tom grove (25 Ergebnisse)

Paperback. Zustand: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Kate McKendrick Grove (illustrator). Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.

Paperback. Zustand: Very Good. Kate McKendrick Grove (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Kate McKendrick Grove (illustrator). This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Zustand: Used; Good. Kate McKendrick Grove (illustrator). Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Ex-library book with stamps on the first page, it is also likely to have a small shelf number sticker on the spine.

Paperback. Zustand: Used; Good. Kate McKendrick Grove (illustrator). Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Aged book. Tanned pages and age spots, however, this will not interfere with reading. Book cover may differ.

Zustand: Very Good. Kate McKendrick Grove (illustrator). 1746527237. 5/6/2025 10:27:17 AM.

Zustand: Very Good. Kate McKendrick Grove (illustrator). Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Very Good. Kate McKendrick Grove (illustrator). Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Kate McKendrick Grove (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Kate McKendrick Grove (illustrator). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Zustand: Très bon. Kate McKendrick Grove (illustrator). Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Soft cover. Zustand: Good. Light wear to edges. Blank endpaper has been removed, interior otherwise clean and unmarked.

Paperback. Zustand: Brand New. 364 pages. 9.13x6.06x1.02 inches. In Stock.

Paperback. Zustand: Brand New. 169 pages. 9.00x6.00x0.50 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Softcover. Zustand: Near Fine. Magazine. Illustrated from black and white photographs. Pictorial wrappers. 398pp. Light foxing on page edges, else fine. Paper tipped in "In Memoriam [sic] Carroll F. Terrell, February 21, 1917 - November 29, 2003, Founding Editor of *Paideuma*, Founding Director of the National Poetry Foundation"; Hugh Kenner, January 7, 1923 - November 24, 2003, Senior Editor of *Paideuma*, Lifelong Friend and Supporter of NPF." This special volume is dedicated to James Laughlin, 1914 - 1997, & Guest-Edited by Emily Mitchell Wallace. Contributions by Rodney Grove Dennis, Tom Vitale, James Atlas, Joel Conarroe, Anne Conover, William Eric Williams, Hught Witemeyer, Hayden Carruth, Penelope Laurans Fitzgerald, Samuel A. Streit, Emily Mitchell Wallace, Terry Halladay, Leslie A. Morris, Patricia C. Willis, John A. Harrison, Ezra Pound, Zhaoming Qian, Richard Taylor, Demetres Tryphonopoulos, William McNaughton, Patrizia De Rachewiltz, and fourteen poems by James Laughlin.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.

Single Issue Magazine. Zustand: Good. Illustrated by D'Arazien, Art (cover photos); Mawicke, Tran; Mullin,Willard; Sawyers, Martha; Karger, George; Bugg, Robert; D'Alessio,Gregory; Wiggins, Katherine; Ross, Alex; Keller, Roswell; Leason, Percy; (illustrator). First Edition. 74 pages. Articles:Rescue Below Zero ( part 1 of the story of Bernt Balchen's Arctic Airmen); A Protest Against the Bowls - President of the University of Delaware, William S. Carlson, thinks educators must act to curb exaggerated emphais on postseason football games; That Wonderful Guy - Ezio Pinza - article with great photos; Happy Land of Teen-Agers - George Junior Republic; Look Here, My Good Man; The Unification Row - Famous Plane Designer Ray Holland Jr. Speaks His Piece; Beefsteak Party - great color photos with brief article; The Collier Trophy - For Notable Contribution to Safety in The Air; Mad Hatter - Victor Hoeflich is a pioneer in making party favors - article with color photos; Intrusion into the Past - ace cameraman Leon Shamroy at work on film "Prince of Foxes"; Hell-Bent (part 1 of 3); The Moulmein Star; Woods Full of Parsons; A Little Like Shirley Temple; First Date; Cinderella Rides Again (conclusion); Liberty Hound. Includes these nostalgic ads: Good Year; Puritan Sportswear; Schlitz beer; Camel cigarette ad on back cover features nice color photo of Mrs. Thomas W. Phipps Average wear. Unmarked. A sound vintage copy.; Folio - over 12" - 15" tall; Collier's - The National Weekly Magazine, December 31, 1949 B-29 Clobbered Turkey Crash Nome Alaska Rescue Below Zero ( part 1 of the story of Bernt Balchen's Arctic Airmen); A Protest Against the Bowls - President of the University of Delaware, William.