Sprache: Englisch
Verlag: MP-MPP University Press of Mississippi, 2023
ISBN 10: 1496848853 ISBN 13: 9781496848857
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Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848853 ISBN 13: 9781496848857
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Sprache: Englisch
Verlag: University Press of Mississippi, 2014
ISBN 10: 1628460598 ISBN 13: 9781628460599
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Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848853 ISBN 13: 9781496848857
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Zustand: New. 2023. Paperback. paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848853 ISBN 13: 9781496848857
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In den WarenkorbPaperback. Zustand: Brand New. 167 pages. 8.75x6.00x0.50 inches. In Stock.
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In den WarenkorbPaperback. Zustand: Brand New. 304 pages. 9.25x6.13x0.72 inches. In Stock.
Sprache: Englisch
Verlag: University Press of Mississippi, 2013
ISBN 10: 161703682X ISBN 13: 9781617036828
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In den WarenkorbZustand: New. KlappentextrnrnAlthough to date Percival Everett has published eighteen novels, three collections of short fiction, three poetry collections, and one children s book, his work has not garnered the critical attention that it deserves. This collec.
Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
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Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848853 ISBN 13: 9781496848857
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In den WarenkorbHardcover. Zustand: Brand New. 256 pages. 9.25x6.25x0.75 inches. In Stock.
Sprache: Englisch
Verlag: University Press Of Mississippi, 2013
ISBN 10: 161703682X ISBN 13: 9781617036828
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Gebundene Ausgabe. Zustand: Neu. Neu Neuware, Importqualität, auf Lager, Sofortversand - The first collection of essays to examine the breadth of Everett's creative output Essays by Uzzie Cannon, Jonathan Dittman, Ronald Dorris, Frédérick Dumas, Sarah Mantilla, Richard Schur, Anthony Stewart, Robin G. Vander, and Sarah Wyman Percival Everett (b. 1956) writes novels, short stories, poetry, and essays, and is one of the most prolific, acclaimed, yet underexamined African American writers working today. Although to date Everett has published eighteen novels, three collections of short fiction, three poetry collections, and one children's book, his work has not garnered the critical attention that it deserves. Perhaps one of the most vexing problems scholars have had in trying to situate Everett's work is that they have found it difficult to place him and his work within a prescribed African American literary tradition. Because he happens to be African American, critics have expectations of so-called authentic African American fiction; however, his work often thwarts these expectations. In Perspectives on Percival Everett, scholars engage all of his creative production. On the one hand, Everett is an African American novelist. On the other hand, he pursues subject matters that seemingly have little to do with African American culture. The operative word here is 'seemingly'; for as these essays demonstrate, Everett's works fall well within as well as outside of what most critics would deem the African American literary tradition. These essays examine issues of identity, authenticity, and semiotics, in addition to postmodernism and African American and American literary traditions--issues essential to understanding his aesthetic and political concerns.
Sprache: Englisch
Verlag: University Press Of Mississippi Mai 2014, 2014
ISBN 10: 1628460598 ISBN 13: 9781628460599
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Although to date Percival Everett has published eighteen novels, three collections of short fiction, three poetry collections, and one children's book, his work has not garnered the critical attention that it deserves. This collection of essays examines issues of identity, authenticity, and semiotics, in addition to postmodernism and African American and American literary traditions in Everett's work.
Sprache: Englisch
Verlag: University Press Of Mississippi Nov 2023, 2023
ISBN 10: 1496848853 ISBN 13: 9781496848857
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Contributions by Cynthia Baron, Elizabeth Binggeli, Kimberly Nichele Brown, Terri Simone Francis, Priscilla Layne, Eric Pierson, Charlene Regester, Ellen C. Scott, Tanya L. Shields, and Judith E. Smith Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil's Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen Geï (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1948), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995).
Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 122,20
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Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
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Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
Anbieter: moluna, Greven, Deutschland
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In den WarenkorbZustand: New.
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In den WarenkorbHardcover. Zustand: Brand New. 277 pages. 9.25x6.25x1.00 inches. In Stock.
Sprache: Englisch
Verlag: University Press Of Mississippi Dez 2023, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Contributions by Cynthia Baron, Elizabeth Binggeli, Kimberly Nichele Brown, Terri Simone Francis, Priscilla Layne, Eric Pierson, Charlene Regester, Ellen C. Scott, Tanya L. Shields, and Judith E. Smith Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil's Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen Geï (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1948), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995).