Vanja malloy (36 Ergebnisse)

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hardcover. Zustand: New.

Paperback. Zustand: New. Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color-dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests-ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry.…

Paperback. Zustand: New. Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color-dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests-ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry.…

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

Zustand: New.

Zustand: New.

Zustand: New. In English.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Zustand: New. A comprehensive overview of the work and creative practice of American artist Theaster Gates. A self-designated "keeper of objects," Theaster Gates investigates the value of things and their potential to hold layered meanings in his work. He activates these objects in a manner that nurtures space for disinvested histories-often Black histories. Part of his practice is also to create physical spaces for others, including through residencies he has established in Chicago's South Side, such as through the Rebuild Foundation, Stony Island Arts Bank, and other projects. Taken together, Gates's work is driven by questions around institutional and systemic structures, the erasure of Black histories, and ongoing social disinvestment in Black lives in Chicago and the United States.Theaster Gates: Unto Thee is published in conjunction with the Smart Museum of Art's exhibition on the artist. Edited by Galina Mardilovich and Vanja Malloy, the accompanying catalog expands on Gates's artistic practice and features five essays by contributing scholars. Unto Thee marks the first major museum presentation of the Chicago artist in his hometown.…

Zustand: New.

Zustand: new.

Hardback. Zustand: New. A comprehensive overview of the work and creative practice of American artist Theaster Gates. A self-designated "keeper of objects," Theaster Gates investigates the value of things and their potential to hold layered meanings in his work. He activates these objects in a manner that nurtures space for disinvested histories-often Black histories. Part of his practice is also to create physical spaces for others, including through residencies he has established in Chicago's South Side, such as through the Rebuild Foundation, Stony Island Arts Bank, and other projects. Taken together, Gates's work is driven by questions around institutional and systemic structures, the erasure of Black histories, and ongoing social disinvestment in Black lives in Chicago and the United States.Theaster Gates: Unto Thee is published in conjunction with the Smart Museum of Art's exhibition on the artist. Edited by Galina Mardilovich and Vanja Malloy, the accompanying catalog expands on Gates's artistic practice and features five essays by contributing scholars. Unto Thee marks the first major museum presentation of the Chicago artist in his hometown.…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New. Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color-dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests-ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry.…

Taschenbuch. Zustand: Neu. Neuware - Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color--dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests--ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry. …

hardcover. Zustand: New. Special order direct from the distributor.

Zustand: New. &Uumlber den AutorrnrnBrenda Danilowitz is chief curator at the Josef and Anni Albers Foundation. She obtained her M.A. in art history from the University of the Witwatersrand, South Africa, where she taught from 1979 to 1986. She has organized.

Hardcover. Zustand: Brand New. 1st edition. 310 pages. 9.25x7.00x1.25 inches. In Stock.

Zustand: NEW.

Buch. Zustand: Neu. Neuware - A comprehensive overview of the work and creative practice of American artist Theaster Gates. A self-designated 'keeper of objects,' Theaster Gates investigates the value of things and their potential to hold layered meanings in his work. He activates these objects in a manner that nurtures space for disinvested histories--often Black histories. Part of his practice is also to create physical spaces for others, including through residencies he has established in Chicago's South Side, such as through the Rebuild Foundation, Stony Island Arts Bank, and other projects. Taken together, Gates's work is driven by questions around institutional and systemic structures, the erasure of Black histories, and ongoing social disinvestment in Black lives in Chicago and the United States. Theaster Gates: Unto Thee is published in conjunction with the Smart Museum of Art's exhibition on the artist. Edited by Galina Mardilovich and Vanja Malloy, the accompanying catalog expands on Gates's artistic practice and features five essays by contributing scholars. Unto Thee marks the first major museum presentation of the Chicago artist in his hometown.…

Paperback. Zustand: New. Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color-dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests-ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry.…