ursula rydingsvard (7 Ergebnisse)

First Edition. First edition. Softcover. [20 pages.] Exhibition catalog for a show that ran March 3-31, 1990. Features an essay by Saul Ostrow. Includes 9 color plates, list of previous exhibitions and other biographical information. A very good plus copy in wrappers with some slight sunning to the spine, a faint paperclip impression to the top of the front panel, and a gallery sticker to the verso of the front cover. Internally a clean copy.

Zustand: Good. 8vo. [20 pp.] Stiff, printed paper wraps. Very Good. Discoloration along spine. Color plates. Listing of artist's exhibitions.From the Collection of the Art Historian Peter Selz.

SOFTCOVER. Zustand: Fine. 1st Edition. Large Quarto size (4to). in stiff card covers, 27pp, plates etc. Text in English throughout . [CONDITION: A well preserved FINE very clean and tight unmarked copy (slight sunning to covers) ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: Good. 8vo. 14 pp. Soft Covers. Very Good. B/W Plates. Includes 2 original B/W photo prints of artwork by Ursula von Rydingsvard.From the Collection of the Art Historian Peter Selz (1919-2019).

Zustand: Good. 4to. Unpaged. Single fold-out sheet. Very Good, slight sunning, very slight creasing, very minor markings on cover. Color prints throughout. From the Collection of the Art Historian Peter Selz (1919-2019).

Zustand: Good. 4to. 39 pp. Soft covers. Light signs of shelf wear. Slight discolorations on back cover and spine. Black and white plates. Very Good.Invitation from Ellie Blankfort and Patricia Hamilton to Peter Norton. Provenance: From the collection of the Peter Norton Family Foundation, Santa Monica, Ca. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of the MoMA PS1.

3 vol. : [2] pp. ; [2] pp. ; [2] pp.; 1 vol. : 35 x 21.5 cm. 2 vol. : 27.8 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Three documents providing information on the Art on the Beach installations running from June 14 - September 14, 1980, at Battery Park City landfill site, New York City. The first document is the press release for the installations providing schedule and locations of where installations were and participating artists. The second document gives a background on site-oriented work citing Alice Aycock's "Large Scale Dis/Integration of Microelectronic Memories (A New Revised Shanty Town)," Michael Davis' "Polarity/Isolation," and others as an example of that type of work. The third document is the checklist and site map for the Art on the Beach 1980 show. Participating artists included Alice Aycock, Michael Davis, Heide Fasnacht, Maren Hassinger, Andrew Leicester, Nancy Rubins, Ursula von Rydingsvard, and David Wells. Good / Very Good. Each document is folded in four, discoloration on edges, handling marks, edge wear.