tyler ken (18 Ergebnisse)

Zustand: Good. 6th Revised edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. No Jacket. Lepage, Ken (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Zustand: New. Lepage, Ken (illustrator). In.

Zustand: New. In.

Hardcover. Zustand: Fine. 1st Edition. 151 Pp. White Cloth. First (And Only) Printing. Fine.

Zustand: New. Lepage, Ken (illustrator).

Hardcover. Zustand: Brand New. 528 pages. 9.50x6.50x1.00 inches. In Stock.

Hardback. Zustand: Very Good. No Jacket. First edition. 1st 2010. Slightly better than very good condition with no wrapper. White cloth boards, blue title to spine. Colour illustrations and photos throughout. 528 pages including index. Top rear corner of book and dustwrapper heavily bumped else contents fine. Packaged with care and promptly dispatched!

Taschenbuch. Zustand: Neu. Lepage, Ken (illustrator). Neuware.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. First Edition / First Print (number line on copyright page 10 9 8 7 6 5 4 3 2 1). Large paperback copy, no dustjacket as issued. 528pp. Colour photographs, illustrations and maps throughout. Not library copy, no creasing to spine, no inscriptions. (60/1).

paperback. Zustand: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Hardcover. Zustand: New. 1st Edition. SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). 2006-2013. First edition, first printing. Witness #1 is signed by Stephen Shore; Witness #7 is signed by Todd Hido. Eight volumes, sharing the following format: Hardcover. Black paper-covered boards with tipped-in plate on cover; no dust jacket as issued. Approximately 88 pp., with numerous four-color and black-and-white plates. 12 x 9-1/2 inches. All volumes New in publisher's shrinkwrap (volumes #1 and #7 slit open for signature). Witness #1: Signed by Stephen Shore. Photographs, text, editing and design by Stephen Shore. Additional photographs by Shannon Ebner, Jamie O'Shea and Laura Gail Tyler, selected by Shore from among his recent students at Bard College. Essay "11 Interesting Photography Books About Which Very Little is Known," by Martin Parr. Conversation with Shore by Jeff Rosenheim. Witness #2: Photographs, text and editing by Daido Moriyama. Additional photographs by Emi Anrakuji and Ken Kitano. Witness #3: Photographs, text and editing by Martin Parr. Additional photographs and text by Rob Hornstra, Mark Neville and Bart Sorgedrager. Additional photographs by Keizo Kitajama, Kohei Yoshiyuki and Osamu Kanemura. Essay by Susie Parr. Interview with Martin Parr by Gerry Badger. Witness #4: Photographs, text and editing by Eduardo del Valle and Mirta Gómez. Additional photographs and text by Tony Mendoza and Abelardo Morell. Additional text by Guillermo Cabrera Infante. Witness #5: Photographs, text and editing by Joseph Mills. Additional photographs by Mary DelPopolo and Norman Carr. Text by Paul Roth. Witness #6: Photographs by Lee Friedlander. Afterword by Maria Friedlander. Witness #7: Signed by Todd Hido. Photographs and text by Todd Hido. Additional photographs by Leon Borensztein. Witness #8: Photographs and text by Ed Kashi. Additional text by Julie Winokur. Signed by Author.

This volume catalogues an important part of the Lilja Art Fund FoundationsÆs collection of Pop Art prints. Often presented as series, these images illustrate both the new ambition and technical complexity of contemporary printmaking, and the ways in which each artist has used the medium to embody his own developing idiom. These prints have achieved recognition not only in terms of the high prices they often command in the international market place, but also by expanding ownership., English, Year1995, Illust. B/W26, Illust. Color109, ISBN 8290955138, Code 3673. Hardbound w/ Jacket, In Pristine Condition, Pages 222, Size 11 1/2öx 10ö.

Draft script for the 1997 film. Based on Sue Miller's 1987 short story, about a pair of brothers who vie for the affections of the beautiful, wealthy Abbott sisters. Set in small-town Illinois, shot on location in northern California, in Healdsburg, Petaluma, Santa Rosa, and Stockton. Lavender wrappers with annotation in manuscript ink on the front wrapper. Title page present, dated January 7, 1996, with credits for Miller and screenwriter Ken Hixon. 115 leaves, with last page of text numbered 114. Xerographic duplication, rectos only. Pages about Fine, wrappers Near Fine, bound with two silver brads.

Canberra (AU), Australian National Gallery, 1986, format in-4°, 160 pp (with colour ills.), Publisher's harback with original fine dust jacket.