translated john payne (17 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Hardcover. No dust jacket. Pages are clean and unmarked. Covers show light edge wear with rubbing/light scuffing. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day!

Hardcover. Zustand: Fair. New York, no publication date stated, c. 1930; brown leather covered flexible boards; edges and corners scuffed; front and rear boards detached at crown; 8vo, 7 3/4" to 9 3/4" tall; Previous owner's name on front paste-down; hinge split contents page; interior is clean and unmarked; 528 pages.

Hardcover. Zustand: Good. Later printing. Ink notations on endpapers, small stamp on rear page, front fly with a 2" abrasion and small hole, hinges cracked, covers worn and soiled, spine rubbed and tanned, good only. A collection of 100 tales told over seven days by the fictional characters of seven ladies and three young men.

Hardcover. Zustand: Good. Later printing. Foreword by Morris L. Ernst. Owner name and date, a few pages with light foxing, topedge with a few small spots, covers worn with a few spots, corners and spine ends rubbed and fraying, spine sunned, good only. A collection of 100 tales told over seven days by the fictional characters of seven ladies and three young men.

Hardcover. Zustand: Very Good. Later printing. Illustrated by Steele Savage. Topedge dye slightly faded, covers lightly worn with a few small spots, corners and spine ends modestly bumped, spine sunned, about very good. A collection of 100 tales told over 10 days by the fictional characters of seven ladies and three young men.

Hardcover. Zustand: Good. hardback, 8vo, 630pp, owner's name on endpaper, text clean and sound, inner hinges cracked, red cloth, spine rubbed, Good / no dustwrapper.

Softcover. Reprint. Small Quarto Size [approx 17.5cm x 24cm]. Very Good condition. Robust, professional packaging and tracking provided for all parcels. 759 pages. Translated by John Payne. A very nice copy of this classic work.

Full-Leather. Zustand: Very Good. No Jacket. 1" of fraying on the spine. Gift inscriptions. Dimensions 4" x 2.5".329 pages.

HardBack. Zustand: Very Good. No Jacket. First edition. 1st and Limited Edition, Number 904 of 1000, Lawrence and Bullen. Two Volume Complete Set. Thick Royal 4to. Illustrated From Original Drawings by Louis Chalon with 9 full page tissueguarded plate illustrations to Volume I, and 6 full page tissueguarded plate illustrations to Volume II, also 4 of 5 Additional full page tissueguarded plate illustrations, lacking Enchanted Peartree, all else collated and present in excellent order, together with decorated initial letters and illustrated chapter headpieces. Translated by John Payne. Printed on thick creamy paper with wide margins, edges attractively untrimmed. Very good clean tight sound square, no bookplate, inscription or marks of any kind, well held in joints and hinges. Very good in gilt lettered and illustrated green moire silk cloth, gently rubbed to spine and edges, light fraying to corners vol II, light bump to upper leading edge vol I, and featuring publishers gilt embossed vignette of goddess and garlanded bull to upper. Attractively bound complete set of this infamous work.

Hardcover. Zustand: Good. No Jacket. Limited Edition. DESCRIPTION: Two-volume set illustrated by Louis Chalon; brown moire boards, 11 1/4 x 8 inches. On the limitation page of Volume I is stated "One thousand copies for England and America, No. 382. Vol 1, xxiii, 325 pp., nine b/w photogravure plates. Vol 2, xii, 383 pp. six b/w photogravure plates. All plates, except one are protected by tissue guards. Gilt titles on spine and small gilt decoration on upper board. Deckled front and bottom edges. CONDITION: Cover board corners, and top and bottom of spines are bumped and frayed. Light scuffing to the boards. Front cover board of Vol 1 shows few bubbles. Joints and hinges are strong, text is clear and unmarked. Tonning to pages, especially in the margins. ABOUT THIS TITLE AND BOOK:"The Decameron" is a classic work of Italian literature, written by Giovanni Boccaccio in the 14th century. The title is derived from the Greek words "deka" (ten) and "mera" (day), reflecting the book's structure of 100 tales told by ten young women and men over ten days. The work is renowned for its comprehensive portrayal of life during the Black Death, as the storytellers have retreated to the countryside to escape the plague ravaging Florence. Boccaccio's tales range from the erotic to the tragic, the pious to the mundane, and are considered a masterpiece of classical early Italian prose. The translator, John Payne (1842 1916), was a poet and translator, known for his translations of Boccaccio and other significant works from French and Italian literature. Louis Chalon, the illustrator, was a French artist known for his book illustrations and paintings. The style and quality of his illustrations could add to the book's collectibility and aesthetic value. Happy to send pictures and answer a questions.

Hardcover. Zustand: Very Good. No Jacket. Small hardback copy (4.5 x 3 inch) in tan cloth boards with gold gilt lettering to spine, no dustjacket as issued. 329pp + 6pp book catalogue to rear. Not library copy, no inscriptions. (22/2).

Hardcover. Zustand: Very Good. No Jacket. 2nd Edition. Second Edition. Hardback copy in full tan leather boards with gold gilt lettering and decoration, and 4 raised bands to spine, no dustjacket. 252pp + 33pp preface. Marbled endpapers. Measure 16cm high x 11cm wide. Not library copy, rebound boards and new marbled endpapers, ex-libris sticker to reverse ffep, ink inscription to second endpaper, some spotting to leather on front boards. (55/2).

Paperback / Pamphlet. Zustand: Good +. Seventeenth Edition. [17th Edition]. 64 pp. 15 cm. Saddle-stapled in pink (faded from red?) printed wraps. IWW's circular emblem printed on the front. Frontis portrait of Joe Hill on page [2]; this edition features twelve of his songs. Staples (binding) are beginning to rust. Sporadic staining and dust soiling to covers. Minor signs of age-toning, internally clean. The IWW's famous "Little Red Songbook" which was originally published in 1909 and has never gone out of print. Fifty-two songs are printed here (pages 5-64) in this Seventeenth Edition from 1922. Some tune designations are given. Some short lyrical explanations are given. Musical notation is not printed. Includes an index of song titles at the front (pages [3-4]). IWW's "Preamble" is printed on the front inside cover. "We Are Going to Find Out" (six paragraphs of text raising awareness and support for imprisoned Wobblies) by the IWW's General Defense Committee is printed on the rear inside cover. An advertisement for future versions of the songbook, with the promise of printed musical notation to be included, is printed on the rear cover. IWW's address of "1001 W. MADISON ST. CHICAGO, ILL" is printed on the front cover, title page [1], and rear cover, which was the IWW's General Headquarters from July 1917 - March 1925. About The Little Red Songbook, Historian Philip Taft noted. "By far the most popular work produced by the Industrial Workers of the World, the Song Book has gone through many editions. In fact, some of its "Songs," especially one by Joe Hill, are known by many who are scarcely acquainted with the I.W.W. itself. [.] What first attracted me to the I.W.W. was its songs and the gusto with which its members sang them." Contains the following songs (in the order printed): The Rebel Girl; The Internationale; We Will Sing One Song; Workers of the World, Awaken!; One Big Industrial Union; The Red Flag; The Workers of the World Are Now Awaking [sic Awakening]; Harvest War Song; Workers of the World; John Golden and the Lawrence Strike; Scissor Bill; Dump the Bosses off Your Back; All Hell Can't Stop Us!; Up from Your Knees; The Tramp; Whadda Ya Want to Break Your Back for the Boss For?; The White Slave; The Big Question; Solidarity Forever!; The Dollar Alarm Clock; We Have Fed You All for a Thousand Years; I'm Too Old to Be a Scab; Mr. Block; The Industrial Workers of the World; The Workers' Marseillaise; "Remember"; Industrial Unionism Speaks to the Toilers of the Sea; The Preacher and the Slave; "The Popular Wobbly"; "Renunciation"; Don't Take My Papa Away from Me; When You Wear That Button; My Wandering Boy; The Everett County Jail; I Wanna Free Miss Liberty; May Day Song; They'll Soon Ring Out; Onward, "One Big Union"; Count Your WorkersCount Them!; Fifty Thousand Lumberjacks; Tie 'Em Up!; Joe Hill's Last Will; The Mysteries of a Hobo's Life; Workers' Memorial Song; Farewell, Frank!; The Commonwealth of Toil; A Worker's Plea; Organize!; There Is Power in a Union; Harvest Land; Hold the Fort; and Workingmen, Unite!

Paperback / Pamphlet. Zustand: Very Good +. Seventeenth Edition. [17th Edition]. 64 pp. 15 cm. Saddle-stapled in red printed wraps. IWW's circular emblem printed on the front. Frontis portrait of Joe Hill on page [2]; this edition features twelve of his songs. A previous owner's 3" x 5" index/notecard is laid-in with a paragraph of cursive text written in black ink. A nice, clean copy with just a bit of wear to the covers. The IWW's famous "Little Red Songbook" which was originally published in 1909 and has never gone out of print. Fifty-two songs are printed here (pages 5-64) in this Seventeenth Edition from 1922. Some tune designations are given. Some short lyrical explanations are given. Musical notation is not printed. Includes an index of song titles at the front (pages [3-4]). IWW's "Preamble" is printed on the front inside cover. "We Are Going to Find Out" (six paragraphs of text raising awareness and support for imprisoned Wobblies) by the IWW's General Defense Committee is printed on the rear inside cover. An advertisement for future versions of the songbook, with the promise of printed musical notation to be included, is printed on the rear cover. IWW's address of "1001 W. MADISON ST. CHICAGO, ILL" is printed on the front cover, title page [1], and rear cover, which was the IWW's General Headquarters from July 1917 - March 1925. About The Little Red Songbook, Historian Philip Taft noted. "By far the most popular work produced by the Industrial Workers of the World, the Song Book has gone through many editions. In fact, some of its "Songs," especially one by Joe Hill, are known by many who are scarcely acquainted with the I.W.W. itself. [.] What first attracted me to the I.W.W. was its songs and the gusto with which its members sang them." Contains the following songs (in the order printed): The Rebel Girl; The Internationale; We Will Sing One Song; Workers of the World, Awaken!; One Big Industrial Union; The Red Flag; The Workers of the World Are Now Awaking [sic Awakening]; Harvest War Song; Workers of the World; John Golden and the Lawrence Strike; Scissor Bill; Dump the Bosses off Your Back; All Hell Can't Stop Us!; Up from Your Knees; The Tramp; Whadda Ya Want to Break Your Back for the Boss For?; The White Slave; The Big Question; Solidarity Forever!; The Dollar Alarm Clock; We Have Fed You All for a Thousand Years; I'm Too Old to Be a Scab; Mr. Block; The Industrial Workers of the World; The Workers' Marseillaise; "Remember"; Industrial Unionism Speaks to the Toilers of the Sea; The Preacher and the Slave; "The Popular Wobbly"; "Renunciation"; Don't Take My Papa Away from Me; When You Wear That Button; My Wandering Boy; The Everett County Jail; I Wanna Free Miss Liberty; May Day Song; They'll Soon Ring Out; Onward, "One Big Union"; Count Your WorkersCount Them!; Fifty Thousand Lumberjacks; Tie 'Em Up!; Joe Hill's Last Will; The Mysteries of a Hobo's Life; Workers' Memorial Song; Farewell, Frank!; The Commonwealth of Toil; A Worker's Plea; Organize!; There Is Power in a Union; Harvest Land; Hold the Fort; and Workingmen, Unite!

Hardcover. Zustand: Near Fine. Limited Edition. Deluxe Edition limited to 500 copies. Fifteen volumes complete; no bookplates; no ownership markings or names; no library stamps. Contents clean and tight. Tissue-guarded illustrations. Green cloth with paper spine labels; gilded textblock top edges. Other page edges deckled/untrimmed. Additional shipping costs will be likely due to weight. Volumes 13-15 with 1897 copyright and printed on limitation page: No. 60/500 copies. Printed on limitation page of Volume 1 is No. 68/500.

Zustand: Very Good. Zustand des Schutzumschlags: Very Good. An exceptional Mosher Press production from the Thomas B. Mosher series of finely printed limited editions, exemplifying the craftsmanship and aesthetic ideals of America's private-press renaissance. Printed on Van Gelder handmade paper in a limited edition of 500 copies, and rarely found with both its integral printed wrapper and the original titled glassine dust jacket intact. A fine example of Thomas B. Mosher's devotion to medieval poetry and fine press design at the height of the American private-press movement. Printed at Mosher's Exchange Street press; in fine condition internally. Bound in plain cream stiff wraps with integral printed outer wrapper forming part of the binding. Original translucent glassine dust jacket, printed in red on the spine, is laid overage-toned with typical chipping and tears along folds but seldom retained. Text block bright and crisp, showing only light offsetting from the vellum frontispiece. A well-preserved example uncommon with both jackets. François Villon (1431after 1463) was France's first great lyric poet and among the most compelling figures of medieval literature. A scholar turned vagabond, his life of poverty, wit, and defiance found voice in Le Lais and Le Grand Testamentworks blending courtly grace with street realism. His haunting meditations on mortality and transience, including the famous 'Where Are the Snows of Yesteryear?', influenced writers from Rabelais to Pound. Villon remains collected for his enduring voice of rebellion and humanity, bridging the medieval and the modern poetic imagination. The Mosher Press editions of Villon (1900, 1905, 1909) established Payne's translation as the standard English rendering for the early 20th century. Mosher's typography and use of Van Gelder paper mirror the Kelmscott and Vale Press influences he championed. The 1909 issue, the final and smallest in the sequence, reproduces Payne's dedication to Théodore de Banville and includes genealogical and bibliographic notes absent from the 1900 first printing. Subjects: François Villon; John Payne (translator); Thomas B. Mosher; Limited Editions; Van Gelder Paper; Private Press Printing, Fine Press; Poetry; Medieval Literature; Translation; Book Arts.