary experimental proofs, documenting Oliver's process in creating the exceptional art of one of the most celebrated and influential rock albums of all time. 25.25 x 13.75 inches on heavy card stock. Near Fine overall.…

Booth-Clibborn Editions, London 2000. 4to. 224 pages. Orig. boards with dust wrapper. Very Good+/Very Good.

Photography by Simon Larbalestier, Jim Friedman, Beverley Carruthers, Kevin Westenberg and Sarah Tucker. Illustration by Shinro Ohtake. Sprache: Englisch Gewicht in Gramm: 0.