Tsai eugenie (53 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

191 pp.; 19.5 x 19.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index. Very Good. Light yellowing of covers and rubbing of cover edges. 7.2 cm. pricing sticker on verso. Contents clean and unmarked.…

Hardcover. Zustand: New. Illustrated. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:0231072597.

hardcover. Zustand: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

hardcover. Zustand: Very Good.

Paperback. Zustand: Very Good. No Jacket. This book shows minimal sign of wear to the cover, binding, or pages. Secure packaging for safe delivery.

Zustand: Very Good. Picture Shown is For Illustration Purposes Only, CONDITION ? LIKE NEW ? HARDBACK : dent to corner/edges of boards, shipped from the UK.

Zustand: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. 69pp. Bold red cloth, Silver lettering. illustrated endpaper. Color photos. Book is like new. Unclipped pictorial jacket is bright and unmarked. Sanford Biggres is a Harlem-based interdisciplinary artist who works in film/video, installation, sculpture, music, and performance. Biggers first received critical attention when his collaborative work with David Ellis, Mandala of the B-Bodhisattva II, was included in the exhibition "Freestyle", curated by Thelma Golden at the Studio Museum in Harlem in 2001.[6][7][8] Since, his works have been presented internationally including the Tate Modern in London, the Renaissance Society in Chicago, The Kitchen in New York. Biggers's art frequently references African-American ethnography, hip hop music, Buddhism, African spirituality, Indo-European Vodoun, jazz, Afrofuturism, urban culture and icons from Americana. Size: 9 1/4" X 12 1/4". Book.…

Hardcover. Zustand: Brand New. 192 pages. 12.75x10.50x1.00 inches. In Stock.

Zustand: New. pp. 192.

Zustand: Very Good. Los Angeles and Berkeley: Museum of Contemporary Art and University of California Press, 2004. First Edition. Quarto (28x24x2.5cm); 280pp, including chronology and bibliography. Densely illustrated with Smithson's work and associated documents throughout. Graphic coated wrappers, with deep French flaps, over sewn gatherings; flaps unfold to documentary photographs. Light rubbing at corners and spine ends. Binding is sound and pages unmarked. Robert Smithson (1938-1973) is most widely known for his "Spiral Jetty" in the Great Salt Lake in Utah. The is the richly augmented catalog for the Smithson show that ran at the Los Angeles Contemporary Museum of Art from 12 September to 13 December 2004, traveling afterward to Dallas and the Whitney in New York City. …

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Near Fine. Near Fine. 1st Edition. Hardcover With Complete Dj. . Exhibition Catalogue Illustrated In Colour And Some B/W. Text By Eugenie Tsai, Cornelia Butler, Thomas Crow Et Al. 4to.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Tsai, Eugenie et al. KEHINDE WILEY: A New Republic. 192 pages, including 100 color plates. 4to, cloth. New York, Prestel Publishing, 2015.

Soft cover. Zustand: Very Good.

First trade paperback printing. Small 4to. 280 pp w/selected exhibition chronology & bibliography. Very near fine in illustrated wrappers.

Zustand: New. In English.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New. p. 256.

Zustand: NEW.

Softcover. Zustand: Like New. Immediate dispatch from Somerset. Book in excellent unread/unused condition. Softcover. English. See images for condition. About the book >.>.> I first met Byron Kim in 2000 in Seoul, South Korea. We were there at the Invitation of Artsonije, a contemporary art museum that was presenting, for the first time in Korea, an exhibition that featured Korean American artists. Titled "Koreamericakorea," it included works by Kim and by the late Theresa Hak Kyung Cha, whose film/video projection Exil?e, a meditation on cultural displacement, was on loan from the Berkeley Art Museum and Pacific Film Archive and served as a touchstone for the exhibition. However, I had already been an admirer of Kim's work for some years, after seeing his unforgettable painting Synecdoche, 1991 (fig. 2), for the first time in the 1993 Whitney Biennial. Synecdoche is a grid of hundreds of small panels, each a different shade, ranging from light tan or pink to dark brown. Was this a riff on Minimal painting? I wondered. Well, as it turned out, yes and no. Upon reading the wall text, I learned that Kim had matched each panel to the color of a person's skin. Each modular unit, then, is in essence a portra.…

Zustand: New. 2021. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 280 pages - This fully illustrated book accompanies the first comprehensive American retrospective of Robert Smithson's (1938 -1973) complex and highly influential career. Straddling the movements of minimalism and land art, Smithson, who died in a plane crash at the age of 35, had a profound impact on the cultural landscape that resonates to this day. Robert Smithson presents essays by top Smithson scholars alongside both archival imagery and specially commissioned photography of the artist's works; it considers the interrelationship of Smithson's complete artistic output, from the earliest figurative work up to his famed earthworks. Smithson's revolutionary ideas positioned art as existing beyond the walls of the museum in media such as writing and film, and even in the landscape itself. This volume and the exhibition it accompanies explore Smithson's work within the context of the artistic climate of the late 1960s as well as ensuing decades.…

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.