alan sonfist (25 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Wrappers. Zustand: Near Fine. Slim volume, 80 pages 73 illustrations 12 in color. Minor rubbing and wear to the edges. Interview by Robert Rosenblum. Illustrated wraps. Square format. Condensed Biography.

First Edition. First edition. Small oblong softcover. 70 pages. Features a preface by Terence R. Pitts and essay by Timothy Druckrey. Includes black and white illustrations of works by and information about: Agnes Denes, Jan Dibbets, Douglas Huebler, Barbara Kasten, Barry La Va, Sol Lewitt, Dennis Oppenheim, John Pfahl, Robert Smithson, Alan Sonfist, and Bill Vazan. Also includes a checklist. A near fine copy in wrappers with some very minor wear.

Broschiert. Zustand: Gut. [119], 74 S. in einer Mappe; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 850.

paperback. Zustand: very good(+). SONFIST, Alan (illustrator). Limited. Illustrated in color and in black and white. 98 pages. Wide 8vo, pictorial wrappers (spine sunned, slightly edgeworn and with a few spots. Firenze: Edizioni della Bezuga, (1990). Internally clean and tight. Text in English and in Italian. Very good(+). 475 of 1300 numbered copies.

Black-and-white illustrations.Brochure published to accompany an exhibition documenting Sonfist?s Atlanta Earth Wall Project, held at The High Museum of Art, Atlanta, March - April, 1979. Sonfist?s project incorporated a glass enclosure of layered earth, and was set to face the MARTA station so it would be visible to ongoing traffic. Three-part folded card brochure, printed both sides.

softcover. Zustand: Sehr gut. (32) p. A self-presentation by Alan Sonfist, published in onnection with an exhibition of his works at the Herbert F. Johnson Museum of ARt, Cornell University, March 19 - May 4, 1975. Sprache: Englisch Gewicht in Gramm: 161.

Zustand: Good. 4to. 151. Soft cover. Very Good. Color plates.From the collection of Peter Selz, Art History Professor at UC Berkeley.

Zustand: Good. 8vo. 274 pp. Stiff, glossy green and color photographic wraps with yellow lettering. Good with creasing along wrap corners, soiling along title page and yellowing along interior spine gutter. Black and white plates. Includes a compilation of essays by Joshua C. Taylor, Donald B. Kuspit, Lawrence Alloway, Mark Rosenthal, Jeffrey Deitch, Carol Hall, Elizabeth C. Baker, Michael Auping, Cindy Schwab, Robert Rosenblum, Grace Glueck et al. Includes works by Helen and Newton Harrison, Christo, Mark Boyle, Alan Sonfist, Alice Aycock, Philip Pearlstein, Hans Haacke, Michael Singer, Robert Smithson, Mary Miss et al. Half-title page signed and dated in red ink by previous owner: "Peter Selz, 1983." First edition. From the Collection of the Art Historian Peter Selz.

Couverture rigide. Zustand: Très bon état. In-4, pleine toile verte, sous jaquette illustrée, photographies en noir et en couleurs, 139 pp. Bon état d'occasion. La présence de l'art dans la Défense est une vitrine de l'art contemporain, elle accueille des expositions, des concerts, des dîners-débat et de nombreux spectacles. in-4°.

13 x 20cm 74pp very good paperback exhibition catalogue. Exhibition curators: Robert Slifkin, Associate Professor of Fine Arts, Institute of Fine Arts, New York University, and Stephanie Snyder, John and Anne Hauberg Curator and Director, Douglas F. Cooley Memorial Art Gallery, Reed College, with Assistant Curator Allison Tepper, Curatorial Project Assistant, Whitney Museum of American Art, New York. Alan Sonfist is among the first generation of 1960s artists who began to explore the natural environment as both the site of, and the material for, creative practice. Sonfist is perhaps best known for his project Time Landscape, a handcrafted New York City park located at the corner of Houston Street and La Guardia Place in Greenwich Village. In Time Landscape, Sonfist researched, cultivated, and planted a park of indigenous foliage that grew on Manhattan island prior to European settlement. The park was developed in 1965, planted in 1978, and continues in perpetuity. Time Landscape s evolving, open-ended interaction with New York s bustling urbanism epitomizes the artist s attention to the evolving and contingent dynamics motivating our understanding of the natural world. Unlike many of the most well known artists associated with the Land Art movement Robert Smithson, Michael Heizer, and Walter De Maria Sonfist s work is distinguished by its sustained and multifaceted investigation of humanity s interaction with nature.

loose_leaf. Zustand: Ottimo (Fine). Pieghevole della 822ma Mostra della Galleria del Cavallino, Venezia, dal 27 marzo al 20 aprile 1976. Testo dell'Artista (percorso autobiografico per date). Con due illustrazioni in bianco e nero e attività espositiva . Cm 20 x 19. pp. 6. . Ottimo (Fine). . . . In una conferenza del 1969 al Metropolitan Museum of Art di New York, Sonfist ha rilasciato la seguente dichiarazione: "I monumenti pubblici hanno tradizionalmente celebrato eventi della storia umana, atti di eroismo importanti per la comunità umana. Sempre più spesso, man mano che comprendiamo la nostra dipendenza dalla natura, il concetto di comunità si espande fino a includere elementi non umani. I monumenti civici, quindi, dovrebbero onorare e celebrare la vita e gli atti dell'intera comunità, l'ecosistema umano, compresi i fenomeni naturali. Soprattutto all'interno della città, i monumenti pubblici dovrebbero recuperare e rivitalizzare la storia dell'ambiente naturale in quel luogo. Come nei monumenti di guerra, che registrano la vita e la morte dei soldati, anche la vita e la morte di fenomeni naturali come fiumi, sorgenti e affioramenti naturali deve essere ricordata". Book.

Zustand des Schutzumschlags: dj. First Edition. First edition. Hardcover. First printing. 279 pages. Features an introductory interview of Sonfist by Robert Rosenblum. Essays by Wolfgang Becker, Jonathan Carpenter, Lawrence Alloway, Michael Danoff, John Grande, and Uwe Ruth. Includes numerous color and black and white illustrations. A clean very near fine copy in a very near fine dust jacket. Signed and inscribed by Sonfist on the front free endpaper to a long time New York Times art critic and editor. Scarce signed. Signed.

274 S. Kartoniert. Sauberes Exemplar ohne Stempel und Anstreichungen. Name auf Vorsatz. Buchrücken mit minimaler Knickspur. Sonst sehr gut erhalten. Sprache: eng.

Black-and-white illustrations.Published to accompany an exhibition of the Time Landscape proposal, held at the Centre Culturel Américain, Paris, October - November 1976. Three-part folded brochure, printed both sides.

Zustand: Good. 4to. Unpaged. Single fold-out sheet. Very Good, slight sunning, very slight creasing, very minor markings on cover. Color prints throughout. From the Collection of the Art Historian Peter Selz (1919-2019).

loose_leaf. Zustand: Molto buono (Very Good). Catalogo della 942a mostra della Galleria del Cavallino, Venezia 27 settembre - 2 novembre 1984. Un testo di Jonathan Carpenter. Una illustrazione in bianco e nero. Breve biografia . Cm 20x19. pp. 4. . Molto buono (Very Good). . . Cardazzo [Barbero, 2008] BARBERO Luca Massimo, Carlo Cardazzo. Una nuova visione dell'arte. Electa 2008. Alan Sonfist è un artista americano, noto soprattutto come "pioniere" e "precursore" del movimento della Land Art. Si è fatto notare per la prima volta per il suo "Time Landscape" all'angolo tra West Houston Street e LaGuardia Place, nel Greenwich Village di New York. Proposta nel 1965, la scultura ambientale "Time Landscape" ha richiesto oltre dieci anni di attenta pianificazione da parte della città di New York. È stata spesso citata come la prima foresta urbana di questo tipo. Nella straordinaria gamma delle sue opere, Alan Sonfist ricrea l'inventiva e l'intricatezza del suo soggetto, il mondo naturale stesso. A partire dall'adolescenza negli anni Sessanta, Sonfist ha esplorato le questioni del deterioramento ecologico, della conservazione e di quello che in seguito sarebbe stato inteso come "cambiamento climatico" attraverso progetti che attingono ai materiali e ai metodi del naturalista, dello storico e dell'urbanista. Il crescente rifiuto del consumismo e la crescente consapevolezza ecologica a partire dai primi anni Sessanta forniscono il contesto storico per molti dei temi del lavoro di Sonfist e lo collegano a movimenti artistici come l'arte concettuale, la Land o Environmental art e le opere site-specific. Ma il particolare interesse di Sonfist per gli ecosistemi urbani è una delle caratteristiche che lo distingue da altri artisti che utilizzano elementi e processi naturali come mezzo artistico. Book.

4to. pp. 279. profusely illus. in colour & b/w. (few full-page). bds. dw.

Original wrappers, stapled. pp. (8). Black-and-white illustrations.Catalogue for Sonfist?s one-man exhibition at Boston?s Museum of Fine Arts, October - November, 1977. The exhibition included the artist?s 20-foot high public artwork, Tower of Leaves. The installation used leaves from his Pool of Earth land art installation, a rock-ringed circle of virgin soil which had been placed on a chemical waste dumping ground leading to a rebirth of the lost forest. Catalogue includes Lawrence Alloway?s essay, ?Time and Nature in Sonfist?s Work?.

Hardcover. Zustand: Very Good. Trade PB. 4to. Published by Herbert F. Johnson Museum of Art, Ithaca, NY. 1975. 32 pgs. Illustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. In the extraordinary range of his work, Alan Sonfist recreates the inventiveness and intricacy of his subject, the natural world itself. Beginning as a teenager in the 1960s, Sonfist has explored issues of ecological deterioration, preservation, and what would later be understood as "climate change" through projects that draw on the materials and methods of the naturalist, historian, and urban planner. EB; 8vo 8" - 9" tall.

paperback. Zustand: Very Good. Pubblicato in occasione della mostra presso l'Herbert F. Johnson Museum of Art, Cornell University, Ithaca, dal 19 marzo al 4 maggio 1975.  Presentazione di Lawrence Alloway. Testi dell'Artista. Interamente illustrato con fotografie in bianco e nero . Cm 21,5x28. pp. 32 n.n. . Molto buono (Very Good). . . . Alan Sonfist è un artista americano, noto soprattutto come "pioniere" e "precursore" del movimento della Land Art.Si è fatto notare per la prima volta per il suo "Time Landscape" all'angolo tra West Houston Street e LaGuardia Place, nel Greenwich Village di New York. Proposta nel 1965, la scultura ambientale "Time Landscape" ha richiesto oltre dieci anni di attenta pianificazione da parte della città di New York. È stata spesso citata come la prima foresta urbana di questo tipo. Nella straordinaria gamma delle sue opere, Alan Sonfist ricrea l'inventiva e l'intricatezza del suo soggetto, il mondo naturale stesso. A partire dall'adolescenza negli anni Sessanta, Sonfist ha esplorato le questioni del deterioramento ecologico, della conservazione e di quello che in seguito sarebbe stato inteso come "cambiamento climatico" attraverso progetti che attingono ai materiali e ai metodi del naturalista, dello storico e dell'urbanista. Il crescente rifiuto del consumismo e la crescente consapevolezza ecologica a partire dai primi anni Sessanta forniscono il contesto storico per molti dei temi del lavoro di Sonfist e lo collegano a movimenti artistici come l'arte concettuale, la Land o Environmental art e le opere site-specific. Ma il particolare interesse di Sonfist per gli ecosistemi urbani è una delle caratteristiche che lo distingue da altri artisti che utilizzano elementi e processi naturali come mezzo artistico. Book.

insgesamt 107 Bl. Hg.v. der Stadt Aachen, Neue Galerie - Sammlung Ludwig anlässlich der Ausstellung v. 26.3. - 24.4.1977. Mit einem Text v. Wolfgang Becker u. einer Einführung v. Lawrence Alloway. Mit zahlreichen s/w-Bildtafeln. Text auf Deutsch u. Englisch. *-*-*-*-*-*- SHIPPING COSTS to other EU-COUNTRIES occasionally may be different than indicated (according to the weight). To OTHER COUNTRIES IN THE WORLD they may be different (sometimes less or rarely more, according to the weight). - ! ! ! ! NO SHIPPING TO USA ! ! ! ! -*-*-*-*-*-* Sprache: Deutsch Gefalzt mit losen Bl. in OMappe (Karton). Mappe angegraut u. am Fuß d. Rückens umlaufend mit Spuren / Abrisstelle v. entferntem Bibliotheksaufkleber, innen Bibliotheksstempel; innen ein Falz im Karton d. Mappe etwas eingerissen; ansonsten gutes Exemplar.

Mappe. Zustand: Sehr gut. [119], 74 S. : zahlr. Ill. ; 30 cm Zustand: gut - sehr gut; Inhalt: Wolfgang Becker Alan Sonfist Probleme der kiinstlerischen Kommunikation heute ; AUTOBIOGRAPHY ; AUTOBIOGRAPHY OF SIMULTANEOUS TIME ; AUTOBIOGRAPHY OF CHILDHOOD ARTWORKS ; AUTOBIOGRAPHY OF DIALOGUES WITH NATURE ; AUTOBIOGRAPHY OF DIALOGUES WITH ANIMALS ; AUTOBIOGRAPHY OF DIALOGUES WITH TREES ; AUTOBIOGRAPHY OF ELEMENT SELECTIONS ; AUTOBIOGRAPHY OF THE HEMLOCK FOREST ; AUTOBIOGRAPHY OF WORLDS ; AUTOBIOGRAPHY OF THE TIME LANDSCAPE h3554 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Deutsch Gewicht in Gramm: 870.

Handwritten letter by Alan Sonfist, sent to Stephen Prokopoff, then Director of the Museum of Contemporary Art in Chicago, in which Sonfist proposes his participation in a forthcoming show at the museum: ?Dear Steve, Happy New Year! I just spoke to a friend who said your assistant curator was looking for me to discuss my work to be in an exhibition about personal art ?Autobiography? at your museum. It sounds like a good show for me to be in since all my art deals with personal experiences of my past. I will be having a one-man exhibition at the Johnson Museum in Ithaca N.Y. which will deal with my early childhood experiences in which I did photographs-drawings of natural areas in the Bronx Park in relationship to contemporary feelings I have about nature. If you are interested in having the entire exhibition at your museum it can be arranged. Best wishes, Alan? Along with the letter Sonfist has sent a 5-page typed ?Autiobiography? and three original black-and-white photographs of his work (Aging scale change, Abandoned animal hole & Running dead animal), each with printed descriptions taped to versos. A copy of the catalogue for Sonfist?s exhibition at the Johnson Museum of Art (Cornell University - March-May, 1975), which he mentioned in his letter, is also included. All three of the photographs are reproduced in the catalogue. In original mailed manila envelope, hand-addressed by Sonfist, and with his return address.