Tv series (23 Ergebnisse)

Zustand: Very Good. Zustand des Schutzumschlags: 10307411. 1786016552. 8/6/2026 11:42:32 AM.

Hardcover. Zustand: Fine. No Jacket. Near fine condition. Top corner of back cover is lightly rubbed. Top corner of pages 90 to 108 is very lightly bumped. 156 un-numbered pages with illustrations.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Murase, Shuko (illustrator).

Paperback. Zustand: Brand New. 116 pages. 9.00x6.00x0.27 inches. In Stock.

Hardcover. Zustand: Fair. 'Authorised edition'. Spin-off from popular TV detective series in 1960s with Raymond Francis as DCS Lockhart of Met Police. Spine damaged. 93 pp replete with coloured drawings of scenes. Dimensions 26.5 x 19 x 1.5 cm. Quoted shipping based on UK 2nd class. Overseas postage at least £7.05.…

trade paperback. Zustand: good; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDED4to; pages are not numbered; good trade paperback; heavy chip front face cover; tips bumped; slight crease; story line coloring book for kids; clean pages; prompt shipping with tracking.

Hardcover. Zustand: Good. No Jacket. 1st Edition. Good condition hardback pictorial laminated cover no DJ. 80 pages good and clean with clear print. No foxing, no previous names. Colour and mono pictures give you a clear indication of how to draw e.g. clean handprints; fingerprint characters; 3D letters; silk screen and much much more.…

Hardcover. Zustand: Near Fine. First edition. Glossy pictorial hardcover. 195 x 255 x 14mm. 127pp. Illustrated in b/w throughout. No major signs of wear either inside or out. NB: An extra shipping charge may be requested for heavier or more valuable items. All our 'Seller Images' show the actual item you will receive.…

mass market paperback. Zustand: acceptable; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDED12mo; 196 pages; acceptable mass market paperback; tips bumped and chipped; tanned pages; top tip edge stain; nicks and chips to edges cover; clean pages; prompt shipping with tracking.

Very Good (very minor wear covers; contents clean & tight). 16mo., pictorial wraps; 274 pages First Edition, first printing. Inscribed "Flame On, Nancy Holder/ Jeff Mariotte" on the title page. Uncommon to find a signed copy.. Based On The TV Series. (illustrator). Signed.

Zustand: Very Good-. Pop-ups (5 some incorporating movements) illustrated by Steve Smallman. Squaare octavo blue pictorial boards (10pp) one pop-up slightly creased else V.G.+ all movements and pop-ups work well, no tears, no writing in book. 1 volume. Hardcover.

dj. Very Good (some wear covers, contents clean & tight with minor browning endpapers; tiny, short tear & little soil d/j. 8vo., blue cloth & boards in dust jacket; 105 pages First Edition, second printing. Signed presentation from Marsh on the half-title page: "Phil, It is good working with you Peace, Spencer Marsh." The Gospel according to Archie Bunker.. Foreword by Carroll O'Connor. Illustrated with 26 stills from the TV series. (illustrator). Signed.…

On one side of 15 x 10 cm grey-blue card, with facsimile of her signature at the head. Addressed to 'Dear Kenneth', and with bold stylish signature at bottom right. The subject of the letter is the Piccadilly Theatre production of 'Gypsy', which had opened a few days before on 29 May 1973. She thanks him for his 'kind letter', adding 'Thank god you were right about the show and it has turned into more of a success than I could have ever hoped for.' She is sorry he couldn't attend the first night, as 'it was a good show and I know you would have enjoyed it'. She ends with renewed thanks for his 'most kind letter'. See Image.…

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 16mo. Signed 'Bill Owen'. In fair condition, lightly aged and creased. Hailing him as 'the greatest living authority on British Theatre', he asks for advice. 'My job is acting, and it has always been an ambition of mine to portray the life of Dan Leno, either on film or TV. The "powers that be" have shown a certain interest in the idea, and in order to get things moving I want to present them with a full working script or even a synopsis as soon as possible.' He asks him 'what reading matter I might find useful for historical detail of this wonderful artiste'.…

CD. Zustand: Sehr gut. kleine Gebrauchsspuren H545F11 Sprache: Deutsch Gewicht in Gramm: 505.

