usha bhatia (34 Ergebnisse)

Hardcover. Zustand: New. Contents: Plate I: The drowning of the Chinese beauty--a folio from the Aiyar-e-Danish (A book of animal fables). Mughal--Akbar period, dated A.D. 1596-7. Size: 24.8 x13.9 cms. Plate II: Dabshalim visits the sage Bidpai--a folio from the Aiyar-e-Danish (A book of animal fables). Mughal--Akbar period, dated A.D. 1596-7. Size: 24.8 x13.9 cms. Plate III: Mourning at court--a folio from the Aiyar-e-Danish (A book of animal fables). Mughal--Akbar period, dated A.D. 1596-7. Size: 24.8 x 13.9 cms. Plate IV: A King in court--a folio from the Aiyar-e-Danish (A book of animal fables). Mughal--Akbar period, dated A.D. 1596-7. Size: 24.8 x 13.9 cms. Plate V: A King while hunting accidentally shoots a woodcutter--a folio from the Aiyar-e-Danish (A book of animal fables). Mughal--Akbar period, dated A.D. 1596-7. Size: 24.8 x 13.9 cms. Plate VI: The meeting of Prince Murad and Khusrau Sultan, son of Nazar Muhammad Khan, the ruler of Balkh and Bukhara at Sirab--detached miniature from the Padshah Nama of Abd-al-Hamid Lahori. Mughal--Shah Jahan period, c. A.D. 1650. Size: 27.3 x 18.4 cms.

Hardcover. Zustand: New. Contents: Plate I. Balwant Singh standing smoking in his garden. Gouache on paper. Inscribed with the date: Phalguna (February-March), V.S. 1800/ A.D. 1744. 29.4 x 21.3 cm. (outer). 23.1 x 15.8 cm (inner). Plate II. Begum out hawking with her maids. Gouache and gold on paper. c. 1735-1740. 17.5 x 26 cm. Plate III. Balwant Singh seeing a painting with Nainsukh. Gouache on paper. c. 1745-1750. 21 x 30 cm. Plate IV. Ragini Madhumadhavi: folio from a Ragamala series. Gouache on paper. c. 1765-1775. 27.5 x 19.5 cm. Plate V. Vishnu, seated on a lotus. Gouache on paper. c. 1765-1775. 15.6 x 24.7 cm. (outer). 12.6 x 21.6 cm. (inner). Plate VI. A boat adrift on a river illustration to a folk legend. Tinted brush drawing on uncoloured paper. c. 1765-1775. 36.0 x 28.5 cm. Plate VII. Villagers around a fire. Gouache on paper. c. 1765-1775. 20.8 x 16.5 cm. (outer). 15.0 x 11.0 cm. (inner).

Hardcover. Zustand: New. Contents: Plate I. Picnic after hunting. Painted by Bagta in V.S. 1865 = A.D. 1808. Inscribed on reverse. Prince of Wales Museum, Bombay. 45 x 24.5 cm. Plate II. Kunvar Anop Singhji shooting pigs. Painted by Bagta in V.S. 1826 = A.D. 1769. Inscribed on reverse. Smt. Kusum Rajeya Swali collection, Bombay. 31 x 21.3 cm. Plate III. Gokuldasji hunting Sambhar at night. Attributed here to Chokha. Dated V.S. 1868 = A.D. 1811. Inscribed on reverse. Rawat Nahar Singh II collection, Deogarh. 39.6 x 27.2 cm. Plate IV. The hour of cow-dust. Painted by Chokha in V.S. 1870 = A.D. 1813. Inscribed on reverse. Sir Cowasjee Jehangir collection, Bombay. 32 x 24 cm. Plate V. Rawat Nahar Singh shooting pigs. Painted by Baijnath in V.S. 1887 = A.D. 1830. Inscribed on reverse. Rawat Nahar Singh II collection, Deogarh. 36.5 x 27 cm. Plate VI. Three maidens under a willow. Attributed here to Baijnath, c. A.D. 1810, copied by Sumahendra, Jaipur. Wall painting, Deogarh Fort. 95 x 69 cm.

Hardcover. Zustand: New. Contents: Plate I. Emperor Shah Jahan receiving Dara. Mughal--Shah Jahan period, circa A.D. 1650. Size: 37.2 x 25. 4 cms. Plate II. The ladies of Krishna s harem are being shown the sacrificial horse--a folio from the Razm-Nama, Mughal-Akbar period, dated 1007/A.D. 1598. Artist Bhagwan. Size: 22.9 x 14 cms. Plate III. Folio from the Rasikapriya of Kesavadasa. Rajasthani-Bikaner, dated A.D. 1710. Artist Bhura. Size: 27.3 x 19 cms. Plate IV. Shahji muses on his beloved Mahji from the Pem-nem of hams. Deccani-Bijapur, circa A.D. 1591. Size: 17 x 9 cms. Plate V. Krishna-Abhisarika--a folio from a Nayak-Nayika series. Rajasthan-Kotah, circa A.D. 1750. Size: 27 x 16 cms. Plate VI. A folio from the Rukmini-Parinaya series. Rajasthan-Kotah, circa A.D. 1700. Size: 30 x 22 cms.

