Uschi digard starring (8 Ergebnisse)

Vintage studio still photograph from the 1970 film. Two provenance stamps on the verso. Uschi Digard stars as Heaven, who, along with Sin and Karen are determined to become movie stars, even if it means doing whatever is required on producer Salacity's couch. Shot on location in Beverly Hills, San Diego, and Sequoia National Park, California. 8 x 10 inches. Very Good, with marker and wax pencil layout annotations on the recto and light edgewear.…

Two vintage studio still photographs from the 1970 film. Provenance stamp and a label on the verso. Jackie (Uschi Digard) arrives in Los Angeles without a dime, and goes on a sexual odyssey through its steamy underbelly. Shot on location in Los Angeles and Mexico. 8 x 10 inches. Very Good plus, one photograph with pinholes in the margins.…

Three vintage studio still photographs from the 1971 film. Two with provenance stamps on the versos. Early appearance for Swedish sex sensation Uschi Digard. A nerdy virgin gets his dream job catering a film festival full of his "dream girls." Unfortunately he soon finds himself involved in a wacky Mafia jewel-smuggling plot and has to impersonate a Mafia don. 8 x 10 inches. Very Good plus, with light edgewear and faint creasing at the extremities, one with light soiling to the bottom margin.…

Vintage reference photograph from the 1975 film, showing actress Shari Eubank. After his wife is murdered, a gas station attendant at a remote desert station finds himself sexually pursued by several different (but equally buxom) women. Shot on location in New Mexico, Arizona, and California. 10 x 8 inches. Very Good plus, lightly toned on the right edge.…

Original Spanish one sheet poster for the 1986 release of the 1975 US film. Features buxom Christy Hartburg, who starred as SuperLorna. Hartburg, along with Kitten Natividad and Uschi Digard, has become one of the more recognizable faces of Russ Meyer filmdom, even though this was her only film. Meyer's successful return to independent filmmaking, after the big-budget "Beyond the Valley of the Dolls" (1970) and the unfortunate films, "The Seven Minutes" (1971) and "Black Snake" (1973). Arguably the most entertaining Meyer project, with all the trademarks present: strong sexual women, impotent men, and healthy doses of sex, violence, and nudity, with a nod to the desert violence of Italian Euro Westerns of the 1960s. Shot on location in Arizona, California, and New Mexico. 27 x 41 inches, folded as issued. Near Fine. Scarce. …

Vintage studio still photograph from the 1975 film, showing actress Uschi Digard. From the archive of film historian and author Joel Finler. After his wife is murdered, a gas station attendant at a remote desert station finds himself sexually pursued by several different (but equally buxom) women. Shot on location in New Mexico, Arizona, and California. 10 x 8 inches. Near Fine. …

Five vintage studio still photographs from the 1971 sexploitation film. A middling Spaghetti Western actor dreams that he has become Casanova, the world's greatest lover, after he is knocked unconscious during a sex party. 10 x 8 inches. Near Fine.

Original French grande poster for the 1989 release of the 1970 US film. Scarce. A small-town border sheriff and marijuana smuggler sets out to kill a rival drug dealer, while his girlfriend has a dalliance with another woman. The first Meyer film to feature full frontal male nudity, a rarity even in sexploitation films at the time, and quite the introduction to soon-to-be Meyer's regular Charles Napier. Meyer shot several new sequences late in production, about a quarter of the film's runtime, either to replace footage lost by a photo lab, or because an actress left the shoot early (the reason is disputed). The new sequences, unrelated to the original ones, give the film an almost surreal quality, leading Roger Ebert to call it "possibly the only narrative film ever made without a narrative." The film was one of the most successful of Meyer's career, leading him to return to and refine this style in subsequent films, peaking with Beneath the Valley of the Ultra-Vixens in 1979. 47 x 63 inches, folded as issued. Near Fine.…