Van oostveldt bram (20 Ergebnisse)

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback. Zustand: Brand New. 224 pages. 9.21x6.14x1.00 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

hardcover. Zustand: New. 1st.

Paperback. Zustand: Brand New. 208 pages. 9.68x6.87x1.18 inches. In Stock.

Zustand: New. pp. 256.

Zustand: New. Stijn P.M. Bussels is Professor of Art History and Head of the Department of Art History at Leiden University Centre of the Arts in Society.Bram Van Oostveldt is Associate Professor at the Department of Art, Music and Theatre Studies at Ghent Univ.

Hardcover. Zustand: Brand New. 168 pages. 11.30x8.78x0.75 inches. In Stock.

Paperback. Zustand: Good. 1. Potloodaantekeningen Dutch English This scholarly volume examines the performing arts in eighteenth-century Austria, offering new historical insights and methodological approaches. The contributions explore theatre, music and performance practices within their cultural and socio-political contexts, and propose innovative ways of studying archival material and historiography in the field of performing arts.…

Zustand: As New. Unread book in perfect condition.

Buch. Zustand: Neu. Neuware - In art history, the Belgian romantic artist Antoine Joseph Wiertz (1806-65) is often considered as the prototype of the artist as a 'failure'. Contemporaries described his colossal and melodramatic works as an odd and monstrous potpourri lacking focus and escaping all aesthetic categories. This disparaging for his work already began in 1839 when Wiertz exhibited his Greeks and Trojans fighting over the body of Patroclus at the Paris Salon. After seeing the painting, the Parisian critic Eduard Thierry wrote that 'the step from the sublime to the ridiculous has been completely trespassed', while Charles Baudelaire described Wiertz as this idiot whose paintings were as large as his stupidity. Until deep in the twentieth century, this criticism would set the tone for the Wiertz study and reception, often labeling him as a curiosity and an outcast operating within the margins of contemporary artistic circles. This collection of essays corrects this cliche of Wiertz as an outsider. The first part of the book studies his oeuvre within an international art historical context focusing on the diverse genres and media he practiced. The second part focuses on the Musee Wiertz as one of the earliest examples of the artist museum as a new nineteenth-century phenomenon. Written by internationally renowned scholars, this book provides a new and exciting perspective on this fascinating but hardly studied artist.…

Hardcover. Zustand: Brand New. 314 pages. 6.10x2.00x9.25 inches. In Stock.

Zustand: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. Stijn P.M. Bussels is Professor of Art History and Head of the Department of Art History at Leiden University Centre of the Arts in Society.Bram Van Oostveldt is Associate Professor at the Department of Art, Music and Theatre Studies at Ghent Univ.

Zustand: gut. Antoine Wiertz (1806?65) And the Quest for Modern Genius In deutscher Sprache. pages.

HARDCOVER dusjacket Pages: iv + 164 p. Size:216 x 280 mm Illustrations:1 b/w, 67 col. Language(s):English. ISBN 9782503604732. This book offers a fresh look at Antoine Wiertz (1806?65), a Belgian artist often called a ?failure,? and uncovers his fascinating complexity. Leading experts explore Wiertz?s early influences, his use of the grotesque, and his innovative ideas about artist?s museums. The essays examine his struggles with Neoclassicism and the Parisian art scene, his fascination with death and his sculptural oeuvre. They also reveal links between Wiertz?s art, politics, and the development of 19th-century Belgium. With new research, the book illuminates his unique way of creating and showing art. This analysis shows that Wiertz was a major player in debates on what makes an artistic genius. ?Antoine Wiertz and the Quest for Modern Genius? reclaims his significance, and encourages a renewed appreciation of his oeuvre in art history. Essays by Dominique Marechal, Stephen Bann, Caroline van Eck, Hanneke Grootenboer, Marc Gotlieb, Pascal Griener, Maarten Liefooghe and Bart Verschaffel. TABLE OF CONTENTS Introduction Bram van Oostveldt, Stijn Bussels, and Caroline van Eck I. The Formation of an Artist Becoming Wiertz: The Early Years (1820?37) Dominique Marechal Embattled Classicism Stephen Bann II. Wiertz and the Aesthetics of the Grotesque Boring Modernism? Wiertz?s Sculptures Caroline van Eck Wiertz?s Philosophical Paintings Hanneke Grootenboer M Stands for Mort: The Last Hours of Antoine Wiertz Marc Gotlieb III. Wiertz and the Museum Artists? Museums: A Symbolical Form in the History of Culture Pascal Griener Spectacles Full of Lessons or Performances for Posterity? The Musée Wiertz Contrasted with the Musée Gustave Moreau Maarten Liefooghe The Case of Antoine Wiertz: Art and/or Politics? Bart Verschaffel Index of Names Author Biographies 0 g.…