Sprache: Englisch
Verlag: MH - Indiana University Press, 2010
ISBN 10: 0253221927 ISBN 13: 9780253221926
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Verlag: MP-MPP University Press of Mississippi, 2023
ISBN 10: 1496848853 ISBN 13: 9781496848857
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Zustand: New. Black women and Hollywood in the pre-Civil Rights era Num Pages: 440 pages, 14 b&w illus. BIC Classification: 1KBB; 3JJ; APB; APF; JFSL3. Category: (G) General (US: Trade). Dimension: 229 x 152 x 28. Weight in Grams: 586. . 2010. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. 224 pages. 8.75x5.75x0.75 inches. In Stock.
Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848853 ISBN 13: 9781496848857
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Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
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In den WarenkorbZustand: New. Black women and Hollywood in the pre-Civil Rights eraÜber den AutorCharlene Regester is Associate Professor of African and Afro-American Studies at the University of North Carolina Chapel Hill. She is co-editor of the Osca.
Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848853 ISBN 13: 9781496848857
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In den WarenkorbPaperback. Zustand: Brand New. 370 pages. 10.00x7.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Indiana University Press Jun 2010, 2010
ISBN 10: 0253221927 ISBN 13: 9780253221926
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Taschenbuch. Zustand: Neu. Neuware - Nine actresses, from Madame Sul-Te-Wan in Birth of a Nation (1915) to Ethel Waters in Member of the Wedding (1952), are profiled in African American Actresses. Charlene Regester poses questions about prevailing racial politics, on-screen and off-screen identities, and black stardom and white stardom. She reveals how these women fought for their roles as well as what they compromised (or didn't compromise). Regester repositions these actresses to highlight their contributions to cinema in the first half of the 20th century, taking an informed theoretical, historical, and critical approach.
Sprache: Englisch
Verlag: University Press Of Mississippi Nov 2023, 2023
ISBN 10: 1496848853 ISBN 13: 9781496848857
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Contributions by Cynthia Baron, Elizabeth Binggeli, Kimberly Nichele Brown, Terri Simone Francis, Priscilla Layne, Eric Pierson, Charlene Regester, Ellen C. Scott, Tanya L. Shields, and Judith E. Smith Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil's Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen Geï (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1948), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995).
Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 122,20
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Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
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Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: University Press of Mississippi, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
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In den WarenkorbHardcover. Zustand: Brand New. 277 pages. 9.25x6.25x1.00 inches. In Stock.
Sprache: Englisch
Verlag: University Press Of Mississippi Dez 2023, 2023
ISBN 10: 1496848845 ISBN 13: 9781496848840
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Contributions by Cynthia Baron, Elizabeth Binggeli, Kimberly Nichele Brown, Terri Simone Francis, Priscilla Layne, Eric Pierson, Charlene Regester, Ellen C. Scott, Tanya L. Shields, and Judith E. Smith Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil's Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen Geï (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1948), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995).