Vinyl-LP. Zustand: Sehr gut. 10 tracks. Hülle leicht berieben, Vinyl mit oberflächlichen Gebrauchsspuren. Sprache: Deutsch Gewicht in Gramm: 1550.

See the entries for Warner and Macqueen-Pope in the Oxford DNB. Such was the popularity of Warner's portrayal of George Dixon, that the Queen told him it had become part of 'the British way of life', and he was carried to his grave by six real officers from Paddington Green Police Station. LETTER: 1p, 4to. Folded twice. In good condition, lightly aged. Signature 'Jack.' and salutation to 'My dear Popie' in Warner's hand; the rest typed. Letterhead with his name. He is sending 'the long promised photos', delayed because he 'had to get some new prints of the "pipe" one. It is the character I play in the film, "Carve her name with Pride", with Virginia McKenna and Paul Schofield. / I look a bit scruffy but I think people get a bit fed up with "tidy" pictures, and anyway it is the character, and after all that is what matters.' He 'just got through the show' on the previous Saturday, before going 'home to bed with "flu". It was a very near thing and I have never felt more like chucking my hand in, but only because I could hardly think or see anybody. What we do for ART, eh? I'd like to meet this fellow Art one of these days.' In a postscript he states that his 'Indian doctor performed a miracle'. PHOTOGRAPH: 16 x 20.5 cm black and white print, with unobtrusive vertical crease. Inscribed 'To / A lifelong "FAN."' and 'With best wishes / Sincerely / Jack Warner / Sergt Dixon'. A smiling Warner, in the part of Police Sergeant George Dixon, stands in uniform with one hand on his desk. See image. …

The present item is the producer Hugh Burnett's own copy of the transcript of John Freeman's interview of Cecil Beaton, broadcast in the BBC series 'Face to Face' on 18 February 1962. Duplicated typescript. 4pp, foolscap 8vo. Numbered, and headed 'CECIL BEATON', otherwise consisting entirely of the transcript, with no other details. Aged and worn, with punch holes for binder. On four leaves which were originally stapled together, but with the first and last leaves now detached. Page references 1-10 (presumably to a shorthand transcript) in the outer margin. The present transcript was prepared for Burnett's book 'Face to Face | Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964), but it includes several passages omitted from the version printed on pp.38-40 of that work. For example, the very first paragraph here is not present in the published version: 'I was very slow in finding a vocation, and I think I took the shortest cut in every direction. I wouldn't say that yet I know which is my real vocation . . . . . . There's an enormous amount of hazard in what I do. A whole lot of theatre jobs might come in succession, or perhaps writing jobs, I can never say, "Well, I'm going to spend March and April, doing one sort of job, and then switch."' Other omitted topics are: lack of 'complete satisfaction' in his work; his 'well-off' chilhood and his difficult relationship with his father ('He was a great cricketer, [] but intuitively I went against many of the things that he stood for, and liked.'); how he was 'most objectionable' once he had 'discovered what I was about'; his father's business difficulties; his 'bizarre style of dress' and his diaries: 'I really looked upon my diaries from a technical point of view. I came across this board and I started reading them, and I was appalled by the person that was revealed there. But suddenly there would be a little patch that I thought had great vitality, that still seemed to be valid. So I collected them together, and even if I came out of them in a pretty unbecoming light, and I thought they were interesting, then I let them go in.'.…

Albumblatt (1 S. kl. 8 to), mit Datum 1/11/71, doppelter Unterschrift eigenhändig signiert (1971) - RARE ! (autograph album page signed in person by chinese singer, PROVENIENZ : aus Reisealbum / from autograph album of world traveller ROLF ITALIAANDER (1913-91, Professor Dr., deutscher Schriftsteller und Völkerkundler / german writer and folklorist ).…

JJohn Freeman's interview with Jomo Kenyatta was broadcast on 26 November 1961 in the BBC TV series 'Face to Face'. The present duplicated typescript of the interview is from the papers of the programme's producer Hugh Burnett, and is edited for publication in the book 'Face to Face | Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964). 1p., foolscap 8vo. Headed 'JOMO KENYATTA', otherwise consisting entirely of the transcript, with no other details. Marked up with instructions to the typesetter in pencil and red and green ink, and corresponding to the text as printed on p.15 of Burnett's book. In fair condition, aged and worn. Kenyatta responds in a forthright fashion to Freeman's probing, as for example: 'We don't want to rob anybody of his property. [] what we want to get is power, that is, the government. [] We want help from those who can give us help. [] Those who want to be masters must find somewhere else, because what we want is friends to help us. Those who can help us, but masters no. We have no place for them.'.…

This is the transcript of John Freeman's celebrated interview of Evelyn Waugh, broadcast in the BBC series 'Face to Face' on 26 June 1960. The Waugh interview is not among those which feature in Burnett's book 'Face to Face' (Jonathan Cape, 1964) and has never been published. Waugh was apprehensive about the interview, writing beforehand to his friend Tom Driberg, who knew Freeman from his time as a fellow Labour MP: 'I have let myself in for cross-examination on Television by a man named Major Freeman who I am told was a colleague of yours in the Working Class Movement. Do you know anything damaging about him that I can introduce into our conversation if he becomes insolent?' Freeman was aware, from the start, of the 'rehearsed antagonistic attitude' that Waugh was 'going to take to the interviewer', and during the course of the interview he found him 'very difficult [.] very uptight; I think he disliked me and whether he did or not he was extremely nervous.' (In contrast Burnett, in his introduction to the 1964 book, numbers Waugh among the interviewees who 'far from shrinking from the probe [] seemed to enjoy the experience'.) Looking back Freeman considered the interview 'an important one, really because this man in my judgement is one of the unquestionably great writers of this century, and I attached enormous importance to trying to make some sort of relation if I could between his work and Waugh as a human being. [] of all the people on the list of Face to Faces he is the one whom I think I hold in most honour.' The present transcript is a duplicated typescript, 13pp., foolscap 8vo. Paginated 1-13. First page headed: 'EVELYN WAUGH | FACE TO FACE | with | John Freeman | Produced by Hugh Burnett | tv 26.6.60'. 'HMB' (initials of transcriber?) at foot of last page. On thirteen leaves stapled together. In fair condition, lightly aged, with last leaf detached. The transcript contains eight substantial passages which are not present in the only version of the broadcast interview at present available. (That version is a little over 26 minutes long, and it seems unlikely that the original, broadcast between 9.40 and 10.10, can have been cut down.) The first passage is Waugh's ten-line response to Freeman's question 'What's your earliest memory of a [sic] family home? | WAUGH: Well, my father built a little house on a plot of land in what is now entirely obliterated, but it's hard to believe that fifty-six years ago there was a village called North End, Hampstead, a little hamlet absolutely rural village within five miles of London. That's where he settled. It was quite distinct from Hamptsead and had a village pub, famous in song called the Bull and Bush, a little village shop and post-office combined, it had a dairy farm and the dairyman who sold his old milk, a lady of the manor entirely like an English rural village now. | Does that house still stand? | I don't know. I should think not. The whole place has been obliterated and Golders Green has grown up, you know, from the bottom of the hill.' In the second passage Waugh discusses the merits of a large family. In the third he recalls that at school 'we were rather strictly brought up and severely punished. . . . . all this talk now about whether beating's a deterrent the one thing which one could do at school which one wasn't beaten for was Corps offences. They generally imposed military punishments which were very negligible, like defaulters' parade, so that all our high spirits used to be concentrated on making the Corps ridiculous.' In the fourth Waugh recalls his youthful loss of faith: 'I remember I was sacristan and I and a fellow sacristan who is now a member of your party [Tom Driberg?] . . . . . . . were folding up some sort of surplice or vestment or something and I revealed to him, in secret, while we were doing this the fact that there was no God, and he was much shocked and he said "if you think that you've got no business to touch this chasuble" - or wh.…

E.Albumblatt (1 S. kl. 8 to), zweisprachig in Kuli eigenhändig signiert mit E.ZUSATZ. datiert 23/10/72 In the midst of this complex + cruel world, a smile here + there makes a lot of difference to the exhausting + powerless people. So let us smile more often ! . (autograph album page signed in person by chinese singer. PROVENIENZ : aus Reisealbum / from autograph album of world traveller ROLF ITALIAANDER (1913-91, Professor Dr., deutscher Schriftsteller und Völkerkundler / german writer and folklorist ).…