Verlag: Milkweed Editions, Minneapolis, 1989
Anbieter: Abacus Bookshop, Pittsford, NY, USA
Erstausgabe
softcover. Zustand: Nearly fine copy. Illus. with photos (illustrator). 1st. 4to, 111 pp.
Verlag: San Francisco, CA: John Berggruen Gallery., 2016
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Erstausgabe
Zustand: Good. [Exhibition catalogue]. 4to. 48 pp. Soft black wraps with white and red lettering. Very good. Color plates. Includes transcript of a conversation between Timothy A. Eaton and John Alexander. Includes artist C.V. Catalogue created to accompany the exhibition "John Alexander: Recent Paintings & Drawings", held from March 16 through April 23, 2016 in San Francisco, CA at John Berggruen Gallery. First edition.
Verlag: New York: Harry N. Abrams., 1997
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 4to. 431 pp. Near Fine. Soft Cover. Illustrated paper wraps. Color and B&W plates throughout. ISBN: 0912298707 9780912298702.Heavy volume, additional shipping fees may apply.
Anbieter: Librería Pérez Galdós, Madrid, M, Spanien
Zustand: leido. Biblioteca Manual Desclée, 55. 1ª ed., 1ª imp. edición. cartoné. 356.
Verlag: Milano, Galleria del Naviglio,, Milano, 1964
Anbieter: Studio Bibliografico Marini, ROMA, RM, Italien
paperback. Zustand: Ottimo (Fine). Catalogo della mostra alla Galleria del Naviglio, Milano,11-24 gennaio 1964. Testo di Carlo Cardazzo e un dialogo tra Hennessy e John Bernard Myers. Con 1 illustrazioni a piena pagina e biografia con foto dell'Artista . Cm 23x16. . . Ottimo (Fine). . . . Book.
Sprache: Englisch
Verlag: San Francisco: Fine Arts Museums of San Francisco, 2005
ISBN 10: 0884011178 ISBN 13: 9780884011170
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. Fo. Soft Cover [ ca. 570 pp.] Color Plates, Very good. Includes Double Page Fold-out Plates*Heavy book. Additional shipping costs might be applied.*Provenance: Richard Diebenkorn Foundation, Berkeley, CA.
Verlag: Venezia, Galleria del Cavallino,, Venezia, 1964
Anbieter: Studio Bibliografico Marini, ROMA, RM, Italien
loose_leaf. Zustand: Molto buono (Very Good). Pieghevole della 580 Mostra del Cavallino, dal 22 febbraio al 4 marzo 1964. Con un testo di Carlo Cardazzo. Una tavola in bianco e nero, Fotoritratto dell'Artista e nota biografica . cm 19,5x19. pp. 4. . Molto buono (Very Good). . . . Book.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 114,22
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Zubal-Books, Since 1961, Cleveland, OH, USA
Zustand: Very Good. 438 pp., hardcover, minor library markings, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 151,92
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 285 pages. 8.50x6.25x1.00 inches. In Stock.
EUR 163,58
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Springer International Publishing, 2019
ISBN 10: 3030038823 ISBN 13: 9783030038823
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Through the discursive political lenses of Occupy Wall Street and the 99%, this volume of essays examines the study of Shakespeare and of literature more generally in today's climate of educational and professional uncertainty. Acknowledging the problematic relationship of higher education to the production of inequity and hierarchy in our society, essays in this book examine the profession, our pedagogy, and our scholarship in an effort to direct Shakespeare studies, literary studies, and higher education itself toward greater equity for students and professors. Covering a range of topics from diverse positions and perspectives, these essays confront and question foundational assumptions about higher education, and hence society, including intellectual merit and institutional status. These essays comprise a timely conversation critical for understanding our profession in 'post-Occupy' America.