Hardcover. Zustand: New. Contents: Plate I: The drowning of the Chinese beauty--a folio from the Aiyar-e-Danish (A book of animal fables). Mughal--Akbar period, dated A.D. 1596-7. Size: 24.8 x13.9 cms. Plate II: Dabshalim visits the sage Bidpai--a folio from the Aiyar-e-Danish (A book of animal fables). Mughal--Akbar period, dated A.D. 1596-7. Size: 24.8 x13.9 cms. Plate III: Mourning at court--a folio from the Aiyar-e-Danish (A book of animal fables). Mughal--Akbar period, dated A.D. 1596-7. Size: 24.8 x 13.9 cms. Plate IV: A King in court--a folio from the Aiyar-e-Danish (A book of animal fables). Mughal--Akbar period, dated A.D. 1596-7. Size: 24.8 x 13.9 cms. Plate V: A King while hunting accidentally shoots a woodcutter--a folio from the Aiyar-e-Danish (A book of animal fables). Mughal--Akbar period, dated A.D. 1596-7. Size: 24.8 x 13.9 cms. Plate VI: The meeting of Prince Murad and Khusrau Sultan, son of Nazar Muhammad Khan, the ruler of Balkh and Bukhara at Sirab--detached miniature from the Padshah Nama of Abd-al-Hamid Lahori. Mughal--Shah Jahan period, c. A.D. 1650. Size: 27.3 x 18.4 cms.

Soft cover. Zustand: Fine.

Hardcover. Zustand: As New. Contents 1. Cricket Series Exultation 2006. 2. Cricket Series The Leap to Victory 2006. 3. Cricket Series The Bowler 2006. 4. Cricket Series Release of Power 2006. 5. Cricket Series The Fallen Wicket 2006. 6. Cricket Series Triumph 2006. 7. Soccer Bonding to Win 2006. 8. Tennis Energy in Three 2006. 9. Cricket Series Aim 2006. 10. Bazigar 2006.

Hardbound. Zustand: As New. New. The owner of this exquisite collection Arpana Caur a distinguished Indian painter has been exhibited since 1974 across the globe. Her solos apart from Delhi Mumbai Calcutta Bangalore and Chennai have been held in Galleries in London Glasgow Berlin Amsterdam Singapore Munich New York and in Stockholm and Copenhagen National Museum. Her work can be seen in Museums of Modern Art in Delhi Mumbai Chandigarh Dusseldorf Singapore Bradford Stockholm Hiroshima Smithsonian Washington and Victoria and Albert Museum London. She has been extensively written about filmed invited to various countries and awarded including a Gold Medal in Sixth international Triennele 1986 in Delhi. She was commissioned by Hiroshima Museum of Modern Art to execute a large work for its permanent collection for the 50 anniversary of the Holocaust in 1995 and by Bangalore city and the city of Hamburg to do large noncommercial murals in public spaces. Since 1981 she did three large non commercial murals in Delhi. Today her paintings support several projects for the underprivileged including free vocational training in the Academy of Fine Arts and Literature of which she along with her mother the renowned writer Ajeet Caur is the founder member a leprosy home in Ghaziabad Guru Shri Sahib ji's ration projects for poor and old widows all over the country and a small support network for young artists and crafts people. 204 pp.

Zustand: New. pp. xxxiv + 175 Illus. (Partly Col.), Map (Col.).

Zustand: New. pp. 216.

1989. (Mass market paperback) Fine in fine dust jacket. 4, 7 plates. Folio. Scarce. Illustrated medium brown portfolio with brown ribbon tie. The story is a Krishna legend printed on half-fold, quality card stock, in addition there are 7 beautiful, colour plates. Very nice copy.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 4to, i-xxxiv, 175 pp, coloured plates, a fine copy in a similar dust wrapper.

Zustand: New. In.

Zustand: New. In.

Paperback. Zustand: Brand New. 216 pages. 9.68x6.85x0.49 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Third World Approaches to International Law | On Praxis and the Intellectual | Usha Natarajan (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2019 | Routledge | EAN 9780367889234 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Zustand: New. pp. 208.

Zustand: New. This book addresses the themes of praxis and the role of international lawyers as intellectuals and political actors engaging with questions of justice for Third World peoples. The book brings together 12 contributions from a total of 15 scholars working.

Buch. Zustand: Neu. Neuware.

No date. Card folder with a double ribbon tie with 10 tipped in colour plates on 9 leaves. 4 page explanatory text in English accompanies these plates, folder a trifle worn but still very good. Folio. Lalit Kala Series Portfolio No 31.

New Dehli,1991., 4 pp.text & 7 col.plts. Portfolio. Mint. Lalit Kala Serie Portfolio No. 37. [163626].

New Dalhi, 1990. 3 pp.text & 6 col.plts. Portfolio. Mint. Lalit Kala Series Portfolio No. 34 [163623].

New Delhi, 1991. 6 pp.text & 7 col.plts. Portfolio. Mint. Lalit Kala Serie Portfolio No. 36. [163625].

Original Pappmappe mit montierter Illustration, Folio, mit 7 Tafeln und 1 Textblatt Mappe etwas berieben und vergilbt, Tafel 1 am rand etwas beschädigt, kleine Notiz am Innendeckel, sonst gut.

Original Pappmappe mit montierter Illustration, Folio, mit 7 Tafeln und 2 Textblättern Mappe etwas angestaubt und berieben, Ecken und Kanten bestossen, Tafel eins am Rand mit Knick, sonst gut.

Original Pappmappe mit montierter Illustration, Folio, mit 6 Tafeln und 2 Textblättern Mappe etwas berieben, Kanten bestossen, Tafel eina am Rand etwas gestaucht, die Tafeln an der oberen Ecke minimal bestossen, sonst gut.

Original Pappmappe mit montierter Illustration, Folio, mit 6 Tafeln und 2 Textblättern. Mappe etwas berieben, angestaubt, fleckig, Ecken und Kanten bestossen, kleine Notiz am Innendeckel, sonst gut.

Original Pappmappe mit montierter Illustration, Folio, mit 6 Tafeln und 2 Textblättern Mappe etwas berieben und vergilbt, kleine Notiz am Innendeckel, sonst gut.

Hardbound. Zustand: As New. New. Contents Foreword. Preface. Revival of a Museum in Decay. Selected works of Dr. Vishwa Chander Ohri. 1. The Vredenburg Manuscript and its book covers/Claudine Bautze Picron. 2. Minting of coins in paintings/Rita Devi Sharma. 3. Books and pictures from the Zenana Mahal the collection of manuscripts of Hamida Banu Begam/Asok Kumar Das. 4. Hierarchy and models some notes on Shaikhs in Mughal painting/Ludwig Habighorst. 5. A seventeenth century Deccani Talking Tree and other composite images in the Parallel Universes of a collector and Visvamitra/Kenneth X. Robbins. 6. Portraits from Jaipur collection/Chandramani Singh. 7. Mercury springs in Indian miniatures/Ludwig Habighorst and Vijay Sharma. 8. North West Indian art and literature during later medieval period a socio cultural background/Maithili Prasad Bhardwaj. 9. Some Malwa paintings a study/B.L. Nagarch. 10. A study of rare series of Maratha Rasamanjari or glimpses of Maratha miniatures of Rasamanjari/Satya Vrata Tripathy. 11. The wall paintings of Kerala Mattancherry Padmanabhapuram and Krishnapuram Palaces/Usha Bhatia. 12. Some Mewar paintings of Rasikapriya/Amar Nath Khanna. 13. Drops of honey a story from the Mahabharata/O.P. Sharma. 14. Early portrait drawings from Chamba (c. 1630 1760)/Jagdish Mittal. 15. Variations on a theme Siva performs the Samdhya rite in a pahari painting/Pratapaditya Pal. 16. A controversial set of Pahari School paintings based on Ramacharitamanas from Baroda Museum/Ratan Parimoo. 17. The journey from Kavya to Kalam in Kangra painting/Harsha V. Dehejia. 18. Visions of Sringara the love poetry in Pahari painting/Vijay Sharma. 19. Pahari Rumal the picturesque narratives/Anamika Pathak. 20. Wedding scenes in Chamba Rumal and the unusual subject of Til Chauli/Kamal Prashad Sharma. 21. Wooden Panels of the Radha Krishna Temple Chamba/S.M. Sethi. 22. Restoration of Havelis in Rajasthan taking experience from Chamba and Kulu Projects/A.S. Bisht. 23. From within and without Udaipur painting revisited/Gauri Parimoo Krishnan and Carol Cains. 24. The painter Siba of Nurpur at Raja Sansar Chand's Atelier/Rajesh Sehgal. The Diverse World of Indian Painting is a stimulative and perceptive survey of different aspects of Indian painting. Authorities of Indian painting in India and abroad have contributed essays to this volume in hounour of Dr. V.C. Ohri the first curator of Bhuri Singh Museum Chamba who was also the founding curator of the Himachal State Museum Shimla. The publication covers a range of subjects and their various aspects relating to the tradition of Indian painting both chronologically and school wise. Mughal Rajasthani Pahari Deccani Malwa the famed school of Central India and Buddhist Manuscript Painting have been included. There are also essays on murals of Mattancherry Palace Chamba rumal embroidery the craft of wood carving and preservation. These articles which reflect the diverse world of Indian painting are a befitting tribute to Dr. Ohri whose contribution to the cause of documenting and preserving Indian painting is second to none. Perceptive insightful and selective the book is an indispensable reference tool. The unusual variety of the subject and notable richness of illustrations combine to make this a work of endless fascination. The strikingly illustrated book is a significant contribution to the field of Indian painting and is valuable for students and scholars alike. 176 pp.