Tscherny george (15 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Softcover. 24, [136] p.: 300+ illus. in text, poster (65 self-portraits), folded into 9 sections, laid in at end; 24 cm. Good, lt. edgeworn, in orig. figured tan on brown wrapper. George Tscherny, designer (illustrator).

Paperback. Zustand: Brand New. 32 pages. 10.60x8.80x0.20 inches. In Stock.

Kartoniert / Broschiert. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This book is about designs born of necessity; often spontaneously, always pragmatically. It is also about the particular sensibility of graphic designer George Tscherny and his ability to find beauty or art in the most ordinary things, and to communicate this appreciation to others. Experience his infectious enthusiasm for what could be called 'anonymous', 'ad hoc', or 'vernacular' design; for objects that have an aesthetic appeal in spite of themselves; for creations that are both ingenious and ingenuous. Tscherny heavily illustrates the book with items from his personal collection, analyzing everything from the folding lunch box, to the vintage re-closeable bottle, to the artlessly fashioned paper clip, safety pin and wire hanger. These are just a sampling of the many objects he has collected. This book gives the reader a glimpse into his world. George Tscherny began his professional career as a graphic designer in New York in 1950. He served two terms as president of the American Institute of Graphic Arts (AIGA). In 1997, he was inducted into the New York Art Directors Hall of Fame. A comprehensive selection of his work is included in the Graphic Design Archives at RIT.…

Hardcover. Zustand: Good. 1st Edition. Cloth bound hardcover with dust jacket, 140 p. : ill. (part col.) ; 27 cm. Good/very good, clean, unmarked, age-toning pages, slightly foxed top page-edges. Text in French, English, German.

Zustand: Near Fine. First edition in publisher's original colour illustrated stiff deep French flap card wrap covers [soft back]. 8vo. 8½'' x 8½''. Humorous collection of paintings, drawings, cartoons, Masks, toys, advertisements, and other works of ephemera that - by flipping, spinning, twisting, pulling, or just plain staring - transform the human visage. Contains 132 printed pages with monochrome and colour illustrations and archive photographs throughout. In very near Fine condition, no dust wrapper as issued. Member of the P.B.F.A. ISBN 1568984804 ILLUSTRATED (Picture Book). …

Paperback. Zustand: Very Good. First Paperback Edition. 8vo. pp 80. Original publisher's blue card covers, spiral bound and lettered black on the front cover. Illustrated with 27 prints based on the theme 'Museum Menagerie'. Artists include: Robert Birmelin, Bernard Buffet, Yasuo Kuniyoshi, Aristide Maillol, Leonard Baskin, Franz Marc, Gerhard Marcks, Edwald Matare, Elie Nadelman, Jose Guadalupe Posada, Walter R. Rogalski. Signed presentation from the American playwright, screenwriter, and director, Clifford Odets (1906Ð1963) to Betsy Drake (1923 Ð 2015) American actress and writer (also known for being the third wife of actor Cary Grant), "Dear Betsy, for a bright New Year, and affectionately, Clifford Odets". Very slight rubbing, otherwise very good+. Signedes.…

Zustand: Good. Square 4to. [16 pp.] Soft Covers. Black & White photos. Very Good, with some edge wear. Scarce.

Zustand: Good. Oblong folio.35.5 x 17.7 cm. 12pp. plus original wraps.Provenance: from the estate of Raymond Gid who died Sunday November 12, 2000 in Paris. Born on November 25, 1905, Raymond Gid became first known through his posters, after having studied at les Beaux-Arts. As a film enthusiast, he designed many movie posters, for example Vampyr de Dreyer (photomontage, 1932), Le Silence de la mer by Melville (1949), Les Diaboliques by Clouzot (1955). But a meeting with Guy Levis Mano (editions GLM), editor and typographer, soon directed Gid towards the book. In 1935, he publishes, together with the photographer Pierre Jahan Devot Christ de Perpignan and Chats, Chiens by Ylla. It is an intensive period of his life period: he meets Dufy, Corbusier, Hake, Lurcat and receives the gold medal for a poster at the International exhibition of Paris (1937). He reacts to the Civil War in Spain with a poster " Help to the civil populations ". Together With Father Carre, « bete-a-bon-Dieu » of the Resistance, Raymond Gid began to design liturgical texts. Apocalypse Six (an extract of the biblical text of Saint John) appeard after the war. It is one of his major works, composed in the Peignot typeface, which was designed by Cassandre in 1937. He designs several post-war period posters, for example Week of absent, a simple Lorraine cross surrounded by barbed wire on a dark background. Right from the beginning of the symposiums in Lure (Provence) in 1954, Raymond Gid participates in discussions on typography, particularly with Maximilen Vox, Charles Peignot, Roger Excoffon. Raymond Gid puts on page and illustrates the Dialogues of the Carmelite nuns by Bernanos (1954), then some pages in Caractere Noel 1955, dedicated to his friend Jan van Krimpen, the creator of dutch type faces. He plays with the breathing of the text, in the manner of Mallarme, as in his Book of hours (1959) or his Apocalypse (1964), adapting medieval text to present day tastes. He also designs posters like those for the Club Mediterranee (1961), Bally (1976) or, heavier fare, like that of Amnesty International (1973). During his whole life, Raymond Gid remained attached to the typographical arts. He liked to try out new characters in his compositions, mixing them with his very free drawings, as for example in Messidor published by the Imprimerie nationale (1989). Jean-Francois Porchez, type designer; translated from french by Babelfish and cleaned up a bit. Links Art and Poster Bally posters Chicago Center for the Print Bally posters Poster Auctions International, New York Catalogue from the personal exhibition at the Bibliotheque Forney, Paris, in 1992.…

in-8, reliure toile éditeur, sans sa jaquette, 142p, nbses illustrations, bé.

No Binding. Zustand: Very Good. Very uncommon publication from 1968 which contains a bounty of American trademarked logos from the heyday of the post-war graphic design and advertising boon. In Black cardboard slipcase foil-stamped in white, with a 56 page booklet, 16 sheets that fold out to 4 panels, and 45 single panel sheets. An amazing document in a visually compelling format. This copy generally very nice, with some heavier wear to the slipcase, but the inner contents are in excellent, superb, crisp condition, appears scarcely looked through at all. The case itself, thought still intact, is a bit wobbly, and is missing about 1" of one of the sides, and what remains on both sides is slightly curled and peeled up form the joining cardboard underneath, leaving it a bit precarious as is (could likely be fixed up easily with PVA glue and happy to do that for anyone interested). Some further fraying at the sides and some light rubbing to covers besdes. As mentioned, all interior contents are nearly as new, remarkably so given the age. Booklet has some minor toning around edges of the back cover, and one or two of the sheets has the slightest bit of corner wear, but generally superb. Lester Beall [essay] Chicago: Society of Typographic Arts (STA), June 1968. First [only] edition. Black cardboard slipcase foil-stamped in white. [16] 4-panel sheets, 25 loose sheets, and a 56-page booklet enclosed in the slipcase. Contents lightly handled. The Publishers slipcase is split along the lower front edge and worn along each edge, with tape repair to case bottom and bumps to corners. Nearly fine contents in a fair to good example of the Publishers slipcase. Rare. Black slipcase contains 16 [8.5" x 8.5"] 4-panel sheets, 25 [8.5" x 8.5"] loose sheets and a 56-page [8.5" x 8.5"] perfect-bound booklet. From the introduction: "193 American trademarks, symbols and logotypes were chosen by a jury of leaders in the field of design to be represented in Trademarks/USA, the first national retrospective exhibition of its kind, which opened April 22, 1964 at the National Design Center in Marina City, Chicago, under the auspices of the Society of Typographic Arts." An amazing document that chronicles the rise of the American trademark after World War II, and by extension the graphic design profession as well. Essays include the introduction for "Trademarks/USA" including the President's Message and 5 b/w photos of jury members, an essay called The Trademark: A Graphic Summation of Individuality by Lester Beall including 5 b/w photos of the exhibition. Some of the actual trademark designers include, Abbott Laboratories, George Nelson, The Ansul Company, Raymond Loewy, CBS, William Golden, Connecticut General Life Insurance Company, Lester Beall, CCA, Ralph Eckerstrom, IBM, Paul Rand, International Minerals and Chemical Corp., Morton Goldsholl Design Assoc, International Paper Co., Lester Beall, Lawry's Foods, Inc., Saul Bass, Martin-Senour Co., Morton Goldsholl Design Assoc, Herman Miller, George Nelson; Playboy Magazine, Arthur Paul; Westinghouse, Paul Rand; Weyerhaeuser Co., Lippincott & Margulies, Inc, Ladislav Sutnar, Saul Bass, George Tscherny, Lippincott & Margulies, Morton Goldsholl Design Assoc., Raymond Loewy, Tom Geismar/Chermayeff & Geismar Assoc., John Massey, Paul Rand, S. Neil Fujita, Dickens, Inc., Walter Dorwin Teague Assoc., George Nelson & Co., Lester Beall, Inc., Milton Glaser/Pushpin Studios, Charles Coiner, John Ciampi, Albert Kner/Container Corp. of America, Aero Press, Frank Gianninoto Assoc., Eckstein-Stone Assoc., Lippincott & Margulies, Dickens, Inc., and William Wondriska among many many others.…