Ulysse dutoit (37 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. pp. 104.

Paperback. Zustand: Brand New. reprint edition. 95 pages. 7.75x5.50x0.25 inches. In Stock.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

21,5 x 13,5 cm. Zustand: Gut. 1. Auflage. 185 Seiten Innen sehr sauberer, guter Zustand. Mit vielen fotografischen Abbildungen, zu Beginn in Farbe. Softcover, Broschur mit den üblichen Bibliotheks-Markierungen, Stempeln und Einträgen, innen wie außen, siehe Bilder. Einband gut. MIG-14-01B|A69 Sprache: Englisch Gewicht in Gramm: 277.…

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Sehr gut. 1999 ed. 86 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Englisch Gewicht in Gramm: 181 Taschenbuch, Maße: 13.64 cm x 0.7 cm x 19.08 cm. …

Zustand: fine. 1998, 118pp, paperback in goede staat. Restant van een prijssticker op de achterzijde.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Caravaggio (1986), Derek Jarman's portrait of the Italian Baroque artist, shows the painter at work with models drawn from Rome's homeless and prostitutes, and his relationship with two very different lovers: Ranuccio, played by Sean Bean, and Lena, played by Tilda Swinton. It is probably the closest Derek Jarman came to a mainstream film. And yet the film is a uniquely complex and lucid treatment of Jarman's major concerns: violence, history, homosexuality, and the relation between film and painting. In particular, according to Leo Bersani and Ulysse Dutoit, Caravaggio is unlike Jarman's other work in avoiding a sentimentalising of gay relationships and in making no neat distinction between the exercise and the suffering of violence.Film-making involves a coercive power which, for Bersani and Dutoit, Jarman may, without admitting it to himself, have found deeply seductive. But in Caravaggio this power is renounced, and the result is Jarman's most profound, unsettling and astonishing reflection on sexuality and identity.…

Zustand: As New. Unread book in perfect condition.

Zustand: New. A study of Derek Jarman s biopic Caravaggio in the BFI Film Classics seriesCaravaggio (1986), Derek Jarman s portrait of the Italian Baroque artist, shows the painter at work with models drawn from Rome s homeless and prostitutes, and his relationship w.

Zustand: New. pp. 256 5 Illus. (Col.).

Zustand: New. In each of the films discussed in this study - "Le Mepris", "All About My Mother", "The Thin Red Line" - something extraordinary is proposed. Or if not proposed, then shown, visually, by stranger and more powerful means than narrative or argument. Num Pages: 184 pages, biography. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 216 x 141 x 17. Weight in Grams: 356. . 2004. Paperback. . . . . Books ship from the US and Ireland.…

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: very good. Cloth/dust jacket Octavo. navy cloth, gilt lettering, dust jacket, 185 pp, inscribed by author, dj slightly soiled Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Paperback. Zustand: Brand New. 2004 ed. edition. 185 pages. 8.25x5.50x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - ¿How almost true they sometimes almost ring!¿ Samuel Beckett¿s character rues his words. ¿How wanting in inanity!¿ A person could almost understand them! Why taunt and flout us, as Beckett¿s writing does Why discourage us from seeing, as Mark Rothkös paintings often can Why immobilize and daze us, as Alain Resnais¿s films sometimes will Why, Leo Bersani and Ulysse Dutoit ask, would three acknowledged masters of their media make work deliberately opaque and inhospitable to an audience This book shows us how such crippling moves may signal a profoundly original¿and profoundly anti-modernist¿renunciation of art¿s authority.Our culture, while paying little attention to art, puts great faith in its edifying and enlightening value. Yet Beckett¿s threadbare plays Company and Worstward Ho, so insistent on their poverty of meaning; Rothkös nearly monochromatic paintings in the Houston Chapel; Resnais¿s intensely self-contained, self-referential films Night and Fog and Muriel all seem to say, ¿I have little to show you, little to tell you, nothing to teach you.¿ Bersani and Dutoit consider these works as acts of resistance; by inhibiting our movement toward them, they purposely frustrate our faith in art as a way of appropriating and ultimately mastering reality.As this book demonstrates, these artists train us in new modes of mobility, which differ from the moves of an appropriating consciousness. As a form of cultural resistance, a rejection of a view of reality¿both objects and human subjects¿as simply there for the taking, this training may even give birth to a new kind of political power, one paradoxically consistent with the renunciation of authority. In its movement among these three artists, Arts of Impoverishment traces a new form of movement within art.…

Kartoniert / Broschiert. Zustand: New. In each of the films discussed in this study - Le Mepris , All About My Mother , The Thin Red Line - something extraordinary is proposed. Or if not proposed, then shown, visually, by stranger and more powerful means than narrative or argument.In eac.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: good. Cloth/dust jacket Small Quarto. black cloth, gilt lettering, dust jacket, 118 pp dj lightly worn on the edges book agency stamp on the front endpaper Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.…

Paperback. Zustand: new. Paperback. "How almost true they sometimes almost ring!" Samuel Beckett's character rues his words. "How wanting in inanity!" A person could almost understand them! Why taunt and flout us, as Beckett's writing does? Why discourage us from seeing, as Mark Rothko's paintings often can? Why immobilize and daze us, as Alain Resnais's films sometimes will? Why, Leo Bersani and Ulysse Dutoit ask, would three acknowledged masters of their media make work deliberately opaque and inhospitable to an audience? This book shows us how such crippling moves may signal a profoundly original-and profoundly anti-modernist-renunciation of art's authority.Our culture, while paying little attention to art, puts great faith in its edifying and enlightening value. Yet Beckett's threadbare plays Company and Worstward Ho, so insistent on their poverty of meaning; Rothko's nearly monochromatic paintings in the Houston Chapel; Resnais's intensely self-contained, self-referential films Night and Fog and Muriel all seem to say, "I have little to show you, little to tell you, nothing to teach you." Bersani and Dutoit consider these works as acts of resistance; by inhibiting our movement toward them, they purposely frustrate our faith in art as a way of appropriating and ultimately mastering reality.As this book demonstrates, these artists train us in new modes of mobility, which differ from the moves of an appropriating consciousness. As a form of cultural resistance, a rejection of a view of reality-both objects and human subjects-as simply there for the taking, this training may even give birth to a new kind of political power, one paradoxically consistent with the renunciation of authority. In its movement among these three artists, Arts of Impoverishment traces a new form of movement within art. Taking three artists - Beckett, Rothko and Resnais, the book demonstrates that these artists train us in new modes of mobility, which differ from the moves of an appropriating consciousness. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Zustand: Sehr gut. 130 Seiten; 9780262523134.2 Gewicht in Gramm: 500.

the MIT Press, Cambridge 1998. Large 8vo. 118 pages. Orig. cloth binding with dust wrapper. Near Fine-/Very Good.