Tighe eileen ed (3 Ergebnisse)
Verlag: Fawcett Publications, Inc.
- Hardcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 5,85
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In den WarenkorbHardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Verlag: Fawcett Publications, Inc.
- Hardcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 19,98
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Verlag: John D. MacArthur, Chicago, 1951
- Softcover
- Magazine / Periodical
Anbieter: ReadInk, ABAA/IOBA, Los Angeles, CA, USAReadInk, ABAA/IOBA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 45,13
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In den WarenkorbMagazine. Zustand: Very Good. (Vol. XXXV, No. 8). [some edge- and surface-wear to covers, vertical crease down middle of front cover, old subscription label (with name blacked out) on rear cover]. (B&W photographs A jam-packed issue with numerous articles and features about films, filmmakers, and other aspects of what the editor…s considered "Hollywood"-ish -- really a lot of great content in just 104 pages. A primary feature is the full screenplay of John Ford's 1935 film THE INFORMER, with an analysis by John Gassner. The issue also includes contributions by: Mel Ferrer (about the La Jolla Playhouse); David Wayne ("Acting for the Screen"); Sidney Sheldon ("The Hollywood Writer"); Gilbert Seldes ("A Short Angry View of Film Censorship"); John Houseman (about the "Drama Quartette" recently presented on stage by Charles Laughton, Sir Cedric Hardwicke, Agnes Moorehead, and Charles Boyer); Emily Genauer ("The Art Film"); Arthur Knight ("Up from Disney," an article about the UPA animation studio); and John Gassner (Part 3 of an analysis of the works of playwright Sean O'Casey). There are profiles of Jean Renoir, Ina Claire, and Danny Kaye. Alfred Hitchcock's STRANGERS ON A TRAIN is discussed at some length, and there's also an interesting review of Nathanael West's "The Day of the Locust" (which had just then been re-issued by New Directions), accompanied by somewhat grotesque drawings of the novel's main characters by Arline and Marvin Oberman. There's a discussion of musical presentations at the Hollywood Bowl, and even an article about television shows then being produced in Hollywood